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DTSTART;VALUE=DATE:20260811
DTEND;VALUE=DATE:20260823
DTSTAMP:20260811T070447Z
CREATED:20260615T070030Z
LAST-MODIFIED:20260811T070447Z
UID:10004629-1786406400-1787443199@fortyfivedownstairs.com
SUMMARY:Sometimes you want to lift peoples up. And shake them. And kiss them.
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-artistname”]\nSal Cooper & Trudy Clutterbok\n[/vc_column_text][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nSometimes you want to lift peoples up. And shake them. And kiss them.\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css=””]11 August – 22 August 2026 \nopening night: \nTuesday 11 August\, 5-7pm \nartist talk:\nSaturday 22 August\, 2pm \nhours:\nTuesday – Friday: 12pm – 7pm\nSaturdays: 12pm – 4pm \nadmission: Free[/vc_column_text][vc_column_text css=””]\n…explor[ing] intimate topographies of love\, memory and history… \n[/vc_column_text][vc_empty_space height=”30px”][vc_btn title=”Purchase an artwork” color=”inverse” css=”” link=”url:https%3A%2F%2Fgallery-shop-3603.myshopify.com%2Fcollections%2Fsometimes-you-want-to-lift-peoples-up-and-shake-them-and-kiss-them”][/vc_column][vc_column width=”1/2″][vc_empty_space height=”30px”]Load More[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Description”][vc_column_text css=””]curated by megan evans \nSometimes you want to lift peoples up. And shake them. And kiss them celebrates two artists who have been friends and colleagues for several decades and presents a continuing dialogue between their respective studio practices. \nBoth artists independently explore intimate topographies of love\, memory and history. These explorations raise questions of how certain objects\, notions and connections might exist outside of human understanding and how the gaps between intention and execution and between execution and reception leave marks and traces over time. \nThe title of the show speaks of an aspiration to share artwork that moves others.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artists’ Bios” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef2edb-f0663f53-0933″][vc_column_text css=””]Trudy Clutterbok\nTrudy Clutterbok makes space for people who have complicated feelings about themselves and life. She does this by making works on paper as part of her studio practice and in the setting of her psychoanalytic practice. Since 1984 she has made and shown drawings\, paintings and super 8 films. Since 2020 she has also focused on printmaking. She recently won the Michael Beazer Works on Paper prize. \n  \nSal Cooper \nSal Cooper is a multidisciplinary visual artist whose practice spans independent filmmaking\, hand-drawn and stop-motion animation\, installation and performance events. Her work centres on the animation of objects and drawings to explore the latent vitality of the world around us and consider how things might exist beyond human perception or understanding. Her collaborative work has given rise to a body of commissioned material that includes major theatrical/performance works\, concert pieces and music videos as well as short films. While the integration of music within the context of moving image is a central part of her practice\, Sal’s artistic output also includes expanded drawing works and sculptural pieces which she exhibits in regular solo and group shows. She has been selected as a finalist in a number of significant art prizes.[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/sometimes-you-want-to-lift-peoples-up-and-shake-them-and-kiss-them/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/05/detail-from-monotype-Listen-by-Trudy-Clutterbok.-Photo-Sal-Cooper.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260811
DTEND;VALUE=DATE:20260823
DTSTAMP:20260811T065329Z
CREATED:20260616T013032Z
LAST-MODIFIED:20260811T065329Z
UID:10004630-1786406400-1787443199@fortyfivedownstairs.com
SUMMARY:Mark Making as Narrative
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-artistname”]\nVictoria McCaffrey\n[/vc_column_text][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nMark Making as Narrative\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css=””]11 August – 22 August 2026 \nopening night: \nTuesday 11 August\, 5-7pm\n\nhours:\nTuesday – Friday: 12pm – 7pm\nSaturdays: 12pm – 4pm \nadmission: Free[/vc_column_text][vc_column_text css=””]\n…marks as memory\, marks as meaning\, marks as narrative… \n[/vc_column_text][vc_empty_space height=”30px”][vc_btn title=”Purchase an artwork” color=”inverse” css=”” link=”url:https%3A%2F%2Fgallery-shop-3603.myshopify.com%2Fcollections%2Fmark-making-as-narrative”][/vc_column][vc_column width=”1/2″]Load More[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Artist Statement”][vc_column_text css=””]Every mark tells a story. \nMark making becomes a form of narrative expression. Each line\, gesture\, or trace carries emotion\, memory\, and intention. These marks invite you to interpret\, to connect\, to complete the story in your own way. I have a narrative for every piece in this exhibition; every viewer will bring their own narrative. Every experience has a different story to tell; every story makes a different mark. \nArt has never needed to reproduce the world exactly. From the handprints on cave walls to the paintings in Lascaux\, mark making has always been a record of human presence – a narrative stretching across thousands of years. These early marks remind us that storytelling begins long before language. \nThis exhibition continues that lineage: marks as memory\, marks as meaning\, marks as narrative.