'Stronger Together' showcases the work of the students at St Albans Secondary College, a co-educational school located in the west of Melbourne. This exhibition is a rare glimpse into the potential that is unlocked when we are able to embrace cultural diversity and share, appreciate, know, collaborate and negotiate cultural divides.

‘Muktoraah’ is a fictional realm of chaos and destruction, developed as part of Braden Howard’s ongoing world-building art practice. This exhibition will delve into this fictional land, showcasing its creatures, worlds, gods, magical beings, and powerful relics.

Drawing from both rural and urban settings, 'Ways Through' features a series of linocut prints by Ballarat-based artist Amanda Western that trace the quiet power of overlooked spaces- laneways, tree lines, and landscapes in flux. This, her first solo exhibition in Melbourne, maps emotional and ecological pathways, asking how we find connection and renewal in the places we pass through.

Melbourne artist Janice Gobey explores the restorative power of nature in her new exhibition, 'The Garden of Life'. Painted primarily in oil, this new body of work, offers viewers a moment of respite - an invitation to rest and reconnect with nature, the subconscious, and the unseen corners of the psyche.

'Naarm Textile Biennale- Social Fabric' is the third biannual exhibition by Naarm Textile Collective at fortyfivedownstairs. This collaborative group exhibition features textile artists from Victoria and will showcase a diverse and progressive range of textile art that challenges traditional conceptions of the medium.

Robert Lee Davis' 'Community Art Card Project' returns to fortyfivedownstairs for the third consecutive year, offering visitors the chance to engage in collaborative art-making by using large playing cards as their canvas to create an installation in the gallery.

Dena Ashbolt's exhibition, 'Time Between', seeks to capture the nuances of human experience and the shifts in our perception of reality. Her signature cinematic drawing technique serves as a core methodology, while also encompassing a broad artistic output, including drawing, painting, photo-media explorations, and spatial collaborative projects.

Ella Whateley's latest exhibition explores various forms of prayer through the language of abstraction, examining this spiritual practice within Islam, Hinduism, Buddhism, Shintoism, and Christianity. Her artworks reflect the unique contexts and environments from which these practices originate, drawing inspiration from her experiences in Indonesia, Taiwan, China, Japan, Nepal, Britain, and Australia.

Carolyn Roberts' latest body of work is a close, personal observation of life in two very different gardens, situated on opposite sides of the world- in Melbourne and rural Normandy. Working mainly in watercolour and mixed-media on paper, Roberts constructs a visual narrative that examines humanity's connection to nature and our sense of place within it.

In his third exhibition at fortyfivedownstairs, Richard Besley will showcase his classic large, abstract layered paintings, which evoke a world of light, movement, and space. However, after 30 years of working exclusively in abstraction, Besley will also be branching out into landscape painting, depicting scenes from his everyday life.

fortyfivedownstairs is proud to present SMALL!, our fifth annual community-sourced exhibition of small works. Established artists, emerging talents, and child artists will be showcased side by side, highlighting a diverse array of styles and media. All artworks are 20 x 20 cm or smaller, priced at $150 and displayed anonymously.

In her second solo exhibition, ‘Going Where You Take Me’, Micca explores her inner world as a young Australian-Asian woman. Through intricately detailed oil paintings, she creates surreal and mystical landscapes that address themes of identity, emotion, morality, faith, relationships, and social belonging. Her work often combines whimsy with introspection, using symbolism and dreamlike imagery to convey profound emotions and meanings.

In ‘Memories; Vivid, False and Lost,’ Alison Russell maps a landscape of memory, examining the fragile, shifting and often contradictory nature of past recollections. Through a process of automatic drawing, she renders vivid or emotionally charged memories with dense colour, intensity, and strong shapes. In contrast, fragmented forms signify blurred, conflicted or lost memories, highlighting their elusive quality.

Cameron Grant's photography series 'Australian Theatres Unveiled' celebrates the architecture and heritage of Australia’s major theatre venues. The collection spans front-facing facades through to dressing rooms and backstage wings, featuring theatres from around the country. Each work honours the character of these venues, and the emotional history they hold for performers, patrons, and the community.

In her exhibition ‘Independently Combining’, Celia Bridle explores themes of delicacy, intimacy, mobility, and flow through a collection of 24 drawings. The artworks feature curving and sweeping lines that reference the shapes of letters or abstract forms, mingling and weaving with overlapping flourishes. Each drawing is created gradually, building layer upon layer, to form a construction that is both mobile and intensely detailed.

'Whispers Woven in Water, Wings & Wildflowers' is an immersive art installation by Australian visual storyteller Pam Davison, presented in collaboration with couture designer Linda Britten. Combining fine art photography, couture garments, sound, and spatial design, the exhibition explores memory as something lived, embodied, and continually shaping the present.

'Liminal Fields' by Ria Green presents a series of painted works exploring the resonance and affect of the environment on the spiritual, emotional and physical self.

In his latest exhibition, 'Monumental', Mark Bo Chu observes familiar and unfamiliar scenes across Melbourne. Through his gritty and vibrant style, he highlights the magnificence and monumentality that occur at all scales across a city.

'Summer's Rhythm' by Adele Auchterlonie captures the essence of the Australian summer as an experience that is lived and felt, rather than just observed. The collection draws inspiration from the familiar rituals that define the season. Through the use of light, texture, and mood, these artworks invite you to reconnect with the subtle richness of an Australian summer and the sense of comfort and belonging it offers.

'Punchlines' brings together 38 of Australia’s funniest artists to explore the role of humour in contemporary art. Timed to coincide with the Melbourne International Comedy Festival, the exhibition highlights a wide range of mediums, styles, and subject matter, united by a shared impulse to find the joke, however silly, subtle or subversive.