BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//fortyfivedownstairs - ECPv6.18.2//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:fortyfivedownstairs
X-ORIGINAL-URL:https://fortyfivedownstairs.com
X-WR-CALDESC:Events for fortyfivedownstairs
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Australia/Melbourne
BEGIN:STANDARD
TZOFFSETFROM:+1100
TZOFFSETTO:+1000
TZNAME:AEST
DTSTART:20250405T160000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+1000
TZOFFSETTO:+1100
TZNAME:AEDT
DTSTART:20251004T160000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+1100
TZOFFSETTO:+1000
TZNAME:AEST
DTSTART:20260404T160000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+1000
TZOFFSETTO:+1100
TZNAME:AEDT
DTSTART:20261003T160000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+1100
TZOFFSETTO:+1000
TZNAME:AEST
DTSTART:20270403T160000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+1000
TZOFFSETTO:+1100
TZNAME:AEDT
DTSTART:20271002T160000
END:DAYLIGHT
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260421
DTEND;VALUE=DATE:20260503
DTSTAMP:20260811T092501Z
CREATED:20260225T180035Z
LAST-MODIFIED:20260811T092501Z
UID:10004613-1776729600-1777766399@fortyfivedownstairs.com
SUMMARY:Sea like a mirror
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-artistname”]\nLaura Williams\n[/vc_column_text][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nSea like a mirror\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css=””]21 April – 2 May 2026 \nopening night: \nTuesday 21 April\, 5-7pm\n\nhours:\nTuesday – Friday: 12pm – 7pm\nSaturdays: 12pm – 4pm \nadmission: Free \ncollage workshop:\nSaturday 2 May\, 2pm \n_[/vc_column_text][vc_column_text css=””]\n… [the exhibition] speaks to a broader need to seek our own forms of stillness\, whether in nature or elsewhere… \n[/vc_column_text][vc_empty_space height=”40px”][vc_btn title=”BOOK WORKSHOP” color=”peacoc” css=”” link=”url:https%3A%2F%2Ffortyfivedownstairs.sales.ticketsearch.com%2Fsales%2Fsalesevent%2F162879″][vc_btn title=”EXHIBITION CATALOGUE” color=”vista-blue” css=”” link=”url:https%3A%2F%2Ffortyfivedownstairs.com%2Fwp-content%2Fuploads%2F2026%2F04%2FLaura-Williams-Catalogue.pdf”][/vc_column][vc_column width=”1/2″]Load More[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Artist Statement”][vc_column_text css=””]Sea like a mirror comprises a series of works on paper by Laura Williams which focus on moments of stillness within the natural environment. Each work is inspired by a memory of a specific place and being absorbed in the natural surroundings. This has been a continuing theme in Laura’s work in recent years\, and it also speaks to a broader need to seek our own forms of stillness\, whether in nature or elsewhere. \nThe title of the exhibition ‘sea like a mirror’\, is a phrase drawn from the Beaufort wind force scale\, a system developed to determine wind force through observations of the surrounding environment. But while this phrase is reflective of calm conditions and stillness\, if ‘sea like a mirror’ is read a different way\, it could be about seeing in the environment a reflection of ourselves. \nThe artworks in the exhibition are all created with watercolour on paper\, either as paintings\, collages\, sculptures or installations and using processes of painting\, layering\, attaching\, folding\, sewing\, or suspending. While watercolour paint dries quickly\, the other processes are all usually slow and become a meditative practice in themselves. \nThis project has been supported by the City of Melbourne Arts Grants.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artist’s Bio” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef2edb-f0663f53-0933″][vc_column_text css=””]Laura Williams is an artist from the south-west of Western Australia\, now based in Melbourne. She completed a Bachelor of Fine Arts at the University of Western Australia in 2007 and then went on to complete a Master of Arts and Cultural Management degree at the University of Melbourne. \nLaura’s work has been exhibited throughout Australia including Hatched 07: National Graduate Show\, The Elaine Bermingham National Landscape Prize for Watercolour\, the Heysen Prize for Landscape and the National Works on Paper finalist exhibition. She was an artist in residence at Studio Kura in Itoshima\, Japan in 2017.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Collage workshop” tab_id=”1774572417408-453d9edb-28a6″][vc_column_text css=””]Collage workshop with Laura Williams \nSaturday 2 May 2026\, 2-3pm \nFee: $5 \nJoin artist Laura Williams as she guides you through a collaging session\, inspired by her exhibition\, Sea like a mirror. \nAll materials are provided\, and no previous experience is needed. \n.[/vc_column_text][vc_btn title=”BOOK HERE” color=”peacoc” css=”” link=”url:https%3A%2F%2Ffortyfivedownstairs.sales.ticketsearch.com%2Fsales%2Fsalesevent%2F162879″][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row][vc_row][vc_column][vc_btn title=”PURCHASE AN ARTWORK” color=”black” size=”lg” align=”center” css=”” button_block=”true” link=”url:https%3A%2F%2Fgallery-shop-3603.myshopify.com%2Fcollections%2Fsea-like-a-mirror”][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/sea-like-a-mirror/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/02/Shallows-2025-watercolour-collage-12-x-12-cm.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs gallery 45 Flinders Lane Melbourne Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260421
DTEND;VALUE=DATE:20260503
DTSTAMP:20260811T092746Z
CREATED:20260225T180055Z
LAST-MODIFIED:20260811T092746Z
UID:10004614-1776729600-1777766399@fortyfivedownstairs.com
SUMMARY:Gathered
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-artistname”]\nLana Daubermann & Fiona O’Byrne\n[/vc_column_text][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nGathered\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css=””]21 April – 2 May 2026 \nopening night:\nTuesday 21 April\, 5 – 7pm \nartist talk:\nFriday 1 May\, 6 – 6:45pm \nhours:\nTuesday – Friday: 12pm – 7pm\nSaturdays: 12pm – 4pm \nadmission: Free[/vc_column_text][vc_column_text css=””]\n…There is a subtle reciprocity on the canvas: a shared tonal palette here\, a familiar energy in the brushwork there… \n[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_empty_space height=”30px”]Load More[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Description”][vc_column_text css=””]Gathered celebrates more than a decade of friendship and creative exchange between Fiona O’Byrne and Lana Daubermann. Having met years ago as students at the Victorian Artists Society\, the two have since returned to the same halls to teach together\, all while maintaining an ongoing dialogue about the craft of painting. \nWhile their focuses have diverged – Fiona into the intimate world of portraiture and still life\, and Lana into the expansive reach of the landscape – their work continues to speak a similar language. \nIn this exhibition\, the paintings are in conversation with one another. There is a subtle reciprocity on the canvas: a shared tonal palette here\, a familiar energy in the brushwork there. Each nods to one another’s strengths\, reflecting a mutual influence built over years of discussing the craft of painting and supporting each other’s creative journey. \nFiona’s work remains a meditation on domestic realism\, finding poignancy in the “here and now” through commonplace objects and familiar faces. Lana’s landscapes explore colour and atmosphere\, capturing the spirit of the natural world. Together\, Gathered is a harmony of two distinct paths that continue to run side-by-side.