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artist’s Bio” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef2edb-f0663f53-0933″][vc_column_text css=””]I studied printmaking at CIT 1981 – 1983\, then Art on Paper Conservation at Camberwell School of Art and Crafts\, London. 1984 – 1986. Not happy with that I went on to a Post Graduate Diploma of Art History and Film Studies\, University of Melbourne\, 2003 and a Post Graduate Diploma of Teaching\, MGSE. 2012. \nI suppose that my art really tries to counter my life. \nMy reality is chaotic\, rushing trying to organize a million things. Looking after my autistic children and the chaos that brings. The endless questioning of myself by myself and I feel everyone else. Always being judged and found wanting. Mess. \nMy work to me exudes a calm that life is lacking; I am not trying to make a strong political statement. I could on so many topics; disability\, patriarchy\, ableism\, ageism\, the environment\, the inequality in our education system\, the life expectancy gap between indigenous Australians and white Australians\, homophobia\, transphobia\, people who hates cats\, people who judge others based on petty rivalries. Even this is an incomplete list. \nI want to create works that in the first instance\, I enjoy making. To be immersed in the process. Flow. To stop and look and think\, yep\, that makes me satisfied; that I have tried\, not every piece is a success\, but they are all part of the process. \nCalmness. Soothing – not a valley of misery. I want to share the stars. A sense of belonging.[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/mark-making-as-narrative/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/05/‘Hassenfluh-Victoria-McCaffrey-2025-watercolour-and-gel-pen-in-a-sketch-book_square.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260825
DTEND;VALUE=DATE:20260906
DTSTAMP:20260605T032546Z
CREATED:20260615T070016Z
LAST-MODIFIED:20260605T032546Z
UID:10004632-1787616000-1788652799@fortyfivedownstairs.com
SUMMARY:Courage\, Colour\, Finding Me
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-artistname”]\nBarbara Rozenes\n[/vc_column_text][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nCourage\, Colour\, Finding Me\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css=””]25 August – 5 September 2026\n\nhours:\nTuesday – Friday: 12pm – 7pm\nSaturdays: 12pm – 4pm \nadmission: Free[/vc_column_text][vc_column_text css=””]\n…I am fascinated by expression\, by what sits beneath the surface… \n[/vc_column_text][/vc_column][vc_column width=”1/2″]Load More[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Artist Statement”][vc_column_text css=””]For many decades my life revolved around people – listening\, helping\, advocating and caring. I spent more than thirty years volunteering within the court system and became deeply involved with a range of organisations supporting vulnerable and disadvantaged communities\, serving as an ambassador and contributing wherever I felt I could make a difference. These experiences brought immense meaning and purpose to my life. \nIn more recent years\, life shifted dramatically when my partner suffered a severe brain aneurysm. The last decade brought a very different role – that of caregiver\, advocate and companion. It was a journey filled with challenge\, devotion and resilience. Like many carers\, I found that while looking after others so much of myself was quietly put aside. \nAbove all\, my first and greatest love has always been family. Michael and I have been fortunate to build a life surrounded by love – with our two married children and their partners\, and six lively\, beautiful grandchildren who bring endless energy\, joy and colour to my world. Family has always been my anchor and remains at the centre of who I am. \nEventually I realised that somewhere beneath the responsibilities and routines\, there was another part of me patiently waiting – my inner self asking for space\, quiet and renewal. \nArt became that place. \nI attended the Victorian College of the Arts for approximately three years\, studying painting in evening classes. I loved everything about it – the energy