Article by Mark Smith for the Moonee Valley Leader. See it in its original context here. Jan Friedl is ready for her role in the award-winning Melbourne production Do Not Go Gentle. TONY GOUGH N07MV602 KENSINGTON actress Jan Friedl has…
Do not go gentle…grapples with existential questions of love, death, loss, happiness and the lust to live life to its fullest.
The intention of former arts broadcaster and writer, Mary Lou Jelbart, who is the founder of fortyfivedownstairs, has been successfully realised in a short space of time and obtained a well deserved reputation as creating a venue that produces a varied range of independent theatre and art space. And it was this that created much enthusiasm amongst the packed audience which greeted opening night of Patricia Cornelius’ avant-garde piece “Do not go gentle….” this weekend.
Cornelius, after all, has been working on this script for six years, including being rewarded as the proud recipient of both the Patrick White playwright’s award and RE Ross Trust Playwright script development award. Cornelius surely felt her work was in safe hands as good friend and experienced director, Julian Meyrick, who has brought two of her pieces to life previously, as well as other works for MTC, STC, and State Theatre of South Australia, was at its creative helm. Not to mention the high calibre and experienced cast that were attracted to this piece and on hand to bring this piece to life.
This review of Do not go gentle… was written by Prue Bentley for 774 ABC Melbourne. See it in it’s original context here.
Pamela Rabe as Bowen in Patricia Cornelius’ Do Not Go Gentle. Photo by Jeff Busby.
We fear the unfulfilled life.
In the world as we know it, full of aspiration and glamour, there is something monstrous about coming to our end full of regret.
In Do Not Go Gentle, the latest work from Patricia Cornelius puts a group of ageing characters out on the ice to face their lives, their choices and their challenges. And they do it through the goggles of the ill-fated antarctic explorer Robert Scott.
This review of Do not go gentle… was written by Martin Ball for The Age. See it in it’s original context here.
Do Not Go Gentle
REVIEWED BY MARTIN BALL
August 9, 2010
An extraordinary cast
Rating: 4 out of 5 stars
By Patricia Cornelius
45 Downstairs, 45 Flinders Lane. Until August 29.
DYLAN Thomas’s famous poem Do Not Go Gentle Into That Good Night is a passionate clarion call to live life to its utmost, even into old age. Such a philosophy of not going quietly – spelled out in the poem’s refrain, to ”Rage, rage against the dying of the light” – provides the starting point for Do Not Go Gentle, Patricia Cornelius’s wonderful new play about a group of characters in a nursing home, facing the trials and tribulations of old age.
The genius of Do Not Go Gentle, however, is that the characters double their roles in telling the parallel story of Scott of the Antarctic’s doomed expedition to the south pole and this astounding leap of poetic imagination sets up abundant connections between the image of Scott’s men trudging wearily one foot after another into blinding snow, and the creeping onset of senescence that dims the light for so many of our older folk.
PATRICIA Cornelius’s award-winning play borrows its title from Dylan Thomas’s poem Do Not Go Gentle into That Good Night. Perhaps the most beautiful villanelle written in English, Thomas’s poem celebrates the vivid life of old age, pressed hard up against death: “Old age should burn and rave at close of day”.
Likewise, Do Not Go Gentle . . . explores the flare of vitality that reaches a desperate intensity in the face of death, through seven characters who live in an old people’s home.
The central character, Scott (Rhys McConnochie), is obsessed with the tragic heroism of Robert Scott’s ill-fated expedition to the South Pole, a race he lost to Norwegian explorer Roald Amundsen, and that ultimately cost him his life.
Photo by Jeff Busby: Malcolm Robertson, Pamela Rabe, Terry Norris and Anne Phelan
Dylan Thomas’ famous exhortation that old age should burn and rage at close of day is here filled out with a specific and passionate argument by playwright Patricia Cornelius: the rage against the dying of the light is the rage of memory, of memory projected forward into action, into the renewal or reconsideration of old convictions, into reconciliations, into fresh desires, into affirmations, and into new adventures.
This is the much-anticipated premiere production of 2006’s Patrick White Award winner, Do Not Go Gentle. It’s an unflinching, imaginatively drawn, life-and-death scenario, similar in the directness and ardency of its argument to Cornelius’s work with the Melbourne Worker’s Theatre and related in its arrangement to her contribution to Who’s Afraid of the Working Class?
Left – Terry Norris, Anne Phelan and Rhys McConnochie. Cover – Pamela Rabe and Rhys McConnochie. Photos – Jeff Busby
Inspired by those famous words of Dylan Thomas and the story of Captain Scott’s trek to Antarctica in the early 1900s, Do Not Go Gentle by Patricia Cornelius is a beautifully rendered theatre piece. With a variety of dramatic responses to its themes this play gives a lovely sense of what’s possible on stage: images, music, opera, and simple poetic language; there is much to love about Do Not Go Gentle.