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DTSTART;VALUE=DATE:20210323
DTEND;VALUE=DATE:20210411
DTSTAMP:20210408T063334Z
CREATED:20200115T013335Z
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UID:10004318-1616457600-1618099199@fortyfivedownstairs.com
SUMMARY:elemental
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text el_class=”ffds-gallery-artistname”]\nJoan Blond | Aliki K | Bev Plowman | Jo Carroll\n[/vc_column_text][vc_column_text el_class=”ffds-gallery-exhibitionname”]\nelemental\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text]23 March – 10 April 2021\n\nhours:\nTuesday – Friday 11am to 5pm\,\nSaturday 11am to 3pm\nGood Friday CLOSED\nEaster Saturday 11am to 3pm\nadmission: Free[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_column_text]\nWhen the right elements come together\, magic can happen… \n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column]Bev Plowman\, "The Garden"\, 2020\, acrylic on linen\, oak frame\, 120 x 180 cm\, $2\,800 \nJo Carroll\, "Turquoise Beauty"\, 2020\, acrylic on ultrafine canvas\, oak frame\, 153 x 153 cm\, $3\,495 \nAliki K\, "Belle Flower"\, 2021\, acrylic\, ink & gold leaf on canvas\, oak frame\, 76 x 76 cm\, $1\,200 \nAliki K\, "Gypsy Water"\, 2021\, acrylic\, ink & gold leaf on canvas\, oak frame\, 76 x 76 cm\, $1\,200 \nAliki K\, "Ring a Rosie"\, 2021\, acrylic\, ink & pastel on canvas\, oak frame\, 120 x 120 cm\, $2\,800 \nJo Carroll\, "Poseidon"\, 2020\, acrylic on ultrafine canvas\, oak frame\, 88 x 88 cm\, $1\,695 \nJo Carroll\, "Amphitrite"\, 2020\, acrylic on ultrafine canvas\, oak frame\, 88 x 88 cm\, $1695 \nBev Plowman\, "Waterlilies"\, 2020\, acrylic on linen\, oak frame\, 150 x 150 cm\, $2\,500 \nJo Carroll\, "Opal Lagoon"\, 2021\, acrylic on ultrafine canvas\, oak frame\, 88 x 88 cm\, $1\,695 \nAliki K\, "Vintage Wild Flower"\, 2021\, acrylic\, ink & pastel on canvas\, oak frame\, 100 x 100 cm\, $2\,400 \nJoan Blond\, “Perennial Garden 9”\, acrylic & gold leaf on canvas\, oak frame\, 123 x 201 cm\, $5\,500 \nJoan Blond\, “Perennial Garden 10”\, acrylic & gold leaf on canvas\, oak frame\, 105 x 105 cm\, $3\,200 \nJo Carroll\, "Ocean Spirit"\, 2020\, acrylic on ultrafine canvas\, oak frame\, 183 x 123 cm\, $3\,695 \nAliki K\, "Indigo Still-life"\, 2021\, acrylic\, ink on canvas\, oak frame\, 100 x 100 cm\, $2\,400 \nAliki K\, "Indigo Oasis"\, 2021\, acrylic\, ink & pastel on canvas\, oak frame\, 150 x 100 cm\, $2\,900 \nAliki K\, "Party in the Sun"\, 2021\, acrylic on canvas\, oak frame\, 100 x 100 cm\, $2\,400 \nJo Carroll\, "Galactic Journey"\, 2021\, acrylic on ultrafine canvas\, oak frame\, 193 x 123 cm\, $3\,795 \nJoan Blond\, “Yarra Valley Pastel Hills”\, acrylic & gold leaf on canvas\, oak frame\, 79 x 79 cm\, $1\,200 \nBev Plowman\, "Spring Flowers"\, 2020\, acrylic on ultrafine canvas\, oak frame\, 60 x 60 cm\, $750 \nJoan Blond\, “Warburton Pastel Hills”\, acrylic & gold leaf on canvas\, oak frame\, 64 x 64 cm\, $900 \nJo Carroll\, "Immerse"\, 2020\, acrylic on ultrafine canvas\, oak frame\, 63 x 63 cm\, $1\,250 \nBev Plowman\, "Inspiration"\, 2020\, acrylic on ultrafine canvas\, oak frame\, 60 x 60 cm\, $750 \nBev Plowman\, "In too deep"\, 2021\, acrylic on ultrafine canvas\, oak frame\, 150 x 150 cm\, $2\,400 \nBev Plowman\, "Sunrise on the Lake"\, 2021\, acrylic on ultrafine canvas\, oak frame\, 100 x 120 cm\, $2\,500 \nJoan Blond\, “Shimmering Morning Light”\, acrylic & gold leaf on canvas\, oak frame\, 123 x 201 cm\, $5\,500 \nJoan Blond\, “Sun Drenched”\, acrylic & gold leaf on canvas\, oak frame\, 125 x 155 cm\, $4\,600 \n[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933f0ae-7308″ title=”Description”][vc_column_text]When the right elements come together\, magic can happen – beauty is created. \nfortyfivedownstairs is pleased to present elemental: a collection of works by Joan Blond\, Aliki K\, Bev Plowman and Jo Carroll. \nJoan Blond \nAbstract expressionist Joan Blond paints both intuitively and from her everyday experiences and memories of nature. Blond’s work is heavily influenced by her rural surroundings and her connection to the land’s positive energy. \n“I find great fulfilment in delivering work that brings about emotions of happiness and excitement to those whom own and view my art. My work is a journey\, ever evolving with continuous growth.  I am blessed to share my stories and to evoke emotion through each and every piece.”   \nAliki K \nFree flowing\, spontaneous and driven by colour\, Aliki K draws inspiration from her love of fashion\, interior design and everyday beauty. \n“My artworks are inspired by the feel of Bohemian Summer\, freedom and frivolity… the flowers & leaves that emerge\, soft and vibrant colours combined together to create a sense of beauty.” \nBev Plowman \nIn this exhibition Bev Plowman is looking at mood\, light\, and the colour spectrum of nature. Use your mind to puzzle these soft\, mosaic like images into something recognisable\, Relax and unwind in the garden\, by the pond\, near the sea. \n“I enjoy creating artworks that are calm and relaxing. ‘Hybrid landscapes’ that feel familiar\, as if you’ve seen them before.” \nPlowman has also created many mosaic murals around Melbourne and won National and State awards for her work. \nJo Carroll \nJo Carroll’s abstract\, moody art captures the imagination of the viewer\, with serene colourscapes that invite you to pause\, reflect\, re-balance and energise. \nCarroll works by allowing herself to be guided by her own intuitive energy.  Clouds\, nebulae\, water and the glow of light being common themes in her work. \n“I love creating atmospheric and ethereal images\, taking the viewer into the painting to experience something transcendent and mystical – often beyond the world as we see it.” [/vc_column_text][/vc_tta_section][vc_tta_section title=”Artist Bios” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef2edb-f0663f53-0933f0ae-7308″][vc_column_text]Joan Blond is an abstract expressionist and contemporary artist based in the Yarra Valley\, Victoria. She works from her home studio in Yellingbo and is creatively motivated by the location and the relaxed atmosphere it offers. Mostly self taught\, Joan’s creative side was nurtured by her Mother who constantly shared her love of drawing & painting. Joan loves painting generous blocks of colour her style is vibrantly expressionistic\, often incorporating energetic line work. Joan mostly paints using acrylics with substance\, which add texture to her work and loves experimenting with different mediums\, washes\, and at times works with oil paint. Joan also takes many cues from contemporary design and her love of interior design. She loves working with homeowners and designers looking for paintings with a custom colour scheme. \nJoan has had 4 solo exhibitions and had works included in numerous group shows in Australia. Joan’s paintings have been featured on the TV series\, The Block and are held by private collectors throughout Australia\, New Zealand\, USA\, Germany\, Singapore and recently Hong Kong. \njoanblondart.com\n@joanblond \n  \nAliki K is an Australian artist from Melbourne. Her style is free flowing\, colour driven and full of spontaneity. Other inspirations are through her love of fashion\, interiors and everyday beauty. Aliki was formally trained in Fashion Design\, receiving a BA Fashion at RMIT Melbourne. She has worked as a Product Designer and Buyer for many leading apparel brands. \nAliki has progressed from fashion\, to raising her young children\, and has naturally shifted her creativity to her art practice. \n@aliki.k \n  \nMelbourne artist Bev Plowman has always been involved in the arts as both a practicing artist and visual arts teacher for 20 years. In 2009 she started creating full time as a painter\, mosaic artist and sculptor. Plowman is inspired by the mood and light created by the impressionist painters\, with water\, ponds and the sea as primary themes that come through in her art. Plowman’s work experiments with making marks in paint\, mosaic\, or ceramics to convey a feeling. \nBev Plowman has created many mosaic murals around Melbourne and won National and State awards for her mosaic work. \nbevplowman.com\n@bevplowmanart \n  \nJo Carroll’s abstract\, moody art is borne out of her passion to create from nothing\, capturing the imagination of the viewer. Her serene colourscapes invite her viewers to pause\, reflect\, re balance and energise. Jo begins each artwork without a plan of composition\, simply allowing herself to be guided by her own intuitive energy with clouds\, nebulae\, water and the glow of light being common themes in her work. Jo’ s paintings are at once scenic\, atmospheric and ethereal\, taking the viewer into the painting to experience something transcendent and mystical. \nJo graduated from RMIT with a BA in Creative Advertising and has over 20 years of experience working in major advertising agencies on some of Australia’s top brands. She has also owned and run 2 small businesses and has a passion for helping startups succeed. \nSince having her third child\, Jo returned to her first creative love\, painting. “My earliest and fondest memories of childhood involve drawing and painting. It’s a strong part of my identity. I feel blessed to be at a stage in my life where I can paint full time and be part of a strong and successful community of artists.” \njocarroll.com.au\n@jo.t.carroll[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/elemental/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200303