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Events” tab_id=”1774573140808-e46cf210-0abb”][vc_column_text css=””]Opening Night\nTuesday 21 April\, 5 – 7pm \nArtist Talk with Lana Daubermann and Fiona O’Byrne\nFriday 1 May\, 6 – 6:45pm[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row][vc_row][vc_column][vc_btn title=”PURCHASE AN ARTWORK” color=”black” size=”lg” align=”center” css=”” button_block=”true” link=”url:https%3A%2F%2Fgallery-shop-3603.myshopify.com%2Fcollections%2Fgathered”][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/gathered/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/02/Radish-Fiona-OByrne-oil-on-linen-15-x-25-cm.-1-1-scaled-e1771397045915.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs gallery 45 Flinders Lane Melbourne Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260421
DTEND;VALUE=DATE:20260504
DTSTAMP:20260430T064819Z
CREATED:20251130T234702Z
LAST-MODIFIED:20260430T064819Z
UID:10004580-1776729600-1777852799@fortyfivedownstairs.com
SUMMARY:Chamber Music Festival 2026
DESCRIPTION:[vc_row][vc_column][vc_column_text css=”” el_class=”ffds-theatre-company”]\nCoady Green and fortyfivedownstairs present\n[/vc_column_text][vc_column_text css=”.vc_custom_1764543990048{padding-bottom: 5px !important;}” el_class=”ffds-theatre-title”]\nChamber Music Festival 2026\n[/vc_column_text][vc_column_text css=”.vc_custom_1764544007428{padding-bottom: 25px !important;}” el_class=”ffds-theatre-dates”]21 April – 3 May 2026[/vc_column_text][vc_row_inner css=”.vc_custom_1517972522288{padding-top: 20px !important;}”][vc_column_inner width=”2/3″][/vc_column_inner][vc_column_inner width=”1/3″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row equal_height=”yes” el_class=”ffds-theatre-details”][vc_column width=”2/3″][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1517986542329{padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #f8f8f8 !important;}”][vc_column_text css=”.vc_custom_1517986153292{padding-bottom: 5px !important;}”]\nSHOW DETAILS:\n[/vc_column_text][vc_separator color=”custom” align=”align_left” el_width=”40″ el_id=”ffds-theatre-divider”][vc_column_text css=”.vc_custom_1770856982687{padding-top: 5px !important;}”]Tuesday 21 April – Sunday 3 May 2026\n\ntimes: the schedule varies so please check the times below before booking tickets \nticket price: $32-$48 \nbookings: 03 9662 9966[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs][vc_tta_section tab_id=”1451285630039-f4b33ad9-e29065c5-b63365ad-01c60201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f1c039-1bee” title=”2026 Program”][vc_column_text css=””]Click on the buttons below to buy tickets to individual concerts. If you would like to purchase a package to see multiple concerts at a reduced price\, click HERE. \n\nOpening Night: Hamlet\, Ophelia and a Midsummer Night\nTuesday 21 April\, 7:30pm \nTo open the 2026 Chamber Music Festival\, pianists Coady Green\, Ian Munro and Charlotte Roberts will be joined by renowned actor Helen Morse to present a program inspired by the Bard – Edward MacDowell’s Hamlet and Ophelia Opus 22 arranged for two pianos\, Sally Beamish’s Sonnets for three pianists on two pianos (narrated by Morse)\, Liszt’s Hamlet S.644 arranged for two pianos\, and Mendelssohn’s Midsummer Night’s Dream Opus 61 arranged for four hands (narrated by Morse). \nBUY TICKETS \n\nDante’s Lovers and Visionaries\nWednesday 22 April\, 7:30pm \nInspired by Dante’s La Commedia\, this evocative program traces a journey from the torments of Inferno to the redemptive vision of Paradise. Liszt’s monumental Après une lecture du Dante features amongst a sequence of works exploring Dante’s most compelling figures\, including the tragic Francesca da Rimini. At the heart of the concert is the world-premiere of Gordon Kerry’s major song cycle Dante and Beatrice\, performed by soprano Rachel Joyce\, mezzo-soprano Dimity Shepherd\, tenor Boyd Owen\, and baritone Christopher Hillier. Drawing on Sir Samuel Griffith’s English translation (OUP\, 1911)\, with story adaptation by Margot Costanzo and libretto by Costanzo and Kerry\, the cycle charts Dante’s spiritual passage toward Beatrice. Music by Granados and new commissions\, including Gulliver Poole’s Paper Love\, create an unmissable Dantean tableau. \nbuy tickets \n\nBeethoven 9th Symphony arranged by Franz Liszt\nThursday 23 April\, 7:30pm \nLegendary Australian pianist Michael Leslie returns from Germany to join Melbourne virtuoso Peter de Jager for a monumental musical event: Franz Liszt’s epic two-piano arrangement of Beethoven’s Ninth Symphony. A towering feat of pianistic imagination\, Liszt’s arrangement is a complete re-creation of Beethoven’s orchestral\, choral\, and solo forces through the hands of just two performers. In this dazzlingly difficult tour de force\, two pianists at two pianos conjure the full sonic architecture of the symphony\, from its elemental opening to the transcendence of the “Ode to Joy.” Liszt\, himself the greatest piano virtuoso of the nineteenth century\, created these symphonic transcriptions to bring the orchestral canon to wider audiences before the age of recording. Today\, the Ninth Symphony arrangement remains one of the rarest and most formidable works in the entire piano duet repertoire\, seldom performed\, and even more rarely attempted live in concert. \nbuy tickets \n\nMy Favourite Penis Poems (and Other Love Stories)\nFriday 24 April\, 7:30pm \nPulitzer Prize-winning composer David Del Tredici was one of the first major classical composers to fully embrace queerness in a radical act of joy\, eroticism\, and defiance. This concert highlights two sides of Del Tredici’s queer expression. There’s the outrageously camp My Favourite Penis Poems – a virtuosic\, hilarious\, and unabashed song cycle setting his favourite poems on the rise and fall of His Majesty\, the Penis – and the deeply moving Gay Life – a meditative and tender exploration of queer identity\, composed