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Barry Jones & Friends Celebrate the Arts

BOOK TICKETS HERE DOWNLOAD PROGRAM HERE Tickets now on sale for Barry Jones & Friends Celebrate the Arts 3pm Sunday 11 October The October birthday of one of Australia’s most remarkable men, Barry Jones AC, has become an annual opportunity…

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Shepherd on the Rock

A concert of works for saxophone, piano and mezzo-soprano, including a transcription of Schubert’s late masterpiece, and a selection of beautiful original works.
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Gods and Demons

From 'Pictures at an Exhibition' to 'Java Suite', from 'Islamey' to Piazzolla’s Tango, Chinese born pianist Yiyun Gu brings fantastic gods and demons together in a concert of magic and high imagination.
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As One

One of the major works of American opera in the 21st century has its Australian premiere as part of the 2020 Midsumma Festival.
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Three of a Kind

Three jazz pianists. Two generations. One family. Three family members; brothers Colin and Ted Nettelbeck, and Colin’s son Alexander Nettelbeck, perform together in a return concert at fortyfivedownstairs.
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Sepharad

Dancer Tomas Arroquero and guitarist Kieren Ray work with Israeli born oud player, Yuval Ashkar, in a collaboration that revisits the Moorish connections with Flamenco in the inaugural performance of an exciting new project.
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Finissage to A Dingo Fence and Mallee Roots

The closing of A Dingo Fence and Mallee Roots: Victorian Farming on the Fringe was a great success last Saturday. Kristin Deimer's artist talk and accompanying performance by Helen Davey made a fabulous 'Finissage' which is apparently all the rage…

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Theatre Notes review: Whiteley's Incredible Blue

Review by Alison Croggon for Theatre Notes on 14 October. See here in it’s full context.

 

 

 

 

 

 

 

 

 

 

 

 

La beauté, “Beauty is difficult, Yeats” said Aubrey Beardsley
when Yeats asked why he drew horrors
or at least not Burne-Jones
and Beardsley knew he was dying and had to
make his hit quickly

Hence no more B-J in his product.

So very difficult, Yeats, beauty so difficult.

Ezra Pound, Cantos

I left Whiteley’s Incredible Blue last night with Pound’s verse circling around my head. Barry Dickins’s new play, subtitled “an hallucination”, is almost an essay on the proposition of the difficulty and necessity of beauty, through the medium of the enfant terrible of Australian art, Brett Whiteley.

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Herald Sun review: Whiteley's Incredible Blue

Review by Kate Herbert for The Herald Sun, October 14. See it in it's original context here. BRETT Whiteley, one of Australia's great painters, was a tortured artist - a self-indulgent, free spirit and heroin addict. In Barry Dickins' play,…

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Atticus

Atticus has drawn players from Melbourne’s leading and emerging new music ensembles (Golden Fur, Quiver, Arcko) to create a string quartet dedicated to the highest quality performance of the world’s finest new music. This new ensemble seeks to create a…

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Now accepting proposals for 2011

We have just added our proposals forms for 2011 to both the gallery and theatre pages of our website.  Which means of course we are now accepting exhibition and theatre proposals for next year. Bear in mind when putting in…

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