of the students\, the stimulation of learning\, and most of all the joy of painting itself. I was honoured to be accepted as a full-time student; however\, when COVID arrived\, that path unexpectedly paused. \nWhen life gradually returned to a more normal rhythm\, I continued my artistic journey through the Victorian Artists Society\, where I have been fortunate to learn from an inspiring teacher and further develop my practice. I also completed three courses with L’Escalier\, a French art school\, through Zoom studies\, which opened new perspectives and challenged me to keep growing and experimenting. \nPainting gives me a freedom that is difficult to explain. When I paint\, I enter another world entirely. I no longer feel confined by age\, responsibility or expectation. Instead I feel like a young woman again – in my imagination I am wearing high heels\, red of course\, and a flowing red dress. There is movement\, confidence and joy. In those moments I am completely happy. \nI primarily work in oils and have developed a deep love of portraiture because faces hold endless stories. I am fascinated by expression\, by what sits beneath the surface\, and by the humanity we carry in our eyes. More recently I have also discovered a growing love for still life – finding beauty and quiet significance in ordinary objects. \nI also enjoy working in watercolour\, particularly while travelling\, where its spontaneity and ease allow me to capture moments and impressions with freedom and simplicity.[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/courage-colour-finding-me/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/06/Pear-in-Silk-Barbara-Rozenes-oil-on-canvas-406mmx-421-mm_square-scaled.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260825
DTEND;VALUE=DATE:20260906
DTSTAMP:20260807T044116Z
CREATED:20260615T070034Z
LAST-MODIFIED:20260807T044116Z
UID:10004631-1787616000-1788652799@fortyfivedownstairs.com
SUMMARY:TWIN
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-artistname”]\nAnne Dash & Emma Dash\n[/vc_column_text][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nTWIN\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css=””]25 August – 5 September 2026 \nopening night: Tuesday 25 August 2026\, 5-7pm\nwith guest speaker Professor Patrick McGorry AO \nartist talk: Saturday 5 September 2026\, 1pm \nhours:\nTuesday – Friday: 12pm – 7pm\nSaturdays: 12pm – 4pm \nadmission: Free[/vc_column_text][vc_column_text css=””]\n… Familiar images of sameness are revisited and subtly shifted; difference emerges within resemblance… \n[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_empty_space height=”30px”][/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Description”][vc_column_text css=””]Twin is a collaborative exhibition by twin sisters Anne Dash and Emma Dash. Working across painting\, embroidery and sequinned textile\, the project unfolds as a sustained inquiry rather than a series of discrete statements. Through repetition\, gesture and duration\, twinhood is approached not as duplication but as relation – shaped through closeness and exchange. \nAcross the exhibition\, attention accumulates slowly. Familiar images of sameness are revisited and subtly shifted; difference emerges within resemblance. Gesture\, memory and perspective become sites where individuality and reciprocity are held in sustained tension. Hand-sewn sequins recur as both material and metaphor – registering time and labour while resisting the speed and frictionless clarity of digital imagery. Reflection remains unstable\, images shifting with light\, movement and proximity. \nThe exhibition resists immediacy and spectacle. Meaning develops through closeness and return\, producing a quiet disorientation in which looking becomes exchange. Rather than proposing resolution\, the works hold complexity\, thought and contradiction open.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artists’ Bios” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef2edb-f0663f53-0933″][vc_column_text css=””]Anne Dash \nAnne has loved working with textile since a young age. When completing her Fine Art Degree at Monash University\, Anne further explored and developed her signature\, emergent and highly intricate practice. Inspired by eighteenth century anatomical plates. Anne combined sequins\, patchwork\, and paint into richly layered compositions. These works led Anne to winning the Mama Duke Painting Prize at the Fine Arts Graduate Exhibition. \nAnne’s current practice focuses on twins\, investigating identity\, duality and the complex relationship between self and reflection. Through sewing sequins and textiles\, Anne uses material as metaphor for mirroring\, response\, and connection. Utilising the slow and meticulous process of tambour beading\, Anne’s work creates a space for contemplation\, new ways of seeing and understanding the movement and change in relationship with self and others. \n  \nEmma Dash  \nEmma Dash is a Melbourne-based artist working across painting and textiles. Her recent practice reflects on the experience of twinhood\, emergence from and the complexities of shared identity. Working collaboratively with her twin sister\, Anne Dash\, she explores intimacy\, mirroring\, identity\, and differentiation through layered material processes and figurative imagery. Her work is informed by an ongoing interest in relational psychology\, perception\, and the way identity emerges through proximity\, the traces left by prolonged relation and continual exchange.