in 2001. Both works receive their Australian premieres\, performed by a sensational ensemble of musicians including acclaimed American pianist and Del Tredici’s longtime friend\, Marc Peloquin\, baritone Bailey Montgomerie\, tenor Boyd Owen\, and soprano Marjorie Hannah. \nbuy tickets \n\nFrom Verona to Manhattan: Romeo and Juliet in Music\nSaturday 25 April\, 7:30pm \nOpening with Bellini’s rarely heard overture on the warring Montagues and Capulets\, this celebration of Shakespeare’s timeless love story continues with Linda Kouvaras’ The Nurse’s Curse from She Who Should Have Been a Queen\, Bernstein’s Symphonic Dances from West Side Story for two pianos\, the Australian premiere of Tchaikovsky’s epic Romeo and Juliet Overture arranged for two pianos by Karl Klindworth\, and Ned Rorem’s Four Dialogues\, a witty and lyrical set for two voices and two pianos. Performers include pianists Coady Green and Marc Peloquin and soprano Elena Xanthoudakis. \nbuy tickets \n\nThe Melbourne Mozart Project \nSunday 26 April and Sunday 3 May  \nClick HERE for more information on this exciting series of events. \n\nBrahms\, Liszt & Mendelssohn: Hungarian Fire and Italian Light\nTuesday 28 April\, 7:30pm \nPerformers Josephine Vains (cello)\, Sofija Kirsanova (violin)\, Coady Green (piano)\, and Ricardo Roche Idini (piano) combine forces in this expansive celebration of Romantic colour\, vitality\, and collective virtuosity. The program begins with the complete set of 21 Hungarian Dances by Johannes Brahms. Arranged for piano four hands\, violin and cello\, and overflowing with melodic buoyancy\, rhythmic bite and emotional depth\, these dances remain among Brahms’s most captivating works. This is followed by Franz Liszt’s blazingly virtuosic Hungarian Rhapsody\, also arranged for piano four hands with strings\, and an arrangement of Felix Mendelssohn’s exuberant Symphony No. 4\, the Italian\, whose sunlit energy and lyrical sweep bring the concert to a jubilant close. \nbuy tickets \n\nMeta Cohen and Olivier Messiaen: Prophecy and Eternity\nThursday 30 April\, 7:30pm \nA rare opportunity to encounter one of the twentieth century’s great visionary masterworks: Olivier Messiaen’s Visions de l’Amen\, performed by Coady Green and Marc Peloquin on two pianos. Composed during the Second World War\, this vast\, mystical meditation moves from creation and love to judgment and eternity\, revealing Messiaen as theologian\, mystic\, and ecstatic colourist. The program opens with Delphi Songs by Meta Cohen\, performed by Jessica Aszodi and Coady Green\, a haunting cycle inspired by prophecy and the final Oracle of Delphi\, whose voice foretold the end of her own sacred order. Also featured is Cohen’s brand new piano suite The Warning Never Heard\, based on the myth of Cassandra. Spanning millennia\, Cohen’s work contemplates revelation\, authority\, and the fading boundary between divine utterance and human mortality. \nbuy tickets \n\nThe Crossing Machine performs The Juliet Letters by Elvis Costello and The Brodsky Quartet\nFriday 1 May\, 7:30pm   \nMelbourne string quartet The Crossing Machine (violinists Marianne Rothschild and Matthew Rigby\, violist Margaret Butcher and cellist Charlotte Jacke) will be joined by vocalist Jordan Z to perform The Juliet Letters\, the genre-defying song cycle created by Elvis Costello in collaboration with The Brodsky Quartet. Originally released in 1993\, The Juliet Letters is a sequence of letters written to Shakespeare’s Juliet\, revealing a gallery of fractured lives\, longing\, regret\, and dark wit. Since beginning this project in 2018\, The Crossing Machine has been breathing new life into the work\, approaching it with deep respect for the score while bringing a distinctly contemporary energy and emotional clarity. The quartet is currently in the final stages of an exciting new CD release and this performance forms part of a small number of anticipated launch concerts planned for 2026. \nbuy tickets \n\nTriptych of Shadows: Satie\, Ullmann\, Kouvaras\nSaturday 2 May\, 7:30pm\n \nMeditations on love\, death\, memory\, and what remains \nErik Satie’s luminous Socrate\, performed by soprano Lily Flynn and pianist Coady Green\, offers a serene\, translucent meditation on the philosopher’s final hours\, a work the composer called a “symphony in white.” Viktor Ullmann’s Die Weise von Liebe und Tod des Cornets Christoph Rilke\, with actor Paul English and Green\, transforms Rilke’s prose poem into a hallucinatory wartime monodrama composed in Theresienstadt before Ullmann’s death in Auschwitz. The program concludes with a world-premiere preview of Linda Kouvaras’s The Boarding House\, Carlton\, 1972: Those that Remain\, narrated by Tiriki Onus and featuring baritone Alex Owens\, with text by Richard Ward\, a searing reimagining of memory\, violence\, and 1970s Melbourne. \nBuy tickets  \n[/vc_column_text][/vc_tta_section][vc_tta_section title=”Melbourne Mozart Project” tab_id=”1770769982191-adcb46ea-dc4c”][vc_column_text css=””]The Melbourne Mozart Project Part I: Four Concerts of Mozart Piano Concertos in One Day\nSunday 26 April \nA festival within a festival\, The Melbourne Mozart Project celebrates Mozart through two parallel musical journeys. Part I: Rising Stars showcases Melbourne’s most exceptional young pianists in a one-day concerto marathon. Across four concerts\, pre-tertiary soloists perform complete Mozart piano concertos\, partnered by some of our finest established instrumentalists accompanying in string arrangements of the orchestral parts. Curated by leading pianist-educators Coady Green and Glenn Riddle\, the project offers these outstanding young musicians a rare professional platform within the fortyfivedownstairs Chamber Music Festival. A celebration of mentorship\, virtuosity\, and musical inheritance\, Rising Stars reveals the next generation of Mozart interpreters in performances of brilliance\, ambition\, and joy. \nConcert 1: The Early Spark – 11:00am \nPiano Concerto No. 5 in D major\, K.175: Soloist: Seth Raudam\nPiano Concerto No. 8 in C major\, K.246 Soloist: Malik Johnston\nPiano Concerto No. 12 in A major\, K.414 Soloist: Charlie Wu \nbuy tickets \n\nConcert 2: The Virtuoso Emerges – 1:30pm \nPiano Concerto No. 9 in E-flat major K. 595 Jeunehomme Soloist: Diego Yu\nPiano Concerto No. 11 in F major\, K.413 Soloist: Jacqueline Wang\nPiano Concerto No. 13 in C major\, K.415 Soloist: Caitlin Au\n \nbuy tickets \n\nConcert 3: Shadows and Light – 4:00pm \nPiano Concerto No. 14 in E-flat major\, K.449: Soloist: Arul Verty\nPiano Concerto No. 22 in E-flat major K. 482 Solo: Jack Brunialti-Sykes \nPiano Concerto No. 20 in D minor\, K.466 Solo: Charlotte Roberts \nbuy tickets \n\nConcert 4: Masterworks – 7:30pm \nPiano Concerto No. 21 in C major\, K.467 “Elvira Madigan” Soloist: Abby Zhao\nPiano Concerto No. 23 in A major\, K.488 Soloist: Oriana Kang-Kurniawan\nPiano Concerto No. 25 in C major\, K.503 Soloist: Stefania Robu \nbuy tickets \n[/vc_column_text][/vc_tta_section][vc_tta_section title=”Ticket Prices & Concessions” tab_id=”1452941768731-94b426f3-57530201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f1c039-1bee”][vc_column_text css=””]\nTicket Prices:\nFull: $42-$48\nConcession: $32-$38\nGroup 6+: $32-$38 \nConcessions:\nPensioners/Full-time students/MEAA members \nTicket sales are subject to a booking fee of $5.00 per ticket plus any merchant charges for payments by American Express \nTicket fees are charged reluctantly. As an unfunded CBD located venue\, our expenses continue to rise. If fortyfivedownstairs is to survive\, we are obliged to increase our revenue without inflicting costs on already struggling artists. Without support\, we risk losing artists or having to close our doors. We do hope for your understanding![/vc_column_text][/vc_tta_section][vc_tta_section title=”Ticket Packages” tab_id=”1770771919972-853c3700-1673″][vc_column_text css=””]Book to see three or more concerts and receive a discount! Click the buttons below to book online or call (03) 9662 9966. \n$40 full price for 3+ concerts \n$30 concession price for 3+ concerts[/vc_column_text][/vc_tta_section][vc_tta_section title=”Coady Green interview” tab_id=”1776127856336-182fcde4-7289″][vc_column_text css=””]What inspired you to launch the Festival back in 2023? \nI felt there was a real gap in Melbourne for a major chamber music festival that brings together leading Australian artists and outstanding visiting performers\, while also championing adventurous and diverse repertoire. The ethos of fortyfivedownstairs itself\, eclectic\, artist-driven\, and creatively fearless\, felt like the perfect match too. From the beginning\, the vision was to create an intensive two-week program where audiences could experience both beloved masterworks and bold new music side by side\, and where diversity of voices\, styles\, and perspectives is genuinely at the centre of the programming. \nWhat do you love about performing at fortyfivedownstairs? \nI first performed at fortyfivedownstairs in 2008\, when I was living in London and returning to Australia every year or two. I loved it immediately\, for both its resonance and captivating atmosphere. It is an unexpected “loft-style” performance space of the kind that you find in New York and Berlin. I also know so many colleagues – actors\, visual artists\, sound designers and musicians – who share this love\, so it has a community spirit as well. \nFor a patron who hasn’t attended a Chamber Music Festival event\, what would you recommend as an introduction?  \nTry opening night – Helen Morse reciting excerpts from Shakespeare’s A Midsummer Nights’ Dream\, accompanied by Mendelssohn’s beautiful (and virtuosic) incidental music… Or come along to a night inspired by Romeo and Juliet\, with visiting American virtuoso Marc Peloquin\, featuring works from Tchaikovsky to Bernstein… Or a vivid night with the complete Brahms Hungarian Dances\, arranged for piano four hands\, violin and cello\, paired with Mendelssohn’s 4th Symphony. Or the world-premiere of Gordon Kerry’s new song cycle Dante and Beatrice in a concert of works inspired by Dante… Or the complete works by Mozart for piano four hands and two pianos in two concerts on Sunday May 3rd – something you’ll likely never experience again in this way. There’s also the monumental Liszt arrangement of Beethoven’s 9th Symphony for two pianos\, a piece so rarely performed\, with visiting guest artists Michael Leslie and Peter de Jager. \nAnother monumental work for two pianos that many people love but is rarely played is Messiaen’s exquisite Visions de l’Amen\, which I will be playing with guest Marc Peloquin. This is an enormous work\, and really very special. We are pairing it with Meta Cohen’s evocative song cycle on the statements of the oracle at Delphi – Delphi Songs.  \nAnd what would you suggest to the patron who sees numerous live music performances who is looking for something new and surprising?   \nThe late\, Pulitzer-Prize-Winning American composer David Del Tredici features in the festival\, with two Australian premieres – his profoundly moving song-cycle for baritone and piano\, Gay Life\, and the outrageous My Favourite Penis Poems. Need I say more? \nFor regular patrons\, I wouldn’t miss the Messiaen Visions de l’Amen\, which is such a great\, epic work. Another wonderful surprise is the complete Elvis Costello Juliet Letters\, performed by the Melbourne string quartet The Crossing Machine\, with guest vocalist Jordan Z. \nAlso in the new and surprising category – a performance of a new song cycle for baritone\, piano and narrator by Linda Kouvaras\, with narration about local (and very surprising) stories from Carlton… this is paired with a rare performance of Satie’s beautiful Socrate\, taking text from Plato\, and Viktor Ullman’s Die Weise von Liebe und Tod des Cornets Christoph Rilke\, with actor Paul English\, which transforms Rilke’s prose poem into a hallucinatory wartime monodrama composed in Theresienstadt before Ullmann’s death in Auschwitz.[/vc_column_text][/vc_tta_section][/vc_tta_tabs][vc_empty_space][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/chamber-music-festival-2026/
LOCATION:fortyfivedownstairs theatre\, 45 Flinders Lane\, Melbourne 3000\, Victoria\, 3000\, Australia
CATEGORIES:theatre
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2025/12/Chamber-Music-Fest-image-by-Cameron-Grant.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs theatre 45 Flinders Lane Melbourne 3000 Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260505
DTEND;VALUE=DATE:20260517
DTSTAMP:20260504T014846Z
CREATED:20260225T180002Z
LAST-MODIFIED:20260504T014846Z
UID:10004615-1777939200-1778975999@fortyfivedownstairs.com
SUMMARY:Silence In Shadow
