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DTSTART;VALUE=DATE:20260421
DTEND;VALUE=DATE:20260503
DTSTAMP:20260811T092501Z
CREATED:20260225T180035Z
LAST-MODIFIED:20260811T092501Z
UID:10004613-1776729600-1777766399@fortyfivedownstairs.com
SUMMARY:Sea like a mirror
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-artistname”]\nLaura Williams\n[/vc_column_text][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nSea like a mirror\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css=””]21 April – 2 May 2026 \nopening night: \nTuesday 21 April\, 5-7pm\n\nhours:\nTuesday – Friday: 12pm – 7pm\nSaturdays: 12pm – 4pm \nadmission: Free \ncollage workshop:\nSaturday 2 May\, 2pm \n_[/vc_column_text][vc_column_text css=””]\n… [the exhibition] speaks to a broader need to seek our own forms of stillness\, whether in nature or elsewhere… \n[/vc_column_text][vc_empty_space height=”40px”][vc_btn title=”BOOK WORKSHOP” color=”peacoc” css=”” link=”url:https%3A%2F%2Ffortyfivedownstairs.sales.ticketsearch.com%2Fsales%2Fsalesevent%2F162879″][vc_btn title=”EXHIBITION CATALOGUE” color=”vista-blue” css=”” link=”url:https%3A%2F%2Ffortyfivedownstairs.com%2Fwp-content%2Fuploads%2F2026%2F04%2FLaura-Williams-Catalogue.pdf”][/vc_column][vc_column width=”1/2″]Load More[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Artist Statement”][vc_column_text css=””]Sea like a mirror comprises a series of works on paper by Laura Williams which focus on moments of stillness within the natural environment. Each work is inspired by a memory of a specific place and being absorbed in the natural surroundings. This has been a continuing theme in Laura’s work in recent years\, and it also speaks to a broader need to seek our own forms of stillness\, whether in nature or elsewhere. \nThe title of the exhibition ‘sea like a mirror’\, is a phrase drawn from the Beaufort wind force scale\, a system developed to determine wind force through observations of the surrounding environment. But while this phrase is reflective of calm conditions and stillness\, if ‘sea like a mirror’ is read a different way\, it could be about seeing in the environment a reflection of ourselves. \nThe artworks in the exhibition are all created with watercolour on paper\, either as paintings\, collages\, sculptures or installations and using processes of painting\, layering\, attaching\, folding\, sewing\, or suspending. While watercolour paint dries quickly\, the other processes are all usually slow and become a meditative practice in themselves. \nThis project has been supported by the City of Melbourne Arts Grants.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artist’s Bio” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef2edb-f0663f53-0933″][vc_column_text css=””]Laura Williams is an artist from the south-west of Western Australia\, now based in Melbourne. She completed a Bachelor of Fine Arts at the University of Western Australia in 2007 and then went on to complete a Master of Arts and Cultural Management degree at the University of Melbourne. \nLaura’s work has been exhibited throughout Australia including Hatched 07: National Graduate Show\, The Elaine Bermingham National Landscape Prize for Watercolour\, the Heysen Prize for Landscape and the National Works on Paper finalist exhibition. She was an artist in residence at Studio Kura in Itoshima\, Japan in 2017.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Collage workshop” tab_id=”1774572417408-453d9edb-28a6″][vc_column_text css=””]Collage workshop with Laura Williams \nSaturday 2 May 2026\, 2-3pm \nFee: $5 \nJoin artist Laura Williams as she guides you through a collaging session\, inspired by her exhibition\, Sea like a mirror. \nAll materials are provided\, and no previous experience is needed. \n.[/vc_column_text][vc_btn title=”BOOK HERE” color=”peacoc” css=”” link=”url:https%3A%2F%2Ffortyfivedownstairs.sales.ticketsearch.com%2Fsales%2Fsalesevent%2F162879″][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row][vc_row][vc_column][vc_btn title=”PURCHASE AN ARTWORK” color=”black” size=”lg” align=”center” css=”” button_block=”true” link=”url:https%3A%2F%2Fgallery-shop-3603.myshopify.com%2Fcollections%2Fsea-like-a-mirror”][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/sea-like-a-mirror/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
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ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260421
DTEND;VALUE=DATE:20260503
DTSTAMP:20260811T092746Z
CREATED:20260225T180055Z
LAST-MODIFIED:20260811T092746Z
UID:10004614-1776729600-1777766399@fortyfivedownstairs.com
SUMMARY:Gathered
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-artistname”]\nLana Daubermann & Fiona O’Byrne\n[/vc_column_text][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nGathered\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css=””]21 April – 2 May 2026 \nopening night:\nTuesday 21 April\, 5 – 7pm \nartist talk:\nFriday 1 May\, 6 – 6:45pm \nhours:\nTuesday – Friday: 12pm – 7pm\nSaturdays: 12pm – 4pm \nadmission: Free[/vc_column_text][vc_column_text css=””]\n…There is a subtle reciprocity on the canvas: a shared tonal palette here\, a familiar energy in the brushwork there… \n[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_empty_space height=”30px”]Load More[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Description”][vc_column_text css=””]Gathered celebrates more than a decade of friendship and creative exchange between Fiona O’Byrne and Lana Daubermann. Having met years ago as students at the Victorian Artists Society\, the two have since returned to the same halls to teach together\, all while maintaining an ongoing dialogue about the craft of painting. \nWhile their focuses have diverged – Fiona into the intimate world of portraiture and still life\, and Lana into the expansive reach of the landscape – their work continues to speak a similar language. \nIn this exhibition\, the paintings are in conversation with one another. There is a subtle reciprocity on the canvas: a shared tonal palette here\, a familiar energy in the brushwork there. Each nods to one another’s strengths\, reflecting a mutual influence built over years of discussing the craft of painting and supporting each other’s creative journey. \nFiona’s work remains a meditation on domestic realism\, finding poignancy in the “here and now” through commonplace objects and familiar faces. Lana’s landscapes explore colour and atmosphere\, capturing the spirit of the natural world. Together\, Gathered is a harmony of two distinct paths that continue to run side-by-side.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Events” tab_id=”1774573140808-e46cf210-0abb”][vc_column_text css=””]Opening Night\nTuesday 21 April\, 5 – 7pm \nArtist Talk with Lana Daubermann and Fiona O’Byrne\nFriday 1 May\, 6 – 6:45pm[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row][vc_row][vc_column][vc_btn title=”PURCHASE AN ARTWORK” color=”black” size=”lg” align=”center” css=”” button_block=”true” link=”url:https%3A%2F%2Fgallery-shop-3603.myshopify.com%2Fcollections%2Fgathered”][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/gathered/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/02/Radish-Fiona-OByrne-oil-on-linen-15-x-25-cm.-1-1-scaled-e1771397045915.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260421
