BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//fortyfivedownstairs - ECPv6.18.2//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://fortyfivedownstairs.com
X-WR-CALDESC:Events for fortyfivedownstairs
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Australia/Melbourne
BEGIN:STANDARD
TZOFFSETFROM:+1100
TZOFFSETTO:+1000
TZNAME:AEST
DTSTART:20200404T160000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+1000
TZOFFSETTO:+1100
TZNAME:AEDT
DTSTART:20201003T160000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+1100
TZOFFSETTO:+1000
TZNAME:AEST
DTSTART:20210403T160000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+1000
TZOFFSETTO:+1100
TZNAME:AEDT
DTSTART:20211002T160000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+1100
TZOFFSETTO:+1000
TZNAME:AEST
DTSTART:20220402T160000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+1000
TZOFFSETTO:+1100
TZNAME:AEDT
DTSTART:20221001T160000
END:DAYLIGHT
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210302
DTEND;VALUE=DATE:20210321
DTSTAMP:20210309T032844Z
CREATED:20201208T032737Z
LAST-MODIFIED:20210309T032844Z
UID:10004336-1614643200-1616284799@fortyfivedownstairs.com
SUMMARY:all / most / some / none
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text el_class=”ffds-gallery-artistname”]\nMadeleine Joy Dawes\n[/vc_column_text][vc_column_text el_class=”ffds-gallery-exhibitionname”]\nall / most / some / none\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text]2 – 20 March 2021\n\nhours:\nTuesday – Friday 11am to 5pm\,\nSaturday 11am to 3pm\nadmission: Free[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_column_text]\n…works that initially masquerade as digital prints are subverted from by subtle nuances and imperfections in mark making. \n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column]Madeleine Joy Dawes\, my sun and moon\, burnt to the ground (i’ll kill her)\, 2020\, pen on Somerset cotton rag\, 195 x 70.5cm \nMadeleine Joy Dawes\, my sun and moon\, burnt to the ground (i’ll kill her) (detail)\, 2020\, pen on Somerset cotton rag\, 195 x 70.5cm \nMadeleine Joy Dawes\, jon\, my beloved (once in a lifetime)\, 2020\, pen on Somerset cotton rag\, 195 x 70.5cm \nMadeleine Joy Dawes\, jon\, my beloved (once in a lifetime) (detail)\, 2020\, pen on Somerset cotton rag\, 195 x 70.5cm \nMadeleine Joy Dawes\, jon\, my beloved (once in a lifetime) (detail)\, 2020\, pen on Somerset cotton rag\, 195 x 70.5cm \n[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933b608-7765″ title=”Description”][vc_column_text]Utilizing a system whereby the ruled grid becomes the vessel for a lexicon of hand-drawn symbols\, the principal theme in Madeleine Joy Dawes’ work is the utilization of iterative mark making as a temporal site to record measured and psychological time. This emphasis upon time and repetition informs Dawes’ work in a way that allows her to mediate rather than mirror the world; an attempt to coordinate thought and stabilize the disorder of the everyday. \nUnderpinned by the language\, tactility and intimacy of textile-based crafts\, works that initially masquerade as digital prints are subverted from by subtle nuances and imperfections in mark making. Dawes considers her practice as something of a solitary durational performance\, the completed works acting as the archive\, or documentation of the event. As such\, the resulting works exist not as a snapshot of time\, but as a continual processing and unfolding thereof. \nThrough surrendering to this outwardly mechanised appearing process\, Dawes is afforded the time to process loss\, grief and joy\, as is the case with this body of work that responds to the disintegration of a relationship that though laden with good intent\, ultimately found its foundations tempestuously built in fear.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artist’s Bio” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef2edb-f0663f53-0933b608-7765″][vc_column_text]Madeleine Joy Dawes is a Melbourne based artist whose practise is primarily focused on durational repetitive drawing. Dawes holds a Bachelor degree with Honours from the Royal Melbourne Institute of Technology\, of\nwhich she completed in 2019. \nExhibiting regularly in Melbourne\, Dawes’ work has also been included as a finalist in a number of contemporary Australian art prizes\, most notably the resurrected Dobell Drawing Prize in 2019. Upon completion of her Honours year\, she was awarded an 8 week residency with Youkobo Art Space in Tokyo from her graduating body of work\, and has most recently collaborated with Australian fashion label Alpha60.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Exhibition Catalogue” tab_id=”1615260403437-85f38e3b-4f7a”][vc_column_text]CLICK HERE for the all / most / some / none exhibition catalogue.[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/all-most-some-none/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2020/12/600_madeleinedawes_my-sun-and-moon-detail.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs gallery 45 Flinders Lane Melbourne Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
END:VCALENDAR