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-artistname”]\nBrian Reberger\n[/vc_column_text][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nSilence In Shadow\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css=””]5 May – 16 May 2026 \nopening night: \nTuesday 5 May\, 6 – 8pm \nhours:\nTuesday – Friday: 12pm – 7pm\nSaturdays: 12pm – 4pm \nadmission: Free \nPURCHASE AN ARTWORK[/vc_column_text][vc_column_text css=””]\n……moments of revelation and mystery emerge from contrast…inspired by Caravaggio’s mastery of tenebrism… \n[/vc_column_text][/vc_column][vc_column width=”1/2″]Load More[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Artist Statement”][vc_column_text css=””]Having lived and worked in Italy for several years and now dividing my time between there and my studio in Daylesford\, I find my creative vision continually shaped by these magical places. My art explores tension between illumination and obscurity\, inviting viewers to experience drama through contrast. In “Silence in Shadow\,” I bring together oil paintings\, photography with gold or silver leaf to evoke the spirit of Caravaggio’s chiaroscuro. \nThe exhibition’s central theme is the interplay of ‘light and darkness’\, where moments of revelation and mystery emerge from contrast. Inspired by Caravaggio’s mastery of tenebrism\, I present subjects that appear to float on a void\, illuminated by an almost theatrical beam. These works delve into the beauty that light can reveal within darkness\, encouraging viewers to reflect on their own experiences of clarity and enigma. \nMaterials & Process\n-Oil paintings of vibrantly coloured still lives set against deep\, dark backgrounds\n-Black and white photographs hand painted with delicate tints and gold or silver highlights\, a whisper of luxury that punctuates areas of light. \nMy process embraces patience and precision: the photographic hand-painting demands careful attention\, while oil studies require meticulous layering to achieve the desired depth. \nI invite you to step into these contrasts and discover your own moments of illumination within the ‘silence and shadow’.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artist’s CV” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef2edb-f0663f53-0933″][vc_column_text css=””]Studios: Daylesford\, Australia & Citta Di Castello\, Italy\nWebsite: http://www.brianreberger.com\nEmail: brianreberger@gmail.com\nPhone: 0407 359 989 \nEducation\n1982: Diploma in Fine Art (Painting)\, Swinburne University of Technology (Prahran College)\, Melbourne\, Australia \nSelected Exhibitions – Solo\n2026 – “Silence in Shadow” 45 Downstairs\, Melbourne (Oil Paintings & Hand Painted Photographs)\n2023 – “Collezione Appassionata” Palazzo Del Podesta\, Citta di Castello\, ITALY (Charcoal Paintings & Hand Painted Photographs)\n2022 – “My Italian Life” Steps Gallery\, Carlton (Retrospective Exhibition)\n2022 – “My Italian Life” (Online Exhibition)\n2018 – “A Journey to New Beginnings\,” Steps Gallery\, Carlton (Charcoal Paintings)\n2016 – “Perspectives & Curioso\,” Steps Gallery\, Carlton (Charcoal Paintings)\n2015 – “Momenti Catturati\,” The Art Vault\, Mildura (Painting & Drawing)\n2015 – Convent Gallery\, Daylesford (Charcoal\, Pastel & Oil Paintings)\n2014 – “All That Glitters\,” Steps Gallery\, Carlton (Charcoal with Gold & Silver Leaf)\n2013 – “Italia-che Passione\,” Italian Institute of Culture\, Melbourne (Painting & Drawing)\n2012 – Steps Gallery\, Carlton (Painting & Drawing)\n2011 – Ballarat Foto Biennale\, Mercato @ Daylesford (Hand Painted Photographs)\n2006 – Hotel Sofitel\, Melbourne (Charcoal)\n2004/05 – Mercato @ Daylesford (Pastel & Charcoal)\n2002/03 – Hotel Sofitel\, Le Restaurant\, Melbourne (Pastel)\n2001/02 – Hotel Sofitel\, Atrium Gallery\, Melbourne (Pastel)\n2001 – Convent Gallery\, Daylesford (Photographic & Pastel)\n2000 – Chiara Goya Gallery\, Fitzroy (Pastel\, “Passionate Perspectives”)\n1999 – Convent Gallery\, Daylesford (“Italian Journey” – Photographic)\n1991 – Guilfoyles\, South Yarra (Pastel) \nSelected Exhibitions – Group\n2019\, 2017 – DMROS Open Studios Participant\n2013 – “The Three Amici\,” Bowen Hill Studio\, Buninyong (with Doug Wright & Anne Saunders)\n2010 – “Figure & Form: Five Artists\,” Greenwood Gallery\, South Melbourne (Oils & Charcoals)\n2005 – “When Fashion Meets Art\,” Tremayne\, Toorak (Pastel & Charcoal)\n2001 – Goya Gallery\, Melbourne (“50 Most Collectable Artists\,” Pastel)\n1982 – Hawthorn City Art Gallery (Graduate Exhibition) \nLectures & Workshops\n2001 & 2002 – Lectures to National Gallery of Victoria Society (Pastel Painting) \nCollections\nWorks held in private collections in Australia\, Asia\, Italy\, America\, England\, and Lebanon. \nPress\nEditorial coverage in Australia\, Italy\, and America. \nArtistic Travel\nExtensive travel for art practice\, photography\, and painting\, including:\nItaly  (2025\, 2024\, 2022\, 2019\, 2018\, 2017\, 2016\, 2015\, 2007\, 2001)\nEurope (2013\, 2009\, 2005\, 2003)\nVietnam\, Cambodia & Laos (2012)\nIndia & Indonesia (2011\, 2004)\nNew Zealand (2004)\nThailand (2002)\nAmerica (2001)[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row][vc_row][vc_column][vc_column_text css=””]Shadforth Financial Group                               Travel Professionals                                        Fine Wines of the King Valley \n                                                                                   \n  \n[/vc_column_text][vc_btn title=”PURCHASE AN ARTWORK” color=”black” align=”center” css=”” button_block=”true” link=”url:https%3A%2F%2Fgallery-shop-3603.myshopify.com%2Fcollections%2Fsilence-in-shadow”][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/silence-in-shadow/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/02/Primavera-Revisited-Brian-Reberger-2026-oil-on-canvas-91cm-x-122cm-scaled-e1771482687402.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs gallery 45 Flinders Lane Melbourne Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260505
DTEND;VALUE=DATE:20260517
DTSTAMP:20260430T093717Z
CREATED:20260225T180036Z
LAST-MODIFIED:20260430T093717Z
UID:10004609-1777939200-1778975999@fortyfivedownstairs.com
SUMMARY:Autumn Haiku
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-artistname”]\nJames Bryans\n[/vc_column_text][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nAutumn Haiku\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css=””]5 May – 16 May 2026 \nopening night: \nTuesday 5 May\, 6 – 8pm\n\nhours:\nTuesday – Friday: 12pm – 7pm\nSaturdays: 12pm – 4pm \nadmission: Free[/vc_column_text][vc_column_text css=””]\n…clouds over Fuji\nbubbles burst on fallen leaves\nan old deer lies down… \n[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_empty_space height=”20px”]Load More[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true” css=”.vc_custom_1771484613012{background-color: #FFFFFF !important;border-color: #FFFFFF !important;}”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Description”][vc_column_text css=””]In this series of photographs taken in Japan I chose to bypass the chaos inherent in big cities\, instead observing and experiencing the beauty of fleeting things and the changes of light and atmosphere around those things which are more permanent. \n[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artist’s Bio” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef2edb-f0663f53-0933″][vc_column_text css=””]James Bryans has been exhibiting since the mid-nineties\, presenting work in national and international institutions such as Stills Gallery\, NSW\, the National Portrait Gallery\, UK\, Centre for Contemporary Photography\, fortyfivedownstairs\, Linden Gallery\, and Green Floor Gallery\, VIC\, the Melbourne Immigration Museum\, and the Consulate-General of Japan in Melbourne. At Tweed River Regional Gallery he has been selected as a finalist for the Olive Cotton Award for Photographic Portraiture (2006) and the Josephine Ulrick and Win Schubert Photography Award (2003\, 2002 Judges Commendation\, 2000\, 1999). In 2008\, ArtWorld Magazine featured him in their Photography Supplement edition. In 2024 and 2025 he was selected as part of the Head On Photo Festival Open Program. His work is held in private collections within Australia and overseas.