DTEND;VALUE=DATE:20260504
DTSTAMP:20260430T064819Z
CREATED:20251130T234702Z
LAST-MODIFIED:20260430T064819Z
UID:10004580-1776729600-1777852799@fortyfivedownstairs.com
SUMMARY:Chamber Music Festival 2026
DESCRIPTION:[vc_row][vc_column][vc_column_text css=”” el_class=”ffds-theatre-company”]\nCoady Green and fortyfivedownstairs present\n[/vc_column_text][vc_column_text css=”.vc_custom_1764543990048{padding-bottom: 5px !important;}” el_class=”ffds-theatre-title”]\nChamber Music Festival 2026\n[/vc_column_text][vc_column_text css=”.vc_custom_1764544007428{padding-bottom: 25px !important;}” el_class=”ffds-theatre-dates”]21 April – 3 May 2026[/vc_column_text][vc_row_inner css=”.vc_custom_1517972522288{padding-top: 20px !important;}”][vc_column_inner width=”2/3″][/vc_column_inner][vc_column_inner width=”1/3″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row equal_height=”yes” el_class=”ffds-theatre-details”][vc_column width=”2/3″][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1517986542329{padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #f8f8f8 !important;}”][vc_column_text css=”.vc_custom_1517986153292{padding-bottom: 5px !important;}”]\nSHOW DETAILS:\n[/vc_column_text][vc_separator color=”custom” align=”align_left” el_width=”40″ el_id=”ffds-theatre-divider”][vc_column_text css=”.vc_custom_1770856982687{padding-top: 5px !important;}”]Tuesday 21 April – Sunday 3 May 2026\n\ntimes: the schedule varies so please check the times below before booking tickets \nticket price: $32-$48 \nbookings: 03 9662 9966[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs][vc_tta_section tab_id=”1451285630039-f4b33ad9-e29065c5-b63365ad-01c60201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f1c039-1bee” title=”2026 Program”][vc_column_text css=””]Click on the buttons below to buy tickets to individual concerts. If you would like to purchase a package to see multiple concerts at a reduced price\, click HERE. \n\nOpening Night: Hamlet\, Ophelia and a Midsummer Night\nTuesday 21 April\, 7:30pm \nTo open the 2026 Chamber Music Festival\, pianists Coady Green\, Ian Munro and Charlotte Roberts will be joined by renowned actor Helen Morse to present a program inspired by the Bard – Edward MacDowell’s Hamlet and Ophelia Opus 22 arranged for two pianos\, Sally Beamish’s Sonnets for three pianists on two pianos (narrated by Morse)\, Liszt’s Hamlet S.644 arranged for two pianos\, and Mendelssohn’s Midsummer Night’s Dream Opus 61 arranged for four hands (narrated by Morse). \nBUY TICKETS \n\nDante’s Lovers and Visionaries\nWednesday 22 April\, 7:30pm \nInspired by Dante’s La Commedia\, this evocative program traces a journey from the torments of Inferno to the redemptive vision of Paradise. Liszt’s monumental Après une lecture du Dante features amongst a sequence of works exploring Dante’s most compelling figures\, including the tragic Francesca da Rimini. At the heart of the concert is the world-premiere of Gordon Kerry’s major song cycle Dante and Beatrice\, performed by soprano Rachel Joyce\, mezzo-soprano Dimity Shepherd\, tenor Boyd Owen\, and baritone Christopher Hillier. Drawing on Sir Samuel Griffith’s English translation (OUP\, 1911)\, with story adaptation by Margot Costanzo and libretto by Costanzo and Kerry\, the cycle charts Dante’s spiritual passage toward Beatrice. Music by Granados and new commissions\, including Gulliver Poole’s Paper Love\, create an unmissable Dantean tableau. \nbuy tickets \n\nBeethoven 9th Symphony arranged by Franz Liszt\nThursday 23 April\, 7:30pm \nLegendary Australian pianist Michael Leslie returns from Germany to join Melbourne virtuoso Peter de Jager for a monumental musical event: Franz Liszt’s epic two-piano arrangement of Beethoven’s Ninth Symphony. A towering feat of pianistic imagination\, Liszt’s arrangement is a complete re-creation of Beethoven’s orchestral\, choral\, and solo forces through the hands of just two performers. In this dazzlingly difficult tour de force\, two pianists at two pianos conjure the full sonic architecture of the symphony\, from its elemental opening to the transcendence of the “Ode to Joy.” Liszt\, himself the greatest piano virtuoso of the nineteenth century\, created these symphonic transcriptions to bring the orchestral canon to wider audiences before the age of recording. Today\, the Ninth Symphony arrangement remains one of the rarest and most formidable works in the entire piano duet repertoire\, seldom performed\, and even more rarely attempted live in concert. \nbuy tickets \n\nMy Favourite Penis Poems (and Other Love Stories)\nFriday 24 April\, 7:30pm \nPulitzer Prize-winning composer David Del Tredici was one of the first major classical composers to fully embrace queerness in a radical act of joy\, eroticism\, and defiance. This concert highlights two sides of Del Tredici’s queer expression. There’s the outrageously camp My Favourite Penis Poems – a virtuosic\, hilarious\, and unabashed song cycle setting his favourite poems on the rise and fall of His Majesty\, the Penis – and the deeply moving Gay Life – a meditative and tender exploration of queer identity\, composed in 2001. Both works receive their Australian premieres\, performed by a sensational ensemble of musicians including acclaimed American pianist and Del Tredici’s longtime friend\, Marc Peloquin\, baritone Bailey Montgomerie\, tenor Boyd Owen\, and soprano Marjorie Hannah. \nbuy tickets \n\nFrom Verona to Manhattan: Romeo and Juliet in Music\nSaturday 25 April\, 7:30pm \nOpening with Bellini’s rarely heard overture on the warring Montagues and Capulets\, this celebration of Shakespeare’s timeless love story continues with Linda Kouvaras’ The Nurse’s Curse from She Who Should Have Been a Queen\, Bernstein’s Symphonic Dances from West Side Story for two pianos\, the Australian premiere of Tchaikovsky’s epic Romeo and Juliet Overture arranged for two pianos by Karl Klindworth\, and Ned Rorem’s Four Dialogues\, a witty and lyrical set for two voices and two pianos. Performers include pianists Coady Green and Marc Peloquin and soprano Elena Xanthoudakis. \nbuy tickets \n\nThe Melbourne Mozart Project \nSunday 26 April and Sunday 3 May  \nClick HERE for more information on this exciting series of events. \n\nBrahms\, Liszt & Mendelssohn: Hungarian Fire and Italian Light\nTuesday 28 April\, 7:30pm \nPerformers Josephine Vains (cello)\, Sofija Kirsanova (violin)\, Coady Green (piano)\, and Ricardo Roche Idini (piano) combine forces in this expansive celebration of Romantic colour\, vitality\, and collective virtuosity. The program begins with the complete set of 21 Hungarian Dances by Johannes Brahms. Arranged for piano four hands\, violin and cello\, and overflowing with melodic buoyancy\, rhythmic bite and emotional depth\, these dances remain among Brahms’s most captivating works. This is followed by Franz Liszt’s blazingly virtuosic Hungarian Rhapsody\, also arranged for piano four hands with strings\, and an arrangement of Felix Mendelssohn’s exuberant Symphony No. 4\, the Italian\, whose sunlit energy and lyrical sweep bring the concert to a jubilant close. \nbuy tickets \n\nMeta Cohen and Olivier Messiaen: Prophecy and Eternity\nThursday 30 April\, 7:30pm \nA rare opportunity to encounter one of the twentieth century’s great visionary masterworks: Olivier Messiaen’s Visions de l’Amen\, performed by Coady Green and Marc Peloquin on two pianos. Composed during the Second World War\, this vast\, mystical meditation moves from creation and love to judgment and eternity\, revealing Messiaen as theologian\, mystic\, and ecstatic colourist. The program opens with Delphi Songs by Meta Cohen\, performed by Jessica Aszodi and Coady Green\, a haunting cycle inspired by prophecy and the final Oracle of Delphi\, whose voice foretold the end of her own sacred order. Also featured is Cohen’s brand new piano suite The Warning Never Heard\, based on the myth of Cassandra. Spanning millennia\, Cohen’s work contemplates revelation\, authority\, and the fading boundary between divine utterance and human mortality. \nbuy tickets \n\nThe Crossing Machine performs The Juliet Letters by Elvis Costello and The Brodsky Quartet\nFriday 1 May\, 7:30pm   \nMelbourne string quartet The Crossing Machine (violinists Marianne Rothschild and Matthew Rigby\, violist Margaret Butcher and cellist Charlotte Jacke) will be joined by vocalist Jordan Z to perform The Juliet Letters\, the genre-defying song cycle created by Elvis Costello in collaboration with The Brodsky Quartet. Originally released in 1993\, The Juliet Letters is a sequence of letters written to Shakespeare’s Juliet\, revealing a gallery of fractured lives\, longing\, regret\, and dark wit. Since beginning this project in 2018\, The Crossing Machine has been breathing new life into the work\, approaching it with deep respect for the score while bringing a distinctly contemporary energy and emotional clarity. The quartet is currently in the final stages of an exciting new CD release and this performance forms part of a small number of anticipated launch concerts planned for 2026. \nbuy tickets \n\nTriptych of Shadows: Satie\, Ullmann\, Kouvaras\nSaturday 2 May\, 7:30pm\n \nMeditations on love\, death\, memory\, and what remains \nErik Satie’s luminous Socrate\, performed by soprano Lily Flynn and pianist Coady Green\, offers a serene\, translucent meditation on the philosopher’s final hours\, a work the composer called a “symphony in white.” Viktor Ullmann’s Die Weise von Liebe und Tod des Cornets Christoph Rilke\, with actor Paul English and Green\, transforms Rilke’s prose poem into a hallucinatory wartime monodrama composed in Theresienstadt before Ullmann’s death in Auschwitz. The program concludes with a world-premiere preview of Linda Kouvaras’s The Boarding House\, Carlton\, 1972: Those that Remain\, narrated by Tiriki Onus and featuring baritone Alex Owens\, with text by Richard Ward\, a searing reimagining of memory\, violence\, and 1970s Melbourne. \nBuy tickets  \n[/vc_column_text][/vc_tta_section][vc_tta_section title=”Melbourne Mozart Project” tab_id=”1770769982191-adcb46ea-dc4c”][vc_column_text css=””]The Melbourne Mozart Project Part I: Four Concerts of Mozart Piano Concertos in One Day\nSunday 26 April \nA festival within a festival\, The Melbourne Mozart Project celebrates Mozart through two parallel musical journeys. Part I: Rising Stars showcases Melbourne’s most exceptional young pianists in a one-day concerto marathon. Across four concerts\, pre-tertiary soloists perform complete Mozart piano concertos\, partnered by some of our finest established instrumentalists accompanying in string arrangements of the orchestral parts. Curated by leading pianist-educators Coady Green and Glenn Riddle\, the project offers these outstanding young musicians a rare professional platform within the fortyfivedownstairs Chamber Music Festival. A celebration of mentorship\, virtuosity\, and musical inheritance\, Rising Stars reveals the next generation of Mozart interpreters in performances of brilliance\, ambition\, and joy. \nConcert 1: The Early Spark – 11:00am \nPiano Concerto No. 5 in D major\, K.175: Soloist: Seth Raudam\nPiano Concerto No. 8 in C major\, K.246 Soloist: Malik Johnston\nPiano Concerto No. 12 in A major\, K.414 Soloist: Charlie Wu \nbuy tickets \n\nConcert 2: The Virtuoso Emerges – 1:30pm \nPiano Concerto No. 9 in E-flat major K. 595 Jeunehomme Soloist: Diego Yu\nPiano Concerto No. 11 in F major\, K.413 Soloist: Jacqueline Wang\nPiano Concerto No. 13 in C major\, K.415 Soloist: Caitlin Au\n \nbuy tickets \n\nConcert 3: Shadows and Light – 4:00pm \nPiano Concerto No. 14 in E-flat major\, K.449: Soloist: Arul Verty\nPiano Concerto No. 22 in E-flat major K. 482 Solo: Jack Brunialti-Sykes \nPiano Concerto No. 20 in D minor\, K.466 Solo: Charlotte Roberts \nbuy tickets \n\nConcert 4: Masterworks – 7:30pm \nPiano Concerto No. 21 in C major\, K.467 “Elvira Madigan” Soloist: Abby Zhao\nPiano Concerto No. 23 in A major\, K.488 Soloist: Oriana Kang-Kurniawan\nPiano Concerto No. 25 in C major\, K.503 Soloist: Stefania Robu \nbuy tickets \n[/vc_column_text][/vc_tta_section][vc_tta_section title=”Ticket Prices & Concessions” tab_id=”1452941768731-94b426f3-57530201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f1c039-1bee”][vc_column_text css=””]\nTicket Prices:\nFull: $42-$48\nConcession: $32-$38\nGroup 6+: $32-$38 \nConcessions:\nPensioners/Full-time students/MEAA members \nTicket sales are subject to a booking fee of $5.00 per ticket plus any merchant charges for payments by American Express \nTicket fees are charged reluctantly. As an unfunded CBD located venue\, our expenses continue to rise. If fortyfivedownstairs is to survive\, we are obliged to increase our revenue without inflicting costs on already struggling artists. Without support\, we risk losing artists or having to close our doors. We do hope for your understanding![/vc_column_text][/vc_tta_section][vc_tta_section title=”Ticket Packages” tab_id=”1770771919972-853c3700-1673″][vc_column_text css=””]Book to see three or more concerts and receive a discount! Click the buttons below to book online or call (03) 9662 9966. \n$40 full price for 3+ concerts \n$30 concession price for 3+ concerts[/vc_column_text][/vc_tta_section][vc_tta_section title=”Coady Green interview” tab_id=”1776127856336-182fcde4-7289″][vc_column_text