DTEND;VALUE=DATE:20200315
DTSTAMP:20250731T042444Z
CREATED:20200123T043855Z
LAST-MODIFIED:20250731T042444Z
UID:10004070-1583193600-1584230399@fortyfivedownstairs.com
SUMMARY:Microcosmographia
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text el_class=”ffds-gallery-artistname”]Blackgin | Irene Wellm | Janice Gobey | Naomi Bishop | Rachel Hazzard[/vc_column_text][vc_column_text el_class=”ffds-gallery-exhibitionname”]\nMicrocosmographia\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text]3 – 14 March 2020\n\nhours:\nTuesday – Friday 11am to 5pm\,\nSaturday 11am to 3pm\nadmission: Free[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_column_text]\nA world which\, no longer seems fictional or fantastical but perhaps inevitable. \n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column]Naomi Bishop\, Refuge Tonneau\, 2018\, oil on wood panel\, 50 x 40cm \nJanice Gobey\, Ruminating\, 2019\, oil on linen\, 50 x 50 cm \nIrene Wellm\, Avatar for a Silent Forest\, 2017\, gouache on paper\, 152 x 104cm \nRachel Hazzard\, Untitled\, 2018\, oil on canvas\, 90 x 90cm \nBlack Gin\, Marnda Grik Web Series #1 \nNaomi Bishop\, Anathema\, 2018-19\, pencil\, ink\, gouache\, and on paper with burn\, 38.5 x 29cm  \nJanice Gobey\, Sanctuary\, 2020\, oil on linen \nIrene Wellm\, Silent Nature\, 2016\, gouache on paper\, 104 x 152cm \nBlack Gin\, Marnda Grik Web Series #3 \n[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-093382bd-f043″ title=”Description”][vc_column_text css=””]Microcosmographia brings together five artists working with themes of science and nature\, the earth bound and geology\, cosmology\, mythology and universal/cosmos sciences. \nThe work of these artists examines aspects of the natural world in detail to reveal an arcadian beauty tainted by pollution with a sense of deep foreboding. Apocalyptic skies – desolate landscapes – introduced species – animals that can be friend or foe – objects that are simultaneously weapon and talisman\, wish and curse. \nThese artists are bound together in a world in which humans are absent.  A world which\, no longer seems fictional or fantastical but perhaps inevitable. Red skies\, denuded trees\, shards of broken crystal\, burial grounds – strange\, hybrid deities\, apocalyptic skies\, the charred remains of primordial forests\, and heavy\, purplish air that’s too thick to breathe. Nature will always take back control. \nWe are all on a journey to find the new normal.  Jung called it a ‘night sea journey’ in which the light of the consciousness intentionally descends into the dark\, watery world of the unconscious\, where no road maps suffice. Will we find out way back into the light? \nNOTE 3 March 2020: Due to unforseen circumstances\, Rachel Hazzard was unfortunately unable to make it to Melbourne for the exhibition.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artist Bios” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef2edb-f0663f53-093382bd-f043″][vc_column_text css=””]Black Gin (Georgia MacGuire) is a contemporary Indigenous artist based in the Central Goldfields\, Victoria. She has been a practicing artist since 2000 and completed a Bachelor of Creative Arts (Visual Arts) from Deakin University\, Melbourne in 2004. Since completing her studies\, Macguire relocated to a rural environment in the Central Goldfields.  She is drawn to materials that reconnect her to traditional craft practices. Her work has been selected for a number of awards and scholarships and she has recently received the CAL Victorian Indigenous Art Award for three dimensional works and the People’s Choice prize.\n@blackgin \nIrene Wellm currently lives and works in Melbourne\, Australia. In 2001 she completed a Master of Fine Art from the Victorian College of the Arts. During her thirty-year career she has had numerous solo and group exhibitions across Australia\, and internationally in the United Kingdom\, Korea and Germany. Since 2001 when she won the Emerging Artist award at the Darebin LaTrobe Acquisitive Art Prize\, she has been a consistent finalist in a number of art prizes.