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Events” tab_id=”1784798129293-2bef1bc8-51e7″][vc_column_text css=””]Opening Night\nTuesday 25 August 2026\, 5pm – 7pm\nwith guest speaker Professor Patrick McGorry[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/twin/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/05/DNA-2023-acrylic-paint-sequins-and-fabric-156-x-147-cm.-crop.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260908
DTEND;VALUE=DATE:20260920
DTSTAMP:20260819T025102Z
CREATED:20260615T070018Z
LAST-MODIFIED:20260819T025102Z
UID:10004633-1788825600-1789862399@fortyfivedownstairs.com
SUMMARY:sex death country
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-artistname”]\nPonch Hawkes & Ian Bracegirdle\n[/vc_column_text][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nsex death country\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css=””]8 September – 19 September 2026 \nopening night: \nTuesday 8 September\, 5-7pm \nartist in conversation with Dr. Michael Vale:\nSunday 13 September\, 1pm \nhours:\nTuesday – Friday: 12pm – 6pm\nSaturdays: 12pm – 4pm \nadmission: Free[/vc_column_text][/vc_column][vc_column width=”1/2″]Load More[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Ian Bracegirdle”][vc_column_text css=””]Artist Statement \nThe question of belonging permeates much of my studio output. Being a child migrant clearly affects my connection to the land. It is a strange place\, with its own rhythms\, regularly and brutally interrupted by human incursions. I often piece together drawings from excursions and immersion. The studio paintings are rarely representations of a single specific location but are collected narratives. The portrait works have been driven by the notion of ageing and invisibility\, often cited by older members of the community.  Whereas the recent sculptural forms explore a different kind of personal landscape\, in the issues of conflict over geography\, the resulting diaspora and displacement. \n  \nArtist Bio \nIan Bracegirdle studied a Diploma of Fine Art at Caulfield institute of Technology and a Graduate Diploma in sculpture at the Victorian College of the Arts. Ian has been responsible for many projects in Australia and internationally\, including an appointment as designer for the River Parade at Melbourne Commonwealth Games. Working as a designer over many years he has been responsible Exhibitions at the National Museum\, The National War memorial\, Museum Victoria and the South Australian Museum. As well has his significant contribution in the design field\, he regularly exhibits his studio work\, the most recent work has been shown at 45 downstairs and the Montalto Sculpture Prize.\nIan is also a singer song/writer releasing his album in 2025 “the weather is broken” with his band Blueboat theory[/vc_column_text][/vc_tta_section][vc_tta_section title=”Ponch Hawkes” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef2edb-f0663f53-0933″][vc_column_text css=””]Artist Statement \nARCOLATRY. AND SPACE \nBears and humans have been dancing in my dreaming\, awake and asleep for some time now. About two years ago I read an article about bears and hibernation and how the scientists engaged in space exploration\,  saw promise in unlocking the mystery of this animal that could sleep for six months\, not eat or defecate and still maintain its bone density and muscle mass. \nHumans can’t match it. We just don’t have it\, we can’t be bears. \n  \nArtist Bio \nPONCH HAWKES has a long established photographic practice. Her work explores the themes of the body\, the environment\, community and relationships through a feminist perspective often using her imagery to engage in contemporary critical debates. In 2026 her work was exhibited at The Australian National Gallery and the National Gallery of Victoria. This is her first painting exhibition.[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/sex-death-country/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/06/sex-death-country-Ian-Bracegirdle-and-Ponch-Hawkes-2026-oil-on-board-39.3-x-39.3-cm-scaled.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
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END:VEVENT
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