[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row][vc_section][/vc_section][vc_row][vc_column][vc_btn title=”PRE-SALES NOW OPEN – PURCHASE AN ARTWORK” color=”black” size=”lg” align=”center” css=”” button_block=”true” link=”url:https%3A%2F%2Fgallery-shop-3603.myshopify.com%2Fcollections%2Fautumn-haiku”][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/autumn-haiku/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/02/Miyajima-James-Bryans-2024-pigment-ink-print-on-archival-cotton-rag-paper-30-x-30-cm-scaled.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs gallery 45 Flinders Lane Melbourne Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260512
DTEND;VALUE=DATE:20260613
DTSTAMP:20260612T141259Z
CREATED:20260508T035826Z
LAST-MODIFIED:20260612T141259Z
UID:10004624-1778544000-1781308799@fortyfivedownstairs.com
SUMMARY:Enter the Emerging Artist Award 2026
DESCRIPTION:[vc_row][vc_column width=”1/2″]2025 EAA 1st Prize Winner: Steph Everett\, 'backseat of a commodore'\, glass beads\, thread\, copper rod\, 43 x 75 cm.[/vc_column][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nEnter the Emerging Artist Award 2026\n[/vc_column_text][vc_empty_space height=”30px”][vc_column_text css=””]submissions close: Friday 12 June\, 5pm \nexhibition dates: 14 July – 24 July 2026 \nentry fee: $30 \n\n\n\n[/vc_column_text][vc_column_text css=””]\n…a proven catalyst for ongoing recognition and professional development… \n[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs style=”modern” shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true” css=”.vc_custom_1778208904639{border-color: #000000 !important;}”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Description”][vc_column_text css=”.vc_custom_1780624341867{border-radius: 1px !important;}” wpex_border_color=”#010101″]We’re thrilled to announce that applications for our 11th annual Emerging Artist Award are now open! \nThe Emerging Artist Award at fortyfivedownstairs is a proven catalyst for recognition and professional development\, while giving audiences the opportunity to discover bold new work from some of Australia’s most exciting early-career artists. \nArtists from across Australia in the early stages of their career are invited to apply (see Conditions of Entry for eligibility details). \nA selection of finalists will be exhibited from 14–24 July 2026 across our two gallery spaces at 45 Flinders Lane. A special guest judge will award a $3\,000 prize pool to the two submissions that best align with the award criteria\, and visitors will also have the chance to vote in the People’s Choice Award. \nSubmissions close on Friday 12 June\, 5pm. \nFREE entry for First Nations people\, contact gallery@fortyfivedownstairs.com. \nPlease ensure you read the Conditions of Entry carefully\, as entry fees are non-refundable. \nSupported by: \n. \n.[/vc_column_text][vc_btn title=”Check out past Emerging Artist Awards” align=”left” css=”” link=”url:https%3A%2F%2Ffortyfivedownstairs.com%2Femerging-artist-award%2F”][/vc_tta_section][vc_tta_section title=”Conditions of Entry” tab_id=”1778203819960-4963128f-5a5d”][vc_column_text css=””]Please ensure you read the Conditions of Entry carefully\, as entry fees are non-refundable. \n\nEntry is open to artists residing in Australia who are in the early stages of their career\, defined as having held no more than three solo exhibitions\, not being represented by a gallery\, and not having won or been shortlisted for any major art prizes or awards\, or possessing equivalent professional experience.\nPrevious finalists in the Emerging Artist Award are not eligible to enter.\nArtists may submit a maximum of two entries\, with one artwork per entry. Artworks must be complete at the time of submission.\nThe entry fee is $30 per artwork. Entry fees are non-refundable.\nEntrants must complete the online application form and submit: an artist statement/supporting statement\, a current artist CV\, up to three images of the artwork. Total uploaded image files must not exceed 9MB.\nAny use of artificial intelligence (AI) in the production of submitted artwork must be clearly disclosed at the time of entry\, including the extent and nature of its use.\nSelection of finalist artworks will take into consideration the gallery’s capacity to accommodate installation requirements. There are no artwork size limits. \nAll media are eligible for submission. Artists exhibiting time-based\, digital\, installation\, or non-standard works must provide all equipment\, materials\, hardware\, and clear installation instructions required for display. fortyfivedownstairs will supply standard installation hardware only\, including nails and screws.\nAll costs associated with the delivery\, freight\, shipping\, insurance\, installation\, and collection of artworks are the responsibility of the artist. All artworks must arrive in sound and exhibition-ready condition.\nAll shortlisted artworks must be available for sale. A commission of 20% will be retained by fortyfivedownstairs on all sales.\nBy submitting an entry\, entrants acknowledge their availability to meet the following dates:\n\n\nSubmission deadline: Friday 12 June 2026\, 5:00pm\nNotification of finalists: Friday 26 June 2026\nArtwork delivery: Saturday 11 July 2026\, 12:00pm–4:00pm\nExhibition dates: 14–24 July 2026\nCollection of unsold works: Saturday 25 July 2026\, 12:00pm–4:00pm\n\n\nThe judge’s decision is final and no correspondence will be entered into.\nThe final determination of eligibility and suitability for exhibition rests with fortyfivedownstairs. fortyfivedownstairs reserves the right to withdraw or refuse works deemed unsuitable for display\, installation\, safety\, or logistical reasons.\nWhile all reasonable care will be taken in handling artworks\, fortyfivedownstairs accepts no responsibility for loss or damage.\nBy entering the award\, entrants grant fortyfivedownstairs permission to reproduce images of submitted and shortlisted artworks for promotional\, publicity\, educational\, and archival purposes\, with artist attribution.\n\n[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/enter-the-emerging-artist-award-2026-2/
