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DTSTART;VALUE=DATE:20180410
DTEND;VALUE=DATE:20180422
DTSTAMP:20250821T013919Z
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UID:10002267-1523318400-1524355199@fortyfivedownstairs.com
SUMMARY:Hands All Over
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text]\nSerap Osman\n[/vc_column_text][vc_column_text]\nHands All Over\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text]10 – 21 April 2018\n\nhours:\nTuesday – Friday 11am to 5pm\,\nSaturday 12pm to 4pm\nadmission: Free[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_column_text]\n…I was determined to show that plastic can be reused or recycled and serve purposes other than as single use packaging. \n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b38d64-8f45″ title=”Description”][vc_column_text]Hands All Over is a comment on how convenience\, industrialisation and modern materials are impacting the natural world. \nIn today’s world\, it is virtually impossible to live without plastics. As a photographer\, I am acutely aware of the fact given the materials used in contemporary lenses\, cameras\, computers and so on invariably contain more and more plastic. The transition away from metals and more traditional construction materials has happened in plain sight\, yet seems to have somehow crept up on us. Perhaps this simply reflects the apathy out there in the community. \nGiven the relatively recent invention and mass production of plastics\, virtually every piece of plastic ever made still exists in one form or another. Plastics can take 500 – 1\,000 years to degrade\, meaning the litter found in these otherwise pristine landscapes will likely outlive the natural aspects of the landscape\, and indeed ourselves. \nItems like plastic bags\, plastic containers and coffee cups are typically disposed of after being used only once. Sadly\, a huge proportion of this waste from our plastic addiction finds its way into our rivers\, streams\, oceans and nature reserves. It is estimated that by 2050 that the amount of plastic found in our oceans and waterways will vastly outweigh that of the fish and coral. \nWhile shooting the series I was determined to show that plastic can be reused or recycled and serve purposes other than as single use packaging. Inspired by the years I’ve spent working in the fashion industry\, I started to create garments out of plastic waste products including a pompom dress made using plastic shopping bags\, a dress made from bubble wrap and a wearable sphere made from discarded milk bottle tops. All of the items worn in the photographs have been painstakingly made by hand.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artist’s Bio” tab_id=”1518320329651-b769a1a3-29e6905c-b0b38d64-8f45″][vc_column_text]Serap Osman is a fine art photographer based in Melbourne\, Australia. She began her formal education at Gazi University in Ankara\, Turkey where she studied radio\, television and cinema\, graduating in 2000. \nUpon moving to Melbourne\, Serap undertook further study\, graduating from the RMIT BA Photography program in 2006. RMIT’s program equipped Serap with the photographic techniques and image editing skills to help her realise her own unique vision. \nHer early work was the realisation of film and digital capture and utilised photomontage and layering techniques to produce images that were intimate and beautiful. \nSerap has exhibited internationally in group shows and has been awarded for her black & white and landscape work. Her recent work has focused on abstract landscape and objects in the landscape\, culminating in the work being exhibited today. \nPlastic and the impact it has on our natural environment has been a particularly strong theme throughout 2017 and 2018. Not satisfied with simply making a statement about man’s impact on the natural environment\, Serap combined her loves of landscape and fashion to create a series of garments out of discarded plastic packaging materials. \nHands All Over is her first solo exhibition in Melbourne.[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/hands-all-over/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180213
DTEND;VALUE=DATE:20180304
DTSTAMP:20250821T040238Z
CREATED:20171101T065446Z
LAST-MODIFIED:20250821T040238Z
UID:10004151-1518480000-1520121599@fortyfivedownstairs.com
SUMMARY:Save me
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text]\nAnna Taylor\n[/vc_column_text][vc_column_text]\nSave Me\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text]13 February – 3 March 2018\n\nhours:\nTuesday – Friday 11am to 5pm\,\nSaturday 12pm to 4pm\nadmission: Free[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_column_text]\nWithin a seamed rock held in my palm\, a river cuts through land. \n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column]Anna Taylor\, Dagze Lake\, Tibet\, Save Me Series\, photographed by Christopher Sanders \nAnna Taylor\, The Andes\, Peru\, Save Me Series\, photographed by Christopher Sanders \nAnna Taylor\, Gosse Bluff\, Australia\, Save Me Series\, photographed by Christopher Sanders \n[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs][vc_tta_section tab_id=”1518320329614-868977ba-1f9e” title=”Description”][vc_column_text]Long drawn to the solace of landscape\, Anna Taylor’s work explores the paradox of the minutiae of landscape replicated in the aerial view. She documents this exquisite mirroring of detail\, pattern and line\, finding these echoes reverberate endlessly. \nThese recent paintings cover vast surface areas of earth as captured from space. Save me is both a celebration of our earth and its incredible beauty\, and a call to action to save it.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artist’s Bio” tab_id=”1518320329651-b769a1a3-29e6″][vc_column_text]Anna Taylor has painted landscape for many years.  From 2006 she spent eighteen months travelling to and from Melbourne to Darwin by air\, living in the Kakadu area.  The observations made during this time have fed her work ever since. \nAnna observed the minutiae of nature\, a rock surface\, replicated what she saw from above. Cracks in the rocks became rivers or escarpments seen from the air. This morphing of perspective has fascinated her ever since. \nShe observed the decaying of huge leaves left a webbing\, a weaving perhaps\, replicating the ‘dilly bags’ created by the Yolngu people over many thousands of years. This began her vessel making\, knitting wire\, and receiving tuition in the traditional techniques from the Yolngu women. \nThe works at fortyfivedownstairs are a culmination of these many years of depicting these elements of nature.  The wire works are no longer vessels\, but rivers of bone eerily representing global warming.  Her paintings have expanded to encompass the incredible beauty of the earth’s surface and Anna is indebted to NASA and the Japanese ASTER (the Advanced Spaceborne Thermal Emission and Reflection Radiometer) program for the images she has worked with.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artist Talks” tab_id=”1519181044604-a6cc23fb-7710″][vc_column_text]Please join us in the gallery for two illuminating talks as part of Anna Taylor’s exhibition Save me. \nArtist Talk\nSaturday 24 February\n2pm \n‘Climate Action’\nDr Amaryll Perlesz (Darebin Climate Action Now)\nSaturday 3 March\n2pm \nNo RSVPs required.[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/anna-taylor/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
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