Don’t Make Me Play Piano Man
Electric Loneliness
The Rapture Chapter II: Art vs Extinction
The Age review of The Ghetto Cabaret
Cameron Woodhead August 7, 2019 — 2.11pm ★★★★ A cabaret set amid the horror and deprivation of Jewish ghettoes in World War II? You’d have to be crazy. Totally meshugah. Yet Galit Klas has created one of the most…
The Ghetto Cabaret
Small Cruelties
The Rapture
ArtsHub reviews In Vogue: Songs By Madonna
Aleksia Barron reviews In Vogue: Songs By Madonna for ArtsHub. See the review in its original context here.
The subterranean haven of fortyfivedownstairs is the perfect place to settle down with a champagne and suspend one’s disbelief at a man, sans costume and makeup, announcing that he is, in fact, Madonna. So does Michael Griffiths, who doesn’t bat an eyelid when declaring that he is, in fact, Madge herself, before merrily launching into a night of musical and comedic repartee.
In Vogue: Songs By Madonna
Michael Griffiths IS Madonna. No accent, costume or wig. Just 'Madge' accompanying herself at the piano leading you on a journey through her tough life and tender songs. Strike a pose, get into the groove and express yourself as Madonna…
Tom Sharah in Que Sera, Sharah
Can a cabaret show have too much attitude? Too much pizzaz? Or a young star have too much showbiz in his veins? Not when the star is Tom Sharah, winner of the 2009 Sydney Cabaret Showcase. Too much is just…
Burlesque Hour Loves Melbourne review and interview with Beat Magazine
Interview and review by Christina Amphlett for Beat Magazine, see it in it’s full context here.
Forget those tired old burlesque dancers swooning on stage, all dolled up in sequins and feathers galore. The Burlesque Hour brings a far more surreal experience to the table, startling and exciting audiences through a rather whacky method of seduction. Feathers and all.