Jason Reekie The Unknown Swimmer 13- 23 March 2024 hours: Tuesday - Friday: 12pm - 7pm Saturdays: 12pm - 4pm admission: Free ..you never regret a swim... The Unknown Swimmer was born in the frigid waters of Port Phillip Bay in the grip of a Melbourne winter. Stemming from a slightly drunken conversation, a gauntlet…
Ivana and Robert Perkins Now and Then 13 March - 23 March 2024 hours: Tuesday - Friday: 12pm - 7pm Saturdays: 12pm - 4pm admission: FreeImage caption: Ivana, Robert Perkins, 1990More details coming soonMore details coming soon
Louise Tyler Secret Places 26 March - 6 April 2024 hours: Tuesday - Friday: 12pm - 7pm Saturdays: 12pm - 4pm admission: Free amorphous swathes of watercolour that reveal ponds, seaweed, a beach, moonlight and farmland The exhibition, Secret Places, features a row of white-framed pictures on paper, an oil painting on canvas, and eight…
Jane Sinclair Sad Stories in Paint: The end of one career... 26 March - 6 April 2024 hours: Tuesday - Friday: 12pm - 7pm Saturdays: 12pm - 4pm admission: Free I have a strong desire to communicate on a deeper level, whether verbally, with words on paper, or paint on canvas. Artist Statement: "Why do…
Experience one of the greatest Chamber works ever composed in this unique performance of the Schubert String Quintet. Be immersed in a world of sublime lyrical euphoria and dark, profoundly unsettling angst as the struggle between life and death unfolds in the most extraordinary music ever written.
Mn’JAM experiment is an audio-visual project that uses technology in art to push boundaries. It’s not just a musical show because JAM (the visual artist) also plays images, plays lasers and plays lights. It’s not just a light show because music is being interpreted, improvised, and so are the lights. It’s not just electronic music although most sounds being generated are pretty much electronic and it’s not jazz although there is a ton of complex harmonies, rhythms, and a fair bit of improvisation on top of that. It’s a hybrid show that encapsulates the essence of cross art forms.
The 2023 Joan Sutherland and Richard Bonynge Bel Canto Award Winner, Rebecca Gulinello, presents a benefit and farewell concert as she embarks on her European journey.
'Literary Death Match', now in 73 cities worldwide, brings together a mix of four brilliant writers to read their most electric writing for five minutes or less before a live audience and a panel of three all-star judges.
Kenny Phan Finding Solace in Remote Sands 9 - 20 April 2024 hours: Tuesday - Friday: 12pm - 7pm Saturdays: 12pm - 4pm admission: Free a personal reflection on oneself and the desire to find the inner comfort within solitude Finding Solace in Remote Sands explores the feeling of solitude within oneself to unearth their…
Geoffrey Falk, Andrew Scollo & Sally Vivian Seeing Light 9 - 20 April 2024 hours: Tuesday - Friday: 12pm - 7pm Saturdays: 12pm - 4pm admission: Free People moved through this landscape for many thousands of years treading lightly on the land and taking care of it With paintings by Geoffrey Falk and Andrew Scollo,…
It’s 1998. Deep in the Australian suburbs, we meet a fourteen year old girl who wants to be a witch, and an older man who claims he can teach her how. Directed by Alice Darling ('The Fence', Darebin Speakeasy), and featuring Matilda Gibbs and internationally acclaimed theatre-maker Daniel Schlusser, Mackey’s unflinching play demands a new narrative of gender, agency, and power.
Gavin Brown Grand Tour 23 April - 4 May 2024 hours: Tuesday - Friday: 12pm - 7pm Saturdays: 12pm - 4pm admission: Free tumbling and falling and creating new compositions organically, as if they’ve just been dug up and are speaking to us from the ancient world. ARTIST STATEMENT Inspiration can strike anywhere. It is…
Chris Orr Motherboard 23 April - 4 May 2024 hours: Tuesday - Friday: 12pm - 7pm Saturdays: 12pm - 4pm admission: Free Every feature is a straight line, a toxic slurry of motherboards creating a colonising infestation over the human form Humanity has an inherent need for validation, manifested in the creation of reflective images…
Written and performed by Sally McKenzie ('Mortified', Nine Network), directed by Sean Mee ('Box the Pony', Sydney Opera House), with sound design by J. David Franzke, 'WAY' (included on the 2024 VCE Drama Playlist) uses filmed sequences and live performance to interweave the fictional journey of a documentary filmmaker with the lived experiences of four homeless women. “If you love theatre, see this” (Stage Whispers).
Thanks to our generous friends, neighbours, and colleagues, fortyfivedownstairs is excited to launch a fundraising raffle for our 2024 EOFY campaign. Scroll through the list of $9,000 worth of prizes below and support fortyfivedownstairs by purchasing a $30 ticket (or two or more tickets for $25 each) which will put you in the running to…
A first exhibition from Victoria McGinness, ‘NOTHING TO SEE HERE’, features a collection of vivid embroideries, typographic studies and paintings made from second-hand materials.
Stranglehold: Colonial Heat presents uncanny landscapes by Glover Prize and Hadley Prize shortlistee Amanda Johnson.
