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DTSTART;VALUE=DATE:20190702
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SUMMARY:The Last Days of Summer
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text el_class=”ffds-gallery-artistname”]\nPeter Hyatt\n[/vc_column_text][vc_column_text el_class=”ffds-gallery-exhibitionname”]\nThe Last Days of Summer\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text]2 – 27 July 2019\n\nhours:\nTuesday – Friday 11am to 5pm\,\nSaturday 11am to 3pm\nadmission: Free[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_column_text]\n…a poetic insight into ways of seeing and experience. \n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column]Aisle 17\, 2019\, fine art giclee print on rag paper\, edition of 5 + A/P\, dimensions variable \nThe Last Days of Summer\, 2019\, fine art giclee print on rag paper\, edition of 5 + A/P\, dimensions variable  \nThe Great Caves\, 2019\, fine art giclee print on rag paper\, edition of 5 + A/P\, dimensions variable  \nEnchanted\, 2019\, fine art giclee print on rag paper\, edition of 5 + A/P\, dimensions variable  \n[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933800f-7b65″ title=”Description”][vc_column_text]Peter Hyatt’s latest series\, The Last Days of Summer combines sublime photographic imagery and digital art to create a richly invented tableaux. Familiar yet dreamlike\, his work captures the collision of people\, places and nature\, frequently as disparate forces. Light and shadow are critical in the texture of antiquity and nature challenged by indifference\, commercialism and tourism. Hyatt’s limited-edition prints offer a poetic insight into ways of seeing and experience. \nAn overriding ambition throughout my commercial career as a photographer\, writer and documentary maker has been to bring out the art in even the most mundane or unlikely situation. Reading a room\, city or wider landscape\, involves an observer’s prism to bring into focus selective elements and nuances that can create a compelling narrative. Personality\, behaviour\, ironies of circumstance and chance encounters all contribute to inform these artistic endeavours – most notably my most recent digital art work. \nIn the process of writing and photographing eight books on architecture and design I have never omitted the importance of people as players and protagonists. This is just one of the reasons why The Last Days of Summer is so important to me – It’s a holistic endeavour of photography\, digital art\, supporting text and soundscape to create an immersive\, absorbing experience for visitors.  \nJournalism\, architectural photography\, documentaries all contribute to a watchful eye developed over more than four working decades. These experiences all cross-reference each other in the process of making art. \n– Peter Hyatt \nVimeo link to Last Days of Summer: https://vimeo.com/330921375[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artist’s Bio” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef2edb-f0663f53-0933800f-7b65″][vc_column_text]Peter Hyatt is a fine-art and commercial photographer\, writer and documentary-maker. His practice has evolved with his own strong artistic vision. Hyatt’s experience includes almost four decades documenting and interpreting Australian architecture. More recently he has created several photographic series informed by this work. These include Incandescent (2016) and Tattooed City (2017/18). \nHis photography and digital art features extensively in eight internationally distributed books on architecture and design as well as on-line and printed design media. \nHe has also directed and produced more than two dozen short documentaries on architecture. These include the work of luminaries such as Pritzker prize winning Australian architect\, Glenn Murcutt\, Sir Norman Foster\, Sir Richard Rogers\, Jean Nouvel and Christoph Inghenhoven.[/vc_column_text][/vc_tta_section][vc_tta_section title=”ARTIST TALK SATURDAY 13 JULY” tab_id=”1560914812950-e2df33ca-cde7″][vc_column_text]Artist Talk: Peter Hyatt\nSaturday 13 July\n11.30am\nFREE EVENT\, ALL WELCOME \nJoin artist Peter Hyatt as he discusses his exhibition The Last Days of Summer\, his artistic practice and the evolution of digital art.[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/the-last-days-of-summer/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
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DTSTART;VALUE=DATE:20190521
DTEND;VALUE=DATE:20190602
DTSTAMP:20190416T033952Z
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SUMMARY:Conventicle
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text el_class=”ffds-gallery-artistname”]\nChris Orr\n[/vc_column_text][vc_column_text el_class=”ffds-gallery-exhibitionname”]\nConventicle\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text]21 May – 1 June 2019\n\nhours:\nTuesday – Friday 11am to 5pm\,\nSaturday 11am to 3pm\nadmission: Free[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_column_text]\n…a declamatory visual recitation of social archaeology. \n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef070b-1306″ title=”Description”][vc_column_text]After the success of his Bone Idol exhibition on the walls of fortyfivedownstairs in 2015\, Chris Orr returns with a new show. Conventicle is an unorthodox assemblage of everyday detritus\, ephemera and artist photography blanketed in classical engravings and stencils. Old coke cans\, disregarded motherboards and more are assembled in a declamatory visual recitation of social archaeology.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artist’s Bio” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef070b-1306″][vc_column_text]Chris Orr studied art and design at Prahran Institute and graphic design at Swinburne in the 1980s. In the 1990s\, after rocking around in nightclubs\, he started a graphic design practice\, Beige\, strongly anchored in street art. \nChris believes art can be created form the most mundane of objects – in part derived from working in graphic design\, where you are often called upon to polish a turd. Given a subject\, Chris storyboards it into the third dimension. \nChris’s first venture into the art world came about when a friend gave him a plastic doll’s head and challenged him to ‘make art out of it’. The result was a series of oversize digital manipulations baked on canvas and paper. Melancholy and mesmerising\, they contained a dark beauty. Displayed only in the foyer of an architect’s firm in Sydney in 2001\, the series was created and sold to collectors in Melbourne\, Sydney\, Berlin and Osaka. \nYears on\, colleagues and friends prodded Chris to produce a new series. In 2014\, with the purchase of a skull from a medical supplies store\, Chris’ first exhibition at fortyfivedownstairs\, Bone Idol\, began to develop. \nBestowing life on inanimate objects has become a theme. To become fixated on the one object; to extract as much out of it by the use of light and colour and by trawling and navigating it close up; reinterpreting it in a myriad of ways.[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/conventicle/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
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