css=””]What inspired you to launch the Festival back in 2023? \nI felt there was a real gap in Melbourne for a major chamber music festival that brings together leading Australian artists and outstanding visiting performers\, while also championing adventurous and diverse repertoire. The ethos of fortyfivedownstairs itself\, eclectic\, artist-driven\, and creatively fearless\, felt like the perfect match too. From the beginning\, the vision was to create an intensive two-week program where audiences could experience both beloved masterworks and bold new music side by side\, and where diversity of voices\, styles\, and perspectives is genuinely at the centre of the programming. \nWhat do you love about performing at fortyfivedownstairs? \nI first performed at fortyfivedownstairs in 2008\, when I was living in London and returning to Australia every year or two. I loved it immediately\, for both its resonance and captivating atmosphere. It is an unexpected “loft-style” performance space of the kind that you find in New York and Berlin. I also know so many colleagues – actors\, visual artists\, sound designers and musicians – who share this love\, so it has a community spirit as well. \nFor a patron who hasn’t attended a Chamber Music Festival event\, what would you recommend as an introduction?  \nTry opening night – Helen Morse reciting excerpts from Shakespeare’s A Midsummer Nights’ Dream\, accompanied by Mendelssohn’s beautiful (and virtuosic) incidental music… Or come along to a night inspired by Romeo and Juliet\, with visiting American virtuoso Marc Peloquin\, featuring works from Tchaikovsky to Bernstein… Or a vivid night with the complete Brahms Hungarian Dances\, arranged for piano four hands\, violin and cello\, paired with Mendelssohn’s 4th Symphony. Or the world-premiere of Gordon Kerry’s new song cycle Dante and Beatrice in a concert of works inspired by Dante… Or the complete works by Mozart for piano four hands and two pianos in two concerts on Sunday May 3rd – something you’ll likely never experience again in this way. There’s also the monumental Liszt arrangement of Beethoven’s 9th Symphony for two pianos\, a piece so rarely performed\, with visiting guest artists Michael Leslie and Peter de Jager. \nAnother monumental work for two pianos that many people love but is rarely played is Messiaen’s exquisite Visions de l’Amen\, which I will be playing with guest Marc Peloquin. This is an enormous work\, and really very special. We are pairing it with Meta Cohen’s evocative song cycle on the statements of the oracle at Delphi – Delphi Songs.  \nAnd what would you suggest to the patron who sees numerous live music performances who is looking for something new and surprising?   \nThe late\, Pulitzer-Prize-Winning American composer David Del Tredici features in the festival\, with two Australian premieres – his profoundly moving song-cycle for baritone and piano\, Gay Life\, and the outrageous My Favourite Penis Poems. Need I say more? \nFor regular patrons\, I wouldn’t miss the Messiaen Visions de l’Amen\, which is such a great\, epic work. Another wonderful surprise is the complete Elvis Costello Juliet Letters\, performed by the Melbourne string quartet The Crossing Machine\, with guest vocalist Jordan Z. \nAlso in the new and surprising category – a performance of a new song cycle for baritone\, piano and narrator by Linda Kouvaras\, with narration about local (and very surprising) stories from Carlton… this is paired with a rare performance of Satie’s beautiful Socrate\, taking text from Plato\, and Viktor Ullman’s Die Weise von Liebe und Tod des Cornets Christoph Rilke\, with actor Paul English\, which transforms Rilke’s prose poem into a hallucinatory wartime monodrama composed in Theresienstadt before Ullmann’s death in Auschwitz.[/vc_column_text][/vc_tta_section][/vc_tta_tabs][vc_empty_space][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/chamber-music-festival-2026/
LOCATION:fortyfivedownstairs theatre\, 45 Flinders Lane\, Melbourne 3000\, Victoria\, 3000\, Australia
CATEGORIES:theatre
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2025/12/Chamber-Music-Fest-image-by-Cameron-Grant.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs theatre 45 Flinders Lane Melbourne 3000 Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260505
DTEND;VALUE=DATE:20260517
DTSTAMP:20260504T014846Z
CREATED:20260225T180002Z
LAST-MODIFIED:20260504T014846Z
UID:10004615-1777939200-1778975999@fortyfivedownstairs.com
SUMMARY:Silence In Shadow
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-artistname”]\nBrian Reberger\n[/vc_column_text][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nSilence In Shadow\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css=””]5 May – 16 May 2026 \nopening night: \nTuesday 5 May\, 6 – 8pm \nhours:\nTuesday – Friday: 12pm – 7pm\nSaturdays: 12pm – 4pm \nadmission: Free \nPURCHASE AN ARTWORK[/vc_column_text][vc_column_text css=””]\n……moments of revelation and mystery emerge from contrast…inspired by Caravaggio’s mastery of tenebrism… \n[/vc_column_text][/vc_column][vc_column width=”1/2″]Load More[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Artist Statement”][vc_column_text css=””]Having lived and worked in Italy for several years and now dividing my time between there and my studio in Daylesford\, I find my creative vision continually shaped by these magical places. My art explores tension between illumination and obscurity\, inviting viewers to experience drama through contrast. In “Silence in Shadow\,” I bring together oil paintings\, photography with gold or silver leaf to evoke the spirit of Caravaggio’s chiaroscuro. \nThe exhibition’s central theme is the interplay of ‘light and darkness’\, where moments of revelation and mystery emerge from contrast. Inspired by Caravaggio’s mastery of tenebrism\, I present subjects that appear to float on a void\, illuminated by an almost theatrical beam. These works delve into the beauty that light can reveal within darkness\, encouraging viewers to reflect on their own experiences of clarity and enigma. \nMaterials & Process\n-Oil paintings of vibrantly coloured still lives set against deep\, dark backgrounds\n-Black and white photographs hand painted with delicate tints and gold or silver highlights\, a whisper of luxury that punctuates areas of light. \nMy process embraces patience and precision: the photographic hand-painting demands careful attention\, while oil studies require meticulous layering to achieve the desired depth. \nI invite you to step into these contrasts and discover your own moments of illumination within the ‘silence and shadow’.