E lascia dir le genti, captures fragments of social interaction. The moment when inhibitions are dropped, and subjects are exposed in their most raw and vulnerable state, where we are confronted by the beauty of the immediate.
Peter Hyatt combines sublime photographic imagery and digital art to create a richly invented tableaux. Familiar yet dreamlike, his work captures the collision of people, places and nature, frequently as disparate forces.
A photographic series exploring areas of wilderness in Tasmania and Nepal. The stark and isolated landscapes invoke feelings of loneliness and awe, and the notion that the natural environment is harsh and unforgiving.
An exhibition of lithographs and drawings celebrating the caring role and early married life of Maggie Larritt, wife of the first Surveyor of Bendigo. This body of work acknowledges the singularly European view of the colonial migrants as they lived on Dja Dja Wurrung land.
Fuelled by a passion for ink and paper, and intrigued by the rich visual languages of Chinese brush painting and calligraphy, Living Water is Ella Whateley’s response to full immersion in Taiwanese culture during an inspirational residency at National Taiwan University in Arts (NTUA) in 2018.
An exhibition of screenprints based on landscapes that were noticed, photographed, and forgotten. Memories are captured, but the viewer moves on. Changes that occur to the landscape are out of sight and mind, and missed. But the environment is screaming for us to take notice.
Peta Cross presents a series of approximately 400 small Pochades created between 2010 – 2020. Pochade painting has been the practice of many painters since the Impressionists. They are quickly executed sketches in oil paint.