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DTSTART;VALUE=DATE:20180814
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SUMMARY:Virtually Embedded in the Landscape
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text el_class=”ffds-gallery-artistname”]\nNarelle Cridland\n[/vc_column_text][vc_column_text el_class=”ffds-gallery-exhibitionname”]\nVirtually Embedded In The Landscape\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text]14 – 25 August 2018\n\nhours:\nTuesday – Friday 11am to 5pm\,\nSaturday 18 August 12pm to 4pm\,\nSaturday 25 August 11am to 3pm\nadmission: Free[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_column_text]\n…an intrinsic part of our being and our identity as an Australian. \n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9eff578-7ac9″ title=”Description”][vc_column_text]Virtually Embedded In The Landscape authenticates a father’s and daughter’s connection with the picturesque Australian landscape of South Australia\, Flinders Ranges and the romantic mobility of the British icon four-wheel drive vehicle\, the Land Rover. \nThe exhibition documents the artist’s family’s personal exploration of the Flinders Ranges through a series of pictorial photographs recorded by her father\, Terry Cridland (1947-) in the mid 1970s. \nOriginally photographed on slide film\, the photographic slides have been digitally customised to a print and hand manipulated by etching the surface of the photographic paper by hand. The final image is a collaborative piece and validates an intrinsic part of our being and our identity as an Australian.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artist’s Bio” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9eff578-7ac9″][vc_column_text]Narelle Cridland \nb. 1971\, Melbourne\, Australia \n  \nAcademic Achievements\n2011 Graduate Diploma In Art History\, Adelaide University\, Adelaide\, Australia\n2007 Master Of Visual Arts (Painting)\, Monash University\,  Victoria\, Australia\n2003 Bachelor Of Teaching (Primary)\, University of New England\, NSW\, Australia\n1993 Bachelor Of Arts – Photography with Distinction\, R.M.I.T\, Melbourne\, Australia\n1990 Advanced Certificate In Art And Design\, Frankston Tafe\, Victoria\, Australia \n  \nSelected Solo Exhibitions\n2017      BOAB\, ARO Gallery\, Darlinghurst\, Sydney\n2017      Gum Trees – Retrospective\, Visual Arts Centre\, Hong Kong\n2016      Mother Land\, fortyfivedownstairs\, Melbourne\, Australia\n2015      Living China\, Fringe Club\, Hong Kong\n2013      Living China\, fortyfivedownstairs\, Melbourne\, Australia\n2013      Recent Works\, Higher Ground – Adelaide Fringe Festival\, Australia\n2009      My Journey of Life – BSG\, Melbourne\, Australia\n2006      Centre for Women’s Mental Health\, Royal Women’s Hospital\, Melbourne\,   Australia\n2006      Recent Paintings\, Vanguard Gallery\, Melbourne\, Australia\n2004      Safari\, Fringe Gallery\, Hong Kong\n2003      Chinese Slippers\,  Le Zinc\, Adelaide\, Australia\n2002      Kondanani – Om Gallery\, Melbourne\, Australia\n2002      Fringe Gallery\, Hong Kong\, \n  \nInstallation\n2016-2017      ‘Cordons’\, Carlton Library Lightboxes\, Carlton\, Australia \n  \nSelected Group Exhibitions\n2012      Kodak Salon – Centre For Contemporary Photography\, Melbourne\, Australia\n2010      Group Exhibition – Pottery Workshop\, Central\, Hong Kong\n1997      Kodak Salon – Centre For Contemporary Photography\, Melbourne\, Australia \n  \nFinalist\n2017      Pro Hart Outback Art Prize\n2016      Scope Galleries Art Award Art Concerning Environment\n2015      Voices of Women Competition\, Hong Kong\n2009      The 6th Prospect Portrait Prize – Adelaide\, Australia \n  \nSelected Public Collections\nState Library Victoria\, Australia – Cairns Memorial Church\, East Melbourne\, B&W photographs \n  \nPublications And Reviews\n2017      Pick Me Up: Your Guide to Arts\, Culture and Events in Yarra\, City of Yarra\, Cordons By Narelle\nCridland\, Carlton Library Light Box Program\, January – June 2017\,  Front/Back cover and Pg.6.\n2016      Sai Kung Clearwater Bay Magazine\, Art Is All Around\, March 2016\, p.28\n2009      Art Collector Magazine  – September\n2006      The Mail\, Insite\, Arts & What’s On\, Artist takes Narrative Journey\, February 1\, p.16.\n2006       MX\, MXNightlife\, Watch Out for Narelle Cridland\, January 27\, p 18\n1998       RT3HK-AM567\, Hong Kong\n1997       Herald Sun\, Art & Entertainment\, From Straight to Bizarre\, 12 February\, p.42[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/virtually-embedded-in-the-landscape/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