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artist’s CV” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef2edb-f0663f53-0933″][vc_column_text css=””]Studios: Daylesford\, Australia & Citta Di Castello\, Italy\nWebsite: http://www.brianreberger.com\nEmail: brianreberger@gmail.com\nPhone: 0407 359 989 \nEducation\n1982: Diploma in Fine Art (Painting)\, Swinburne University of Technology (Prahran College)\, Melbourne\, Australia \nSelected Exhibitions – Solo\n2026 – “Silence in Shadow” 45 Downstairs\, Melbourne (Oil Paintings & Hand Painted Photographs)\n2023 – “Collezione Appassionata” Palazzo Del Podesta\, Citta di Castello\, ITALY (Charcoal Paintings & Hand Painted Photographs)\n2022 – “My Italian Life” Steps Gallery\, Carlton (Retrospective Exhibition)\n2022 – “My Italian Life” (Online Exhibition)\n2018 – “A Journey to New Beginnings\,” Steps Gallery\, Carlton (Charcoal Paintings)\n2016 – “Perspectives & Curioso\,” Steps Gallery\, Carlton (Charcoal Paintings)\n2015 – “Momenti Catturati\,” The Art Vault\, Mildura (Painting & Drawing)\n2015 – Convent Gallery\, Daylesford (Charcoal\, Pastel & Oil Paintings)\n2014 – “All That Glitters\,” Steps Gallery\, Carlton (Charcoal with Gold & Silver Leaf)\n2013 – “Italia-che Passione\,” Italian Institute of Culture\, Melbourne (Painting & Drawing)\n2012 – Steps Gallery\, Carlton (Painting & Drawing)\n2011 – Ballarat Foto Biennale\, Mercato @ Daylesford (Hand Painted Photographs)\n2006 – Hotel Sofitel\, Melbourne (Charcoal)\n2004/05 – Mercato @ Daylesford (Pastel & Charcoal)\n2002/03 – Hotel Sofitel\, Le Restaurant\, Melbourne (Pastel)\n2001/02 – Hotel Sofitel\, Atrium Gallery\, Melbourne (Pastel)\n2001 – Convent Gallery\, Daylesford (Photographic & Pastel)\n2000 – Chiara Goya Gallery\, Fitzroy (Pastel\, “Passionate Perspectives”)\n1999 – Convent Gallery\, Daylesford (“Italian Journey” – Photographic)\n1991 – Guilfoyles\, South Yarra (Pastel) \nSelected Exhibitions – Group\n2019\, 2017 – DMROS Open Studios Participant\n2013 – “The Three Amici\,” Bowen Hill Studio\, Buninyong (with Doug Wright & Anne Saunders)\n2010 – “Figure & Form: Five Artists\,” Greenwood Gallery\, South Melbourne (Oils & Charcoals)\n2005 – “When Fashion Meets Art\,” Tremayne\, Toorak (Pastel & Charcoal)\n2001 – Goya Gallery\, Melbourne (“50 Most Collectable Artists\,” Pastel)\n1982 – Hawthorn City Art Gallery (Graduate Exhibition) \nLectures & Workshops\n2001 & 2002 – Lectures to National Gallery of Victoria Society (Pastel Painting) \nCollections\nWorks held in private collections in Australia\, Asia\, Italy\, America\, England\, and Lebanon. \nPress\nEditorial coverage in Australia\, Italy\, and America. \nArtistic Travel\nExtensive travel for art practice\, photography\, and painting\, including:\nItaly  (2025\, 2024\, 2022\, 2019\, 2018\, 2017\, 2016\, 2015\, 2007\, 2001)\nEurope (2013\, 2009\, 2005\, 2003)\nVietnam\, Cambodia & Laos (2012)\nIndia & Indonesia (2011\, 2004)\nNew Zealand (2004)\nThailand (2002)\nAmerica (2001)[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row][vc_row][vc_column][vc_column_text css=””]Shadforth Financial Group                               Travel Professionals                                        Fine Wines of the King Valley \n                                                                                   \n  \n[/vc_column_text][vc_btn title=”PURCHASE AN ARTWORK” color=”black” align=”center” css=”” button_block=”true” link=”url:https%3A%2F%2Fgallery-shop-3603.myshopify.com%2Fcollections%2Fsilence-in-shadow”][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/silence-in-shadow/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/02/Primavera-Revisited-Brian-Reberger-2026-oil-on-canvas-91cm-x-122cm-scaled-e1771482687402.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs gallery 45 Flinders Lane Melbourne Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260505
DTEND;VALUE=DATE:20260517
DTSTAMP:20260430T093717Z
CREATED:20260225T180036Z
LAST-MODIFIED:20260430T093717Z
UID:10004609-1777939200-1778975999@fortyfivedownstairs.com
SUMMARY:Autumn Haiku
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-artistname”]\nJames Bryans\n[/vc_column_text][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nAutumn Haiku\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css=””]5 May – 16 May 2026 \nopening night: \nTuesday 5 May\, 6 – 8pm\n\nhours:\nTuesday – Friday: 12pm – 7pm\nSaturdays: 12pm – 4pm \nadmission: Free[/vc_column_text][vc_column_text css=””]\n…clouds over Fuji\nbubbles burst on fallen leaves\nan old deer lies down… \n[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_empty_space height=”20px”]Load More[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true” css=”.vc_custom_1771484613012{background-color: #FFFFFF !important;border-color: #FFFFFF !important;}”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Description”][vc_column_text css=””]In this series of photographs taken in Japan I chose to bypass the chaos inherent in big cities\, instead observing and experiencing the beauty of fleeting things and the changes of light and atmosphere around those things which are more permanent. \n[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artist’s Bio” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef2edb-f0663f53-0933″][vc_column_text css=””]James Bryans has been exhibiting since the mid-nineties\, presenting work in national and international institutions such as Stills Gallery\, NSW\, the National Portrait Gallery\, UK\, Centre for Contemporary Photography\, fortyfivedownstairs\, Linden Gallery\, and Green Floor Gallery\, VIC\, the Melbourne Immigration Museum\, and the Consulate-General of Japan in Melbourne. At Tweed River Regional Gallery he has been selected as a finalist for the Olive Cotton Award for Photographic Portraiture (2006) and the Josephine Ulrick and Win Schubert Photography Award (2003\, 2002 Judges Commendation\, 2000\, 1999). In 2008\, ArtWorld Magazine featured him in their Photography Supplement edition. In 2024 and 2025 he was selected as part of the Head On Photo Festival Open Program. His work is held in private collections within Australia and overseas.[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row][vc_section][/vc_section][vc_row][vc_column][vc_btn title=”PRE-SALES NOW OPEN – PURCHASE AN ARTWORK” color=”black” size=”lg” align=”center” css=”” button_block=”true” link=”url:https%3A%2F%2Fgallery-shop-3603.myshopify.com%2Fcollections%2Fautumn-haiku”][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/autumn-haiku/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/02/Miyajima-James-Bryans-2024-pigment-ink-print-on-archival-cotton-rag-paper-30-x-30-cm-scaled.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs gallery 45 Flinders Lane Melbourne Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260512
DTEND;VALUE=DATE:20260613
DTSTAMP:20260612T141259Z
CREATED:20260508T035826Z
LAST-MODIFIED:20260612T141259Z
UID:10004624-1778544000-1781308799@fortyfivedownstairs.com
SUMMARY:Enter the Emerging Artist Award 2026