Ten years after the MUST production that launched the Bloomshed ensemble ('Animal Farm', Darebin Speakeasy), these award-winning theatre companies return to create a world class pyramid scheme with this reprised corruption of Gogol’s 'The Government Inspector'. A live theatrical seminar for the savvy entrepreneur, this is the only show that promises to double your investment (disclaimers abound)!
Two plays, one cast, a gorilla, and a dozen or so sheep. Presented by Calamity Practice, directed by Green Room Award winner Bob Pavlich ('The Winter’s Tale', La Mama), and performed by a cast of eight, this double bill of Australian plays blends the dramatic and the absurd in a search for truth and reason within the chaos. Both plays will be performed back-to-back on Saturdays and Sundays.
'Prescription windows and magic beans' presents paintings by prominent Australian painter and designer Katrina Rhodes. “Prescription Windows” implies a specific perspective or framework through which one perceives reality, while “Magic beans” represent the potential for growth and transformation through unconventional means.
This exhibition delves into the raw and introspective world of Stephen (Stefano) Ives, a seasoned sculptor grappling with the complexities of aging, desire, and the ever-present shadow of mortality. Through a captivating blend of bricolaged plastics, toys, and found objects Stefano embarks on a personal odyssey, exploring a lifetime of captivation with the female form.
A celebration of performer Natalie Gamsu’s ('A Very Jewish Christmas Carol', MTC) strange and fearless life journey as she searches for meaning through diabolically funny and deeply personal anecdotes of tsuris, the yiddish word for pain. An evening of touching and highly entertaining storytelling directed by Stephen Nicolazzo ('Vampire Lesbians of Sodom') and featuring songs performed in Yiddish, Spanish, and English.
fortyfivedownstairs presents 'more than this' by artist Clive Jones. Episodes from History and from observation and memory rearranged in a Realist painterly way.
'Aboreal' presents a series of pastel and paper embossed drawings by artist Michael Pearce. The series developed from the artist's first visit to Wilson’s Promontory in late 2019 where he was fascinated by the twisting, textures and creature like shapes of the windswept coastal tea trees.
Olivia, a mother, pieces her late teenage daughter Molly’s life into a perfume. Directed by Cathy Hunt ('What Every Girl Should Know', Brunswick Mechanics), this surprising new queer work offers a sensory experience for audiences, employing scent to capture the play’s delicate interpretation of grief, decay, and blooming.
The exhibition explores the concept of creating something 'Brand New' through a series of six NH Architecture projects, most notably the redevelopment of the Queen Victoria Market and Arts Centre Melbourne. These endeavours engage the challenges of respecting Naarm’s ecologies, geographies and multiple histories whilst foregrounding each project’s onward journey.
Featuring five celebrated performers - Nadine Garner (The Blake Mysteries), Kerrie Anne Greenland (Miss Saigon), Marty Alix (Hamilton), Anton Berezin (The Phantom of the Opera), and Glenn Hill (Matilda) - 'Elegies: A Song Cycle' takes audiences on a musical journey that explores the modern world that we live in and life’s infinite joys.
It is our pleasure to host the finalists for the ninth annual fortyfivedownstairs Emerging Artist Award! The Prize is a proven catalyst for ongoing recognition and professional development and allows audiences the privilege of accessing early-career works by exciting emerging artists.
Based on the true stories of Holocaust survivors Krystyna Zywulska, a Polish dissident, and Gad Beck, a Jewish gay man, this Australian premiere production of renowned composer Jake Heggie’s 'Two Remain' is an exciting collaboration with Nightingale Opera in the USA, and an important reminder of the enduring power of love and humanity.
Photographs presented, all shot on Ektrachrome 120mm film, in
preference to the Digital format, ensuring a freshness of Image. You, the viewer, are
presented with the best opportunity to experience what Gamvros has been
courageous enough to seek, encounter and record. Fresh and fast, instantaneous,
decisions are made and actioned on site, in double quick time.
In 'Heartscape', abstract artist Melinda Ly explores the intersection of abstract art and meditation. The pieces merge poetry and guided meditation, taking viewers on an introspective journey amd examining a broad array of emotions and states to promote self-awareness and discovery.
This delightfully self-aware adaptation transforms Wilde’s irreverent satire into a salacious display of gross indecency. Welcome to the Wilde side in Bloomshed’s latest take-down of high society. From the collective behind 2023’s acclaimed, high-octane productions of 'Animal Farm' (Darebin Speakeasy) and 'A Dodgeball Named Desire', 'Earnest' is a delicious mix of diatribe, dance breaks, and debauchery.
At the Still Point is an exhibition of paintings and drawings by Michele Burder exploring travel through urbanised nature. It depicts nature alongside roads as seen through bus or car windows, as well as moments when captured on walks through public parks and local reserves. They represent samples of time, fleeting scenes which reflect on the transience of nature - these landscapes even though they are ordinary they presage threats from development, overuse and pollution.
This exhibition is a rare glimpse into the potential that is unlocked when we are able to embrace cultural diversity and share, appreciate, know, collaborate and negotiate cultural divides. At the college, 53 different nationalities express their unique cultural practices and perspectives through the Arts. Sharing and collaborating with their peers, students co-create artworks that are unique within the Melbourne arts diaspora.