\n@irene.wellm \nJanice Gobey is a Melbourne-based artist. She holds a Masters and a Post Graduate Diploma in Visual Arts from the Victorian College of the Arts\, as well as a Bachelor of Arts in Psychology and Sociology from the University of South Africa. Janice was selected as a finalist for the Sunshine Coast Art Prize as well as the Toyota Community Spirit Sculpture Prize. She has completed a number of international artist residencies\, and has exhibited her work in Melbourne\, Johannesburg\, London\, Berlin\, Leipzig and New York.\n@janicegobey \nNaomi Bishop understands that the eye is always looking for a place to rest but that the spirit is restless. In her paintings\, timescales layer\, matter and light splitting her objects-ritual\, magical\, into dimensions beginning here but ending someplace just beyond us. Focused primarily on painting\, Naomi has been exhibiting nationally and internationally since graduating with a Master of Fine Art from Chelsea College of Art in London in 2003.\n@naomibishopstudio \nRachel Hazzard investigates and questions how feminism\, the figure/ground\, and abstraction and representation\, all fit together in a painting practice. Hazzard explores and questions conventions in painting through the use of a personal psychology and painting processes based in intuition. In doing this she contests the idea of painting being particular\, rather than idiosyncratic. Hazzard’s paintings are intended to be open-ended\, enabling the viewer to find both the familiar and the unexpected. Hazzard is a graduate of the RMIT School of Art.[/vc_column_text][/vc_tta_section][vc_tta_section title=”GALLERY TALK | Virgin\, Mistress\, Mother: The Feminine Australian Landscape” tab_id=”1582612708498-51fbeb7a-ea45″][vc_column_text]Virgin\, Mistress\, Mother: The Feminine Australian Landscape\nTalk by Livia Kenney\, PhD candidate at La Trobe University\nSATURDAY 14 MARCH\, 11.30am in the gallery \nHow did a pliant\, virgin land become an untameable\, gothic wilderness or abundant but withholding mother? And what impact has that framing of the Australian landscape in white colonial narratives had on the way that we see ourselves today? Virgin\, Mistress\, Mother considers how the early construction of the Australian landscape as feminine gave men an ‘other’ against which they could build a persistent masculine Australian identity. \nFREE EVENT\, spaces limited\nRSVP here[/vc_column_text][/vc_tta_section][vc_tta_section title=”CATALOGUE ESSAY | Marion Piper” tab_id=”1583201019970-8ef8ba1f-e183″][vc_column_text]Microcosmographia catalogue essay\nby Marion Piper \nThe heart of all things\nWhen the green flash came\, there wasn’t a thing anyone could do. There were warning signals\, for sure\, yet capitalist imperatives were deemed more important. \nSo when ‘turning a blind eye’ became a marker of the sacred\, the threads that bound humanity together snapped\, one by one. Now all that’s left are a few tribes\, mutant creatures and the echoes of a war cry shouting\, “it’s not too late… it’s NOT too late… it’s not –  \n…too late.” \nHere\, in the remnants of the 21st century\, we follow five souls. They’re each making their way to meet\, to come together\, at the heart of all things. \nair\nIn this\, our tiny world study\, I invite you to take a deep breath. \nInhale… and exhale. \nThe sum of all parts is easier to deal with than the whole. Overwhelm is a dis-ease and nostalgia is a safe house. So\, in the comfort of a repeating talismen – in this case a horse – you can admire strong lines\, colours dancing across your eyelids and the endless clip-clop of memory. \nWhen things get tough (as they invariably do) a sense of the familiar is like a mother’s hug. Doing the same thing\, over and over and over\, used to be dismissed. Now\, it’s a salve. While ritual has become a coping mechanism against the torrential downpour of bad news\, death and ecological despair that each new day brings. \nTake another breath\, friend. \nWhen life is reduced to its smaller\, singularly significant moments\, the power of simplicity rings true. And maybe instead of the anxiety consuming one’s sense of self\, microcosmographia consumes the anxiety\, spitting out fear and worry like a baby trying lemon for the first