DESCRIPTION:[vc_row][vc_column width=”1/2″]2025 EAA 1st Prize Winner: Steph Everett\, 'backseat of a commodore'\, glass beads\, thread\, copper rod\, 43 x 75 cm.[/vc_column][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nEnter the Emerging Artist Award 2026\n[/vc_column_text][vc_empty_space height=”30px”][vc_column_text css=””]submissions close: Friday 12 June\, 5pm \nexhibition dates: 14 July – 24 July 2026 \nentry fee: $30 \n\n\n\n[/vc_column_text][vc_column_text css=””]\n…a proven catalyst for ongoing recognition and professional development… \n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs style=”modern” shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true” css=”.vc_custom_1778208904639{border-color: #000000 !important;}”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Description”][vc_column_text css=”.vc_custom_1780624341867{border-radius: 1px !important;}” wpex_border_color=”#010101″]We’re thrilled to announce that applications for our 11th annual Emerging Artist Award are now open! \nThe Emerging Artist Award at fortyfivedownstairs is a proven catalyst for recognition and professional development\, while giving audiences the opportunity to discover bold new work from some of Australia’s most exciting early-career artists. \nArtists from across Australia in the early stages of their career are invited to apply (see Conditions of Entry for eligibility details). \nA selection of finalists will be exhibited from 14–24 July 2026 across our two gallery spaces at 45 Flinders Lane. A special guest judge will award a $3\,000 prize pool to the two submissions that best align with the award criteria\, and visitors will also have the chance to vote in the People’s Choice Award. \nSubmissions close on Friday 12 June\, 5pm. \nFREE entry for First Nations people\, contact gallery@fortyfivedownstairs.com. \nPlease ensure you read the Conditions of Entry carefully\, as entry fees are non-refundable. \nSupported by: \n. \n.[/vc_column_text][vc_btn title=”Check out past Emerging Artist Awards” align=”left” css=”” link=”url:https%3A%2F%2Ffortyfivedownstairs.com%2Femerging-artist-award%2F”][/vc_tta_section][vc_tta_section title=”Conditions of Entry” tab_id=”1778203819960-4963128f-5a5d”][vc_column_text css=””]Please ensure you read the Conditions of Entry carefully\, as entry fees are non-refundable. \n\nEntry is open to artists residing in Australia who are in the early stages of their career\, defined as having held no more than three solo exhibitions\, not being represented by a gallery\, and not having won or been shortlisted for any major art prizes or awards\, or possessing equivalent professional experience.\nPrevious finalists in the Emerging Artist Award are not eligible to enter.\nArtists may submit a maximum of two entries\, with one artwork per entry. Artworks must be complete at the time of submission.\nThe entry fee is $30 per artwork. Entry fees are non-refundable.\nEntrants must complete the online application form and submit: an artist statement/supporting statement\, a current artist CV\, up to three images of the artwork. Total uploaded image files must not exceed 9MB.\nAny use of artificial intelligence (AI) in the production of submitted artwork must be clearly disclosed at the time of entry\, including the extent and nature of its use.\nSelection of finalist artworks will take into consideration the gallery’s capacity to accommodate installation requirements. There are no artwork size limits. \nAll media are eligible for submission. Artists exhibiting time-based\, digital\, installation\, or non-standard works must provide all equipment\, materials\, hardware\, and clear installation instructions required for display. fortyfivedownstairs will supply standard installation hardware only\, including nails and screws.\nAll costs associated with the delivery\, freight\, shipping\, insurance\, installation\, and collection of artworks are the responsibility of the artist. All artworks must arrive in sound and exhibition-ready condition.\nAll shortlisted artworks must be available for sale. A commission of 20% will be retained by fortyfivedownstairs on all sales.\nBy submitting an entry\, entrants acknowledge their availability to meet the following dates:\n\n\nSubmission deadline: Friday 12 June 2026\, 5:00pm\nNotification of finalists: Friday 26 June 2026\nArtwork delivery: Saturday 11 July 2026\, 12:00pm–4:00pm\nExhibition dates: 14–24 July 2026\nCollection of unsold works: Saturday 25 July 2026\, 12:00pm–4:00pm\n\n\nThe judge’s decision is final and no correspondence will be entered into.\nThe final determination of eligibility and suitability for exhibition rests with fortyfivedownstairs. fortyfivedownstairs reserves the right to withdraw or refuse works deemed unsuitable for display\, installation\, safety\, or logistical reasons.\nWhile all reasonable care will be taken in handling artworks\, fortyfivedownstairs accepts no responsibility for loss or damage.\nBy entering the award\, entrants grant fortyfivedownstairs permission to reproduce images of submitted and shortlisted artworks for promotional\, publicity\, educational\, and archival purposes\, with artist attribution.\n\n[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/enter-the-emerging-artist-award-2026-2/
LOCATION:Victoria
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/05/backseat_full_StephEverett-1-e1778209477321.jpeg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260519
DTEND;VALUE=DATE:20260531
DTSTAMP:20260519T053443Z
CREATED:20260225T180020Z
LAST-MODIFIED:20260519T053443Z
UID:10004610-1779148800-1780185599@fortyfivedownstairs.com
SUMMARY:Aural Transferences - Memory of Sound Through Deaf Ears
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-artistname”]\nChelle Destefano\n[/vc_column_text][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nAural Transferences – Memory of Sound Through Deaf Ears\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css=””]19 May – 30 May 2026\n \nopening night:\nTuesday 19 May\, 5 – 7pm \nartist talk:\nSaturday 30 May\, 2pm\nAUSLAN interpreted\, no booking required \nhours:\nTuesday – Friday: 12pm – 7pm\nSaturdays: 12pm – 4pm \nadmission: Free[/vc_column_text][vc_column_text css=””][/vc_column_text][vc_column_text css=””]\n…[I] saw my memories of those sounds play out in my movements… \n[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_empty_space height=”30px”]Load More[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs section_title_tag=”h3″ style=”modern” shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true” css=”.vc_custom_1771486219534{border-color: #A5A5A5 !important;}”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Artist Statement”][vc_column_text css=””]Aural Transferences has been an ongoing process of exploring the depths of memory of sound from childhood as a native Deaf-from-birth person. When I had only 10% hearing as a Deaf child\, I was able to wear hearing aids and heard many sounds that became visuals. I have been using my artistic process to meditate on those memories into colour lines as notes. Working on this large 3-meter long work\, I filmed a portion of myself in creation process and saw my memories of those sounds play out in my movements and I chose music with the help of my hearing partner Zoe\, that fit just right with this work just like that. I recorded those notes of my memories of each section along the paper in white pen and pastel on the black that acts as a veil for memories of sound from Deaf ears.