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DTSTART;VALUE=DATE:20190604
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DTSTAMP:20190607T021143Z
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UID:10004034-1559606400-1560643199@fortyfivedownstairs.com
SUMMARY:Complex Life
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text el_class=”ffds-gallery-artistname”]\nCatherine Hearse & Glenn Murray\n[/vc_column_text][vc_column_text el_class=”ffds-gallery-exhibitionname”]\nComplex Life\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text]4 – 15 June 2019\n\nhours:\nTuesday – Friday 11am to 5pm\,\nSaturday 11am to 3pm\nadmission: Free[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_column_text]\nWe are united by our interdependence and similarities… \n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column]Catherine Hearse\, Community\, 2019\, crochet\, cotton\, wooden beads\, 2500 x 3500 x 4000mm \nCatherine Hearse\, installation image \nCatherine Hearse\, Threads of Communication (detail)\, 2017\, stitched collage\, paper\, thread\, 310 x 200mm \nCatherine Hearse\, Community (detail)\, 2019\, crochet\, cotton\, wooden beads\, 2000 x 300mm \nCatherine Hearse\, Eating the sea\, 2017\, mixed media\, 240 x 180mm \nGlenn Murray\, Full Moon and Wall\, 2019\, mixed media\, 2300 x 960 x 350 mm \nGlenn Murray\, Full Moon Over the Wall\, 2017\, mixed media\, 1300 x 620 x 240 mm \nGlenn Murray\, The Symbiotic Relationship Between an Ikea Stool and the Full Moon\, 2017\, mixed media\, 1340 x 630 x 530mm. Image: Matthew Stanton \nGlenn Murray\, Full Moon Over the Wall\, 2017\, mixed media\, 1300 x 620 x 240 mm. Image: Matthew Stanton \n[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef234b-368b” title=”Description”][vc_column_text]Complex Life brings together the work of two friends and artists\, Catherine Hearse and Glenn Murray. Both artists use their artistic processes to explore the idea of interdependence and their positions in the world\, in a physical\, environmental and emotional sense. \nCatherine Hearse \nThrough my work I attempt to evoke a sense of oneness with the natural world\, something that is lost in urban life wherein undomesticated animals are seen as invaders and we rarely touch other life forms except to eat them. My works share concerns about our relationship with the biosphere\, whether destructive\, enthralled or compassionate. We are united by our interdependence and similarities\, so many of the pieces are human/plant or human/animal composites. \nGlenn Murray \nMy primary starting point is that of interdependence. A place where whether we realise it\, or not everything\, is interconnected and no one element can operate in isolation. It is like a web of connectivity. \nAs humans it is a constant balancing act to maintain our position and we are constantly prone to over-reach. In my work I try to make sense of my own balance and connectivity with the physical world and with the emotions that accompany this process.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artist Biographies” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef234b-368b”][vc_column_text]Catherine Hearse \nCatherine Hearse is known for her exquisite watercolours and for her extraordinary small sculptures that explore what it is to be a woman\, a plant\, a creature of the sea – or all three at once.  The fine crochet and wood sculptures she creates are personages of astonishing delicacy of expression. \nCatherine Hearse’s work is influenced by a great many things.  Of great importance are textiles.  Hearse has studied the Suzani fabric from Uzbekistan\, old European embroideries from the Victoria and Albert Museum\, London\, and chintz from India. \nCatherine Hearse CV \n  \nGlenn Murray \nGlen Murray’s work is increasingly the product of trying explore and understand his relationships to the world around him. This is done primarily using construction\, addition and subtraction\, with mainly discarded materials as they come loaded with history and associations which can be the catalyst for their new life. \nTimber has become his material of choice due to its organic qualities that he found lacking in metal as a medium. Interest in so called ‘outsider’ art and Buddhist philosophy inspires Murray to first explore thoughts and simple relationships. \nGlenn Murray CV[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/complex-life/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
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