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CUOROSENSA: A Reverse Archaeology

In Cuorosensa, the artist’s bold, energetic and confident mark-making coheres into recognisable Luccio-esque themes — we see his Eiffel Tower, his Trojan Horse, his meditations on the myths and figures of classical antiquity — but closer inspection reveals a canvas of interlocking postcards with tantalising glimpses of the messages they once conveyed.
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View to Joy

Phiri learned to sculpt and mix different coloured clays by decorating the wall plastering of the huts where she lived and grew up. Phiri channels and repurposes these skills in her artwork today, choosing to work instead on canvas and with acrylic mediums. Her artwork focuses on life through positivity. Through her work she seeks to engage the viewer with stimulating colours and a whimsical joy that draws from the beauty of everyday life.
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Artist Talk

Please join Debra and Alice for valuable insight as they share their experiences of the rehearsal rooms and creating their art.
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Road Works

Mike Reed's 'Road Works' exhibition dabbles in the gravel and raises his sights from quirky street photography to an artful view of “Road Photography”.
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Drawings

300,000 tiny circles, individually drawn in pencil, make up the infinitely subtle works on paper by Despa Hondros.
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Découpages d’hommes by Eureka.

Découpages d’hommes

Selected from images taken in Europe and Australia, Melbourne-based queer artist Eureka (Michael James O’Hanlon) juxtaposes the male figure on found architectural backgrounds.
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Dispelling All Myths on Time Out

See article in its original context here. Tattoos - you're either for or against them, love them or hate them, right? Well, Dispelling All Myths is an exhibition worth checking out either way. You won't find misspelled Hindu quotes or…

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Theatre Notes review: Whiteley's Incredible Blue

Review by Alison Croggon for Theatre Notes on 14 October. See here in it’s full context.

 

 

 

 

 

 

 

 

 

 

 

 

La beauté, “Beauty is difficult, Yeats” said Aubrey Beardsley
when Yeats asked why he drew horrors
or at least not Burne-Jones
and Beardsley knew he was dying and had to
make his hit quickly

Hence no more B-J in his product.

So very difficult, Yeats, beauty so difficult.

Ezra Pound, Cantos

I left Whiteley’s Incredible Blue last night with Pound’s verse circling around my head. Barry Dickins’s new play, subtitled “an hallucination”, is almost an essay on the proposition of the difficulty and necessity of beauty, through the medium of the enfant terrible of Australian art, Brett Whiteley.

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Herald Sun review: Whiteley's Incredible Blue

Review by Kate Herbert for The Herald Sun, October 14. See it in it's original context here. BRETT Whiteley, one of Australia's great painters, was a tortured artist - a self-indulgent, free spirit and heroin addict. In Barry Dickins' play,…

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Whiteley's Incredible Blue

'Dickins' distinctive, poetic script is rendered truly memorable by Pigot's nuanced, chameleon-like performance.' Kate Herbert - four stars in the Herald Sun read review here. What lies inside the imaginations of an artist and addict? The capricious genius of Brett…

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Openings: Russell Craig + Jo D’Hagé

Last night we held the exhibition openings for our two current exhibitions: Objects of Navigation by Russell Craig and Vestiges of Hope Unseen by Jo D’Hagé. Both exhibitions run until Saturday 9 October 2011.

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X-Field exhibition opening

Photos of the opening night of X-Field are below.

X-Field are a collaborative group who work across the disciplines of art, architecture, landscape architecture and urbanism.  The exhibition features work by Charles Anderson, Richard Black, Mel Dodd, Sand Helsel, Andrea Mina and SueAnne Ware.

X-Field runs in the fortyfivedownstairs galleries until the 28th of  August 2010.

Opening of the X-Field exhibition in the fortyfivedownstairs galleries

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Independent and “Unrepresented”

From the Walk to Art blog.  Read this post in it’s original context here.

Unrepresented, in Melbourne

I feel very fortunate to be given the opportunity to curate a show at fortyfivedownstairs, in Melbourne. “Unrepresented”, with artworks by Nicholas Jones, Christopher Koller, Ted McKinlay, Chloe Vallance and Ben Walsh, opens on Tuesday 3 August 2010 (5pm to 7pm).

Mary Lou Jelbart, artistic director of fortyfivedownstairs, describes the show: “‘Unrepresented’ responds to the vagaries and minefields of the art world that contemporary artists encounter. Curator Bernadette Alibrando, who delves beneath the surface of Melbourne’s commercial gallery scene and spreads her network far and wide, has selected five artists who have chosen to remain independent. While most artists see representation by a gallery as the best possible situation, others deliberately remain outside the accepted system.”

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Now accepting proposals for 2011

We have just added our proposals forms for 2011 to both the gallery and theatre pages of our website.  Which means of course we are now accepting exhibition and theatre proposals for next year. Bear in mind when putting in…

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