Parental and institutional erasures of diasporic heritage, and its replacement with the values of Australian middle-class suburbia and professional status, were critically examined through this multimodal approach.
Unapologetically present, Jemima's oil paintings explore the needlessly insistent sexualisation of the assumed woman’s form. They are inspired by women and non binary folk’s experiences with how they have been treated based on their bodies.
Near Sighted is an audio-visual installation comprised of six tiny interactive dioramas.
Numbering in the thousands and piled up in no particular order, this is the stuff of nightmares for conservators.
An ambitious collaboration between artist an author, both inspired by time passing as revealed by movement.
One woman's memoir with the intention of not only setting a stage of life in post war Germany, but also of exposing the intergenerational secrets she has recognised in her family. The manuscript has been in development for the past decade, and the working relationship with artist Dena Ashbolt started as a result of their mutual enthusiasm for images of movement.
The exhibition showcases innovative works, using a range of materials and techniques that challenge and subvert traditional ideas of textile art.
“Of Dingoes and Witch-hunts” is inspired by familiar stories of Australian women and their journey to equality; powerful metaphors of suppression, persecution and an evolving struggle that speaks to our history, our culture and values.
A prestigious award and exhibition showcasing the best talent from emerging artists.