time. \nfire\nNature’s eye is fixed on humanity for the first time ever. She looks at us with a gentle knowing as we slowly carve her to pieces\, one inch at a time. Yet she is the one who has had the last laugh. In one last act of cause and effect\, Gaia curses humanity for its crimes against her body and spirit. \nAnd for a long time\, the Earth was quiet. \nAs a species\, we devolved and perished. Then\, as if by chance\, we mutated and evolved. Our bodies\, twisted like vines\, grew new and phantasmagorical limbs. \nIn a matter of months we became the myths and legends we celebrated for centuries. Except this time it was real. \nWhen toxic chemicals were slowly drip fed into food and water supplies\, what did they THINK would happen? Our leaders blindly followed the dollar into an early grave while the rest of us were left to clean up a mess we neither created nor asked for. \nStanding on the edge of madness\, our five souls ask: why didn’t anyone listen? \nwater\nIf you’re wondering how we got here\, you’re not the only one. History speaks in stops and starts about our current predicament. But What came before was soft\, round and gentle to the touch. All that remains is rubbery\, burnt and sharp. This is not the land we were blessed with. \nAnimals seek Sanctuary in the most unlikely places here. Behind broken tree stumps\, under the scrub and in between the hills. And against the backdrop of a sunburnt sky their fur stands on end – where did all the people go? But they don’t dare ask these questions out loud. \nIt’s not even about Survival anymore. We’re way past that. \nBeneath the layers of protection – the hide and the bones – lies an intricate network of feelings. Pulsating. Ready to rupture forth. These creatures carry thoughts and opinions in their DNA\, the very foundations of life. \nThe only problem was that there was no one left to tell\, no one left to ask and no one left to embrace when the nights became cold and listless. \nearth\nEvery hero’s journey starts with a realisation. \nMarnda Grik spent countless hours contemplating the end of days before it actually happened. She saw the devastation a generation ago and felt the collective grief in each one of her eight legs. One for each path not travelled; one for each path taken. \nShe spun precious stories and a narrative for our five souls to follow. It’s her Country. Everyone kept getting caught in her stories when they were here exploring. Stories can be sticky when they’re true. \nIt’s not even about fear anymore. We’re way past that. \nShe cocoons in paperbark\, weaving a reality that not many can see. Stretching her legs through time\, she connects to those who have come before – and those who will come after. Each strand of her web is a part of her lineage\, somewhat fractured by colonial beasts\, yet becoming stronger with every word. \nWhen the sky turned to fire\, the earth turned to mud. Human feet were trapped in the sludge\, but Marnda Grik danced along the earth\, taking her stories with her\, knowing exactly which trees to talk to and where the water would continue to flow. \naether\nAfter what had seemed a lifetime of endless searching\, our five souls arrived. With restless spirits they crawled towards the Stargate\, ready to throw their bodies down and rest. Yet the time to be silent and ignorant was Anathema to them. They somehow found a Refuge Tonneau (a space of reflection) in which to pause and find clarity. \nThere’s no need for a Banishing Wand here; all that was once lost has now been found\, and everything else is gone. In this space\, our five souls find common ground. They see the devastation\, they feel the sadness of nature. Together\, they cry and hold each other up\, locked in an interconnected embrace. \nBefore long\, creatures of all sizes and ilks rush to their feet. Curling around their ankles and pressing faces to skin. It’s a circle of living care; breathing as ONE\, thinking as ONE\, and understanding as ONE. \nThis is the heart of all things: we are intimately bound on an atomic level to one another. What happens to you\, happens to me. So\, the question arises: what will you do now to make sure we’re all going to be okay?[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/microcosmographia/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
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ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
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