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artist’s Bio” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef2edb-f0663f53-0933″][vc_column_text css=””]Chelle Destefano is a Deaf multidisciplinary artist working in drawing\, painting\, printmaking\, performance work and textiles. Her works currently centre around memory and identity exploring childhood memories and her inner-child which is an important part of her identity and her Deaf experiences. Chelle believes Auslan should be a site of resistance against audism and oppression for the Deaf culture and Deaf community. Recently Chelle was selected for the Art Gallery of Ballarat exhibition program to have a solo exhibition later this year. Chelle has been a finalist in many art prizes including the Michael Beazer Works on Paper Prize\, Wyndham Art Prize\, Nillumbik Art Prize\, Castlemaine’s Print Prize\, Kedumba Drawing Prize\, Incinerator Art Award\, Footscray Art Award\, Lyn McCrea Drawing Prize and the Lake Art Prize. She was a winner of the Lake Art Prize in 2020 and more recently the Nillumbik Prize in 2025.[/vc_column_text][/vc_tta_section][vc_tta_section title=”PURCHASE AN ARTWORK” tab_id=”1779157603714-d9d0b691-adf3″][vc_btn title=”PURCHASE AN ARTWORK” color=”black” align=”center” css=”” button_block=”true” link=”url:https%3A%2F%2Fgallery-shop-3603.myshopify.com%2Fcollections%2Faural-transferences-memory-of-sound-through-deaf-ears”][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row][vc_row][vc_column][vc_column_text css=””]This project is supported by the City of Melbourne Arts Grants. \n  \n[/vc_column_text][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/aural-transferences-memory-of-sound-through-deaf-ears/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/02/Aural-Transferences-I-Chelle-Destefano-2024-charcoal-and-gouache-on-paper-76-x-60-cm-e1771485319660.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs gallery 45 Flinders Lane Melbourne Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260519
DTEND;VALUE=DATE:20260531
DTSTAMP:20260902T045308Z
CREATED:20260226T014217Z
LAST-MODIFIED:20260902T045308Z
UID:10004619-1779148800-1780185599@fortyfivedownstairs.com
SUMMARY:In the silence between our heart beats
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-artistname”]\nAnthea Vayonitis\n[/vc_column_text][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nIn the silence between our heart beats\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css=””]19 May – 30 May 2026 \nopening night:\nTuesday 19 May\, 5 – 7pm \nguided drawing session with Anthea Vayonitis: \nSaturday 23 May\, 12:30 – 1:30pm\nTickets: $5 – BOOK BELOW \nopening hours:\nTuesday – Friday: 12pm – 7pm\nSaturdays: 12pm – 4pm \nadmission: Free[/vc_column_text][vc_column_text css=””]\n…Abstraction\, colour and sensation are explored through the metaphysical energies in nature… \n[/vc_column_text][/vc_column][vc_column width=”1/2″]Load More[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Exhibition Description”][vc_column_text css=””]An emerging contemporary artist\, Anthea Vayonitis works with dance and meditation practices to create gesturally embodied immersive paintings. “In the silence between our heart beats” is an activation of works that includes the same titled 1.7 x 15m painting that was channelled whilst on a residency in July-August of 2025 in the Blue Mountains at Loaf Gallery\, formerly known as Landslide. This progressive painting and body of work cascades as a visual journal of her time spent in Wentworth Falls. Anthea connected with the breath-taking nature of the sacred land of the Barkindrji river people and Gundungurra people. Anthea painted her connection to energy through lyrical abstraction and sensation that was found in the metaphysical energies in the earth and specifically the birdlife that consumed her during her stay in the Blue Mountains. This work is accompanied by tufted paintings that ground the avian energies\, through bulbs\, sunlight\, and landscapes of the elemental spirits of earth\, water\, air\, fire. \n  \nExhibition Text by Nirmala Krishnan PH.D \nAvian Consciousness in Flight\, an avian consciousness\, a winged geometry echoing with vibrational intelligence\, weaving songs of energy through spirals\, waves\, and multidimensional grids. The spirals at each end are feathers of ascension\, charting the soul’s flight inward and outward\, always returning to Source. Zigzags and waveforms ripple like wings mid-beat\, awakening the central chord\, unlocking codes hidden in bone and breath. \nLayer upon layer moves like wind currents\, etheric\, astral\, physical flowing together in interdimensional flight. Dots and curves are sky-beacons: nodes of intent pulsing across space\, as in cell into cell. At the heart\, a spiral sun the galactic nest radiates light codes. Infinity loops glide like eternal flight paths\, connecting mind to higher skies. Colours in harmony\, rhythm golds of solar wisdom\, greens of forest breath\, violets of crown-lit skies\, all in harmony\, all in motion\, all in flight. Golden grids shimmer like a lattice of sky-bound feathers\, the Matrix of Form\, unseen but always present\, holding the divine architecture of becoming.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artist’s Bio” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef2edb-f0663f53-0933″][vc_column_text css=””]Anthea Vayonitis is a Melbourne-based emerging artist\, graduating in Master of Fine Art at RMIT\, Melbourne\, Naarm. In 1995 Anthea completed a Bachelor of Fashion Design\, RMIT\, Melbourne\, Naarm\, alongside experienced training in Dance. Anthea works with painting through an intuitive process. Abstraction\, colour and sensation are explored through the metaphysical energies in nature. Like a dance\, one mark informs another and in creating a personal lexicon\, energy is represented as life force. She has participated in several art workshops led by Australian artist Yvette Coppersmith. Anthea took part of an artist residency at Loaf Gallery\, formerly known as Landslide\, Wentworth Falls\, Blue Mountains\, where is also had a studio visit with Australian artist\, Gene A ‘Hern. Anthea has painted for Cathy Freeman and presented works for her private collection. \nRecent Solo exhibitions include\, The Star\, the Sphere\, Helios\, Ra and the Golden Hour\, Rubicon ARI\, Melbourne\, 2025\, Gaia’s Golden Hour\, Brunswick Street Gallery\, Melbourne\, 2025\, Connective Chromatic Energies and Sensations\, Rubicon ARI\, Melbourne\, 2024\, Chromatic Sensations Of Spaces Between Spaces \, No Vacancy Gallery\, Melbourne\, 2024. Group Exhibitions include\, Gesture\, Harlow Gallery\, Melbourne\, 2025\, SMALL!