A photographic series exploring areas of wilderness in Tasmania and Nepal. The stark and isolated landscapes invoke feelings of loneliness and awe, and the notion that the natural environment is harsh and unforgiving.
An exhibition of lithographs and drawings celebrating the caring role and early married life of Maggie Larritt, wife of the first Surveyor of Bendigo. This body of work acknowledges the singularly European view of the colonial migrants as they lived on Dja Dja Wurrung land.
Fuelled by a passion for ink and paper, and intrigued by the rich visual languages of Chinese brush painting and calligraphy, Living Water is Ella Whateley’s response to full immersion in Taiwanese culture during an inspirational residency at National Taiwan University in Arts (NTUA) in 2018.
An exhibition of screenprints based on landscapes that were noticed, photographed, and forgotten. Memories are captured, but the viewer moves on. Changes that occur to the landscape are out of sight and mind, and missed. But the environment is screaming for us to take notice.
Peta Cross presents a series of approximately 400 small Pochades created between 2010 – 2020. Pochade painting has been the practice of many painters since the Impressionists. They are quickly executed sketches in oil paint.
With a great love for books, Lisa Sewards explored short stories during Melbourne’s 2020 COVID-19 restrictions. Each book turned into a capsule of reflection and hope and has led to this new series of printmaking and painting works that celebrates the short story genre in Australian literature.
Utilizing a system whereby the ruled grid becomes the vessel for a lexicon of hand-drawn symbols, the principal theme in Madeleine Joy Dawes' work is the utilization of iterative mark making as a temporal site to record measured and psychological time.
cCORDA represents a journey through the meditative motion of cutting and consequently assembling cardboard, jute and hexcel paper within a confined, framed space. The essence of the composition is fully revealed when finally embalmed with chosen encaustic colour.