LOCATION:Victoria
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/05/backseat_full_StephEverett-1-e1778209477321.jpeg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260519
DTEND;VALUE=DATE:20260531
DTSTAMP:20260519T053443Z
CREATED:20260225T180020Z
LAST-MODIFIED:20260519T053443Z
UID:10004610-1779148800-1780185599@fortyfivedownstairs.com
SUMMARY:Aural Transferences - Memory of Sound Through Deaf Ears
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-artistname”]\nChelle Destefano\n[/vc_column_text][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nAural Transferences – Memory of Sound Through Deaf Ears\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css=””]19 May – 30 May 2026\n \nopening night:\nTuesday 19 May\, 5 – 7pm \nartist talk:\nSaturday 30 May\, 2pm\nAUSLAN interpreted\, no booking required \nhours:\nTuesday – Friday: 12pm – 7pm\nSaturdays: 12pm – 4pm \nadmission: Free[/vc_column_text][vc_column_text css=””][/vc_column_text][vc_column_text css=””]\n…[I] saw my memories of those sounds play out in my movements… \n[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_empty_space height=”30px”]Load More[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs section_title_tag=”h3″ style=”modern” shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true” css=”.vc_custom_1771486219534{border-color: #A5A5A5 !important;}”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Artist Statement”][vc_column_text css=””]Aural Transferences has been an ongoing process of exploring the depths of memory of sound from childhood as a native Deaf-from-birth person. When I had only 10% hearing as a Deaf child\, I was able to wear hearing aids and heard many sounds that became visuals. I have been using my artistic process to meditate on those memories into colour lines as notes. Working on this large 3-meter long work\, I filmed a portion of myself in creation process and saw my memories of those sounds play out in my movements and I chose music with the help of my hearing partner Zoe\, that fit just right with this work just like that. I recorded those notes of my memories of each section along the paper in white pen and pastel on the black that acts as a veil for memories of sound from Deaf ears.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artist’s Bio” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef2edb-f0663f53-0933″][vc_column_text css=””]Chelle Destefano is a Deaf multidisciplinary artist working in drawing\, painting\, printmaking\, performance work and textiles. Her works currently centre around memory and identity exploring childhood memories and her inner-child which is an important part of her identity and her Deaf experiences. Chelle believes Auslan should be a site of resistance against audism and oppression for the Deaf culture and Deaf community. Recently Chelle was selected for the Art Gallery of Ballarat exhibition program to have a solo exhibition later this year. Chelle has been a finalist in many art prizes including the Michael Beazer Works on Paper Prize\, Wyndham Art Prize\, Nillumbik Art Prize\, Castlemaine’s Print Prize\, Kedumba Drawing Prize\, Incinerator Art Award\, Footscray Art Award\, Lyn McCrea Drawing Prize and the Lake Art Prize. She was a winner of the Lake Art Prize in 2020 and more recently the Nillumbik Prize in 2025.[/vc_column_text][/vc_tta_section][vc_tta_section title=”PURCHASE AN ARTWORK” tab_id=”1779157603714-d9d0b691-adf3″][vc_btn title=”PURCHASE AN ARTWORK” color=”black” align=”center” css=”” button_block=”true” link=”url:https%3A%2F%2Fgallery-shop-3603.myshopify.com%2Fcollections%2Faural-transferences-memory-of-sound-through-deaf-ears”][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row][vc_row][vc_column][vc_column_text css=””]This project is supported by the City of Melbourne Arts Grants. \n  \n[/vc_column_text][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/aural-transferences-memory-of-sound-through-deaf-ears/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/02/Aural-Transferences-I-Chelle-Destefano-2024-charcoal-and-gouache-on-paper-76-x-60-cm-e1771485319660.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs gallery 45 Flinders Lane Melbourne Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260519
DTEND;VALUE=DATE:20260531
DTSTAMP:20260902T045308Z
CREATED:20260226T014217Z
LAST-MODIFIED:20260902T045308Z
UID:10004619-1779148800-1780185599@fortyfivedownstairs.com
SUMMARY:In the silence between our heart beats
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-artistname”]\nAnthea Vayonitis\n[/vc_column_text][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nIn the silence between our heart beats\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css=””]19 May – 30 May 2026 \nopening night:\nTuesday 19 May\, 5 – 7pm \nguided drawing session with Anthea Vayonitis: \nSaturday 23 May\, 12:30 – 1:30pm\nTickets: $5 – BOOK BELOW \nopening hours:\nTuesday – Friday: 12pm – 7pm\nSaturdays: 12pm – 4pm \nadmission: Free[/vc_column_text][vc_column_text css=””]\n…Abstraction\, colour and sensation are explored through the metaphysical energies in nature… \n[/vc_column_text][/vc_column][vc_column width=”1/2″]Load More[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Exhibition Description”][vc_column_text css=””]An emerging contemporary artist\, Anthea Vayonitis works with dance and meditation practices to create gesturally embodied immersive paintings. “In the silence between our heart beats” is an activation of works that includes the same titled 1.7 x 15m painting that was channelled whilst on a residency in July-August of 2025 in the Blue Mountains at Loaf Gallery\, formerly known as Landslide. This progressive painting and body of work cascades as a visual journal of her time spent in Wentworth Falls. Anthea connected with the breath-taking nature of the sacred land of the Barkindrji river people and Gundungurra people. Anthea painted her connection to energy through lyrical abstraction and sensation that was found in the metaphysical energies in the earth and specifically the birdlife that consumed her during her stay in the Blue Mountains. This work is accompanied by tufted paintings that ground the avian energies\, through bulbs\, sunlight\, and landscapes of the elemental spirits of earth\, water\, air\, fire. \n  \nExhibition Text by Nirmala Krishnan PH.D \nAvian Consciousness in Flight\, an avian consciousness\, a winged geometry echoing with vibrational intelligence\, weaving songs of energy through spirals\, waves\, and multidimensional grids. The spirals at each end are feathers of ascension\, charting the soul’s flight inward and outward\, always returning to Source. Zigzags and waveforms ripple like wings mid-beat\, awakening the central chord\, unlocking codes hidden in bone and breath. \nLayer upon layer moves like wind currents\, etheric\, astral\, physical flowing together in interdimensional flight. Dots and curves are sky-beacons: nodes of intent pulsing across space\, as in cell into cell. At the heart\, a spiral sun the galactic nest radiates light codes. Infinity loops glide like eternal flight paths\, connecting mind to higher skies. Colours in harmony\, rhythm golds of solar wisdom\, greens of forest breath\, violets of crown-lit skies\, all in harmony\, all in motion\, all in flight. Golden grids shimmer like a lattice of sky-bound feathers\, the Matrix of Form\, unseen but always present\, holding the divine architecture of becoming.