\, fortyfivedownstairs\, Melbourne\, 2025\, Fifty Squared Art Prize\, Brunswick Street Gallery\, Melbourne\, 2025\, Emerging Artists Summer Exhibition\, Quadrant Gallery\, Melbourne\, 2024\, RMIT\, Graduate Exhibition: Photo\, Fine Art Hons\, MFA\, Art in Public Space\, RMIT\, Melbourne\, 2023 and RMIT Fashion Graduate Exhibition\, Great Hall\, National Gallery of Victoria\, Melbourne\, Naarm\, 1995. Anthea volunteered as part of the Hotel Hiromi Collective\, creating spaces for visitors to rest\, and connect with their feelings and spirit. Anthea worked with Hiromi Tango on the Children’s Sensorium project\, Archive of Feeling\, Sensation\, Connection\, Community\, Trauma\, Knowledge\, Empathy\, RMIT\, Design Hub Gallery\, 2022.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Book Tickets for Guided Drawing Session” tab_id=”1778723450508-32f63346-1949″][vc_column_text css=””]Guided drawing session with Anthea Vayonitis \nSaturday 23 May\, 12:30 – 1:30pm \nAll materials provided \n$5 tickets \n.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Purchase an artwork” tab_id=”1779156992719-507ddd61-d4d8″][vc_btn title=”PURCHASE AN ARTWORK” color=”black” size=”lg” align=”center” css=”” button_block=”true” link=”url:https%3A%2F%2Fgallery-shop-3603.myshopify.com%2Fcollections%2Fin-the-silence-between-our-heart-beats”][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row][vc_row][vc_column][vc_btn title=”Listen to Exhibition Audio” color=”black” css=”” link=”url:https%3A%2F%2Ffortyfivedownstairs.com%2Fwp-content%2Fuploads%2F2026%2F05%2FAUDIO-2026-05-17-20-20-59.mp3″][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/in-the-silence-between-our-heart-beats/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/png:https://fortyfivedownstairs.com/wp-content/uploads/2026/02/IMG_5001-1-e1772070201960.png
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260528
DTEND;VALUE=DATE:20260615
DTSTAMP:20260529T022400Z
CREATED:20251126T025150Z
LAST-MODIFIED:20260529T022400Z
UID:10004569-1779926400-1781481599@fortyfivedownstairs.com
SUMMARY:Eurydice
DESCRIPTION:[vc_row][vc_column][vc_column_text css=”” el_class=”ffds-theatre-company”]\nMelbourne Shakespeare Company presents\n[/vc_column_text][vc_column_text css=”.vc_custom_1761704074260{padding-bottom: 5px !important;}” el_class=”ffds-theatre-title”]\nEurydice by Sarah Ruhl\n[/vc_column_text][vc_column_text css=”.vc_custom_1761709777834{padding-bottom: 25px !important;}” el_class=”ffds-theatre-dates”]28 May – 14 June 2026[/vc_column_text]book online [vc_row_inner css=”.vc_custom_1517972522288{padding-top: 20px !important;}”][vc_column_inner width=”2/3″][/vc_column_inner][vc_column_inner width=”1/3″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row equal_height=”yes” el_class=”ffds-theatre-details”][vc_column width=”2/3″][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1517986542329{padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #f8f8f8 !important;}”][vc_column_text css=”.vc_custom_1517986153292{padding-bottom: 5px !important;}”]\nSHOW DETAILS:\n[/vc_column_text][vc_separator color=”custom” align=”align_left” el_width=”40″ el_id=”ffds-theatre-divider”][vc_column_text css=”.vc_custom_1777513548505{padding-top: 5px !important;}”]Thursday 28 May – Sunday 14 June 2026\n\npreview: Thursday 28 May\nopening night: Friday 29 May\nduration: 90 minutes\ntimes:\nTuesday to Saturday 7:30pm\nSunday 5pm\nticket price: $39 – $55\nbookings: 03 9662 9966 \nindustry night: Tuesday June 2nd \nforum night: Tuesday June 9th \nwarnings: TBC[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs][vc_tta_section tab_id=”1451285630039-f4b33ad9-e29065c5-b63365ad-01c60201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f1f251-55a3″ title=”Description”][vc_column_text css=””]Melbourne Shakespeare Company is proud to present Sarah Ruhl’s Eurydice – a luminous\, poetic reimagining of the Greek myth\, directed by multi-award-winner Gary Abrahams. \nFollowing acclaimed sold-out seasons at fortyfivedownstairs\, Melbourne Shakespeare Company returns with a production of exceptional artistic ambition and emotional power. Through Ruhl’s distinctive voice\, the story of Eurydice and Orpheus is retold from a female perspective\, weaving memory\, love\, and loss into a dreamlike theatrical experience. \nEurydice offers Melbourne audiences a rare chance to see a modern masterpiece staged with depth and imagination. This is theatre for those who love bold\, beautiful storytelling. \nPhoto by Nick Robertson[/vc_column_text][/vc_tta_section][vc_tta_section title=”Cast and Creatives” tab_id=”1452941644640-19a0de81-e87a0201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f1f251-55a3″][vc_column_text css=””]CREATIVES \nDirector: Gary Abrahams \nSet & Costume Designer: Nathan Burmeister \nLighting Designer: Spencer Herd \nComposer & Musical Director: Grace Ferguson \nSound & AV Designer: Justin Gardam \nArtistic Director: Jennifer Sarah Dean \nProducer & Production Stage Manager: Seamus Allan \nMarketing Coordinator: Ryan Hamilton \n  \nCAST \nEurydice: Aisha Aidara \nOrpheus: Tomáš Kantor \nFather: John Voce \nLord of the Underworld: Devon Braithwaite \nStone: Joshua Gordon \nStone: Fran Sweeney-Nash \nStone: Miles Paras[/vc_column_text][/vc_tta_section][vc_tta_section title=”Ticket Prices and Concessions” tab_id=”1452941768731-94b426f3-57530201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f1f251-55a3″][vc_column_text css=””]\nTicket Prices:\nPreview: $39\nFull: $55\nConcession: $49\nGroup 6+: $49\nMob tickets (discount for Aboriginal and Torres Strait Island mob): $39 \nConcessions:\nPensioners/Full-time students/MEAA members \nTicket sales are subject to a booking fee of $5.00 per ticket plus any merchant charges for payments by American Express \nTicket fees are charged reluctantly. As an unfunded CBD located venue\, our expenses continue to rise. If fortyfivedownstairs is to survive\, we are obliged to increase our revenue without inflicting costs on already struggling artists. Without support\, we risk losing artists or having to close our doors. We do hope for your understanding![/vc_column_text][/vc_tta_section][/vc_tta_tabs][vc_empty_space]book online [/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/eurydice/
LOCATION:fortyfivedownstairs theatre\, 45 Flinders Lane\, Melbourne 3000\, Victoria\, 3000\, Australia
CATEGORIES:theatre
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ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
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END:VEVENT
END:VCALENDAR