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DTSTART;TZID=Australia/Melbourne:20160802T110000
DTEND;TZID=Australia/Melbourne:20160813T170000
DTSTAMP:20250821T055718Z
CREATED:20250819T060353Z
LAST-MODIFIED:20250821T055718Z
UID:10001748-1470135600-1471107600@fortyfivedownstairs.com
SUMMARY:MotherLand
DESCRIPTION:[vc_row][vc_column width=”1/3″][vc_column_text]\nNarelle Cridland\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text]2-13 August 2016\n\nhours:\nTuesday – Friday 11am to 5pm\,\nSaturday 12pm to 4pm\nadmission: Free[/vc_column_text][/vc_column][vc_column width=”2/3″][vc_column_text]\nThe eucalyptus tree becomes a self-portrait and a barrier as Narelle Cridland explores cultural identity\, influences and boundaries. \n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″]Narelle Cridland\, 2015\, Arnhem Land Landscape with Termite Hills \nNarelle Cridland\, 2015\, Mapuru Basket with Gum Tree\, C-print Metallic paper\, 16x24 inches \nNarelle Cridland\, Above - The Cattle Station\, 2015\, C-Print Metallic paper\, etching\, 16x24inches \n[/vc_column][vc_column width=”2/3″][vc_tta_tabs][vc_tta_section tab_id=”1451285630039-f4b33ad9-e290b1db-6de19e4d-c0a2″ title=”Description”][vc_column_text]The romantic portrait of the eucalyptus tree celebrates a sense of something that is uniquely Australian.  Its majestic and iconic image provides Narelle Cridland\, an Australian expat living abroad in an Asian destination with an Indigenous Australian heritage\, a sense of self-identity and a strong connection to the Motherland. The symbolic representation of the gum tree provides a cultural vessel and one Cridland uses to embark on a journey of self-discovery.  The eucalyptus tree becomes a self-portrait and a barrier as she explores cultural identity\, influences and boundaries.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artist’s Bio” tab_id=”1451285630325-09def419-bb74b1db-6de19e4d-c0a2″][vc_column_text]Narelle Cridland \nSelected Solo Exhibitions \n2015       ‘Living China’\, Fringe Club\, Hong Kong \n2013       ‘Living China’\, fortyfivedownstairs\, Melbourne\, Australia \n2013       ‘Recent Works’\, Higher Ground  – Adelaide Fringe Festival\, Australia \n2009      ‘ My Journey of Life’ – BSG\, Melbourne\, Australia \n2006       Centre for Women’s Mental Health\, Royal Women’s Hospital\, Melbourne\, Australia \n2006       Vanguard Gallery\, Melbourne\, Australia \n2004       ‘Safari’\, Fringe Gallery\, Hong Kong \n2003       ‘Chinese Slippers’\,  Le Zinc\, Adelaide\, Australia \n2002        ‘Kondanani’ – Om Gallery\, Melbourne\, Australia \n2002        Fringe Gallery\, Hong Kong\, \n2002        Adelaide Fringe\, Adelaide\, Australia \n1999       ‘One’\, Agfa Gallery\, Hong Kong \n1996       ‘ A Combination of Causes’\, Chapel Off Chapel\, Melbourne\, Australia \n  \nSelected Group Exhibitions \n 2012      ‘Kodak Salon’ – Centre For Contemporary Photography\, Melbourne\, Australia \n2010      Group Exhibition – Pottery Workshop\, Central\, Hong Kong \n1997      ‘Kodak Salon’ – Centre For Contemporary Photography\, Melbourne\, Australia \n  \nFinalist \n2015      Voices of Women Competition\, Hong Kong \n2009      Finalist In The 6th Prospect Portrait Prize – Adelaide\, Australia \n  \nSelected Public Collections \nState Library Victoria\, Australia – Cairns Memorial Church\, East Melbourne\, B&W photographs \n  \nPublications And Reviews \n 2009       Art Collector Magazine  – September \n2006       The Mail\, Insite\, Arts & What’s On\, Artist takes Narrative Journey\, February 1\, p.16. \n2006       MX\, MXNightlife\, Watch Out for Narelle Cridland\, January 27\, p 18 \n1998       RT3HK-AM567\, Hong Kong \n1997       Herald Sun\, Art & Entertainment\, From Straight to Bizarre\, 12 February\, p.42[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/motherland/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
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