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artist’s Bio” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef2edb-f0663f53-0933″][vc_column_text css=””]Anthea Vayonitis is a Melbourne-based emerging artist\, graduating in Master of Fine Art at RMIT\, Melbourne\, Naarm. In 1995 Anthea completed a Bachelor of Fashion Design\, RMIT\, Melbourne\, Naarm\, alongside experienced training in Dance. Anthea works with painting through an intuitive process. Abstraction\, colour and sensation are explored through the metaphysical energies in nature. Like a dance\, one mark informs another and in creating a personal lexicon\, energy is represented as life force. She has participated in several art workshops led by Australian artist Yvette Coppersmith. Anthea took part of an artist residency at Loaf Gallery\, formerly known as Landslide\, Wentworth Falls\, Blue Mountains\, where is also had a studio visit with Australian artist\, Gene A ‘Hern. Anthea has painted for Cathy Freeman and presented works for her private collection. \nRecent Solo exhibitions include\, The Star\, the Sphere\, Helios\, Ra and the Golden Hour\, Rubicon ARI\, Melbourne\, 2025\, Gaia’s Golden Hour\, Brunswick Street Gallery\, Melbourne\, 2025\, Connective Chromatic Energies and Sensations\, Rubicon ARI\, Melbourne\, 2024\, Chromatic Sensations Of Spaces Between Spaces \, No Vacancy Gallery\, Melbourne\, 2024. Group Exhibitions include\, Gesture\, Harlow Gallery\, Melbourne\, 2025\, SMALL!\, fortyfivedownstairs\, Melbourne\, 2025\, Fifty Squared Art Prize\, Brunswick Street Gallery\, Melbourne\, 2025\, Emerging Artists Summer Exhibition\, Quadrant Gallery\, Melbourne\, 2024\, RMIT\, Graduate Exhibition: Photo\, Fine Art Hons\, MFA\, Art in Public Space\, RMIT\, Melbourne\, 2023 and RMIT Fashion Graduate Exhibition\, Great Hall\, National Gallery of Victoria\, Melbourne\, Naarm\, 1995. Anthea volunteered as part of the Hotel Hiromi Collective\, creating spaces for visitors to rest\, and connect with their feelings and spirit. Anthea worked with Hiromi Tango on the Children’s Sensorium project\, Archive of Feeling\, Sensation\, Connection\, Community\, Trauma\, Knowledge\, Empathy\, RMIT\, Design Hub Gallery\, 2022.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Book Tickets for Guided Drawing Session” tab_id=”1778723450508-32f63346-1949″][vc_column_text css=””]Guided drawing session with Anthea Vayonitis \nSaturday 23 May\, 12:30 – 1:30pm \nAll materials provided \n$5 tickets \n.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Purchase an artwork” tab_id=”1779156992719-507ddd61-d4d8″][vc_btn title=”PURCHASE AN ARTWORK” color=”black” size=”lg” align=”center” css=”” button_block=”true” link=”url:https%3A%2F%2Fgallery-shop-3603.myshopify.com%2Fcollections%2Fin-the-silence-between-our-heart-beats”][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row][vc_row][vc_column][vc_btn title=”Listen to Exhibition Audio” color=”black” css=”” link=”url:https%3A%2F%2Ffortyfivedownstairs.com%2Fwp-content%2Fuploads%2F2026%2F05%2FAUDIO-2026-05-17-20-20-59.mp3″][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/in-the-silence-between-our-heart-beats/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/png:https://fortyfivedownstairs.com/wp-content/uploads/2026/02/IMG_5001-1-e1772070201960.png
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs gallery 45 Flinders Lane Melbourne Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260528
DTEND;VALUE=DATE:20260615
DTSTAMP:20260529T022400Z
CREATED:20251126T025150Z
LAST-MODIFIED:20260529T022400Z
UID:10004569-1779926400-1781481599@fortyfivedownstairs.com
SUMMARY:Eurydice
DESCRIPTION:[vc_row][vc_column][vc_column_text css=”” el_class=”ffds-theatre-company”]\nMelbourne Shakespeare Company presents\n[/vc_column_text][vc_column_text css=”.vc_custom_1761704074260{padding-bottom: 5px !important;}” el_class=”ffds-theatre-title”]\nEurydice by Sarah Ruhl\n[/vc_column_text][vc_column_text css=”.vc_custom_1761709777834{padding-bottom: 25px !important;}” el_class=”ffds-theatre-dates”]28 May – 14 June 2026[/vc_column_text]book online [vc_row_inner css=”.vc_custom_1517972522288{padding-top: 20px !important;}”][vc_column_inner width=”2/3″][/vc_column_inner][vc_column_inner width=”1/3″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row equal_height=”yes” el_class=”ffds-theatre-details”][vc_column width=”2/3″][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1517986542329{padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #f8f8f8 !important;}”][vc_column_text css=”.vc_custom_1517986153292{padding-bottom: 5px !important;}”]\nSHOW DETAILS:\n[/vc_column_text][vc_separator color=”custom” align=”align_left” el_width=”40″ el_id=”ffds-theatre-divider”][vc_column_text css=”.vc_custom_1777513548505{padding-top: 5px !important;}”]Thursday 28 May – Sunday 14 June 2026\n\npreview: Thursday 28 May\nopening night: Friday 29 May\nduration: 90 minutes\ntimes:\nTuesday to Saturday 7:30pm\nSunday 5pm\nticket price: $39 – $55\nbookings: 03 9662 9966 \nindustry night: Tuesday June 2nd \nforum night: Tuesday June 9th \nwarnings: TBC[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs][vc_tta_section tab_id=”1451285630039-f4b33ad9-e29065c5-b63365ad-01c60201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f1f251-55a3″ title=”Description”][vc_column_text css=””]Melbourne Shakespeare Company is proud to present Sarah Ruhl’s Eurydice – a luminous\, poetic reimagining of the Greek myth\, directed by multi-award-winner Gary Abrahams. \nFollowing acclaimed sold-out seasons at fortyfivedownstairs\, Melbourne Shakespeare Company returns with a production of exceptional artistic ambition and emotional power. Through Ruhl’s distinctive voice\, the story of Eurydice and Orpheus is retold from a female perspective\, weaving memory\, love\, and loss into a dreamlike theatrical experience. \nEurydice offers Melbourne audiences a rare chance to see a modern masterpiece staged with depth and imagination. This is theatre for those who love bold\, beautiful storytelling. \nPhoto by Nick Robertson[/vc_column_text][/vc_tta_section][vc_tta_section title=”Cast and Creatives