Traversing the postmodern landscape, imagination and identity become one. In The Delusions Run Thick Mark Chu embraces the power of fantasy, hollow ambition, and absurdity, in a series of large scale, self-portraits depicting the plural nature of who or what a person can (and cannot) be.

In one work, Chu becomes a goalkeeper, a vicar, a nationalist, and a cartoon snail called Barry, highlighting how persistent (and mollusk) transformation can be. Using virtual ideology, Chu’s kinetic and colorful work thrusts himself into an irreverent multiverse, where passion collides with awkwardness, ethics with violence, where object, life, idea and category are all flattened by paint and the hallucination of buzzwords. A conscious departure from modernist portraits, these paintings tap into just how demented the chaos of the zeitgeist can be, where new ideals inundate a global society still bound to its past.

In taking postmodernity as the earnest subject of these reflective works, Chu consciously engages in a metamodern practice. Practically, Chu layers colors with hundreds of handwritten buzzwords to create tangled non-representational forms, with no literal meaning. When shapes or objects emerge, he strengthens their form, applies motifs from the same universe. After repeating this several times, he inserts himself, then masks negative space with further color, leaving the final composition devoid of most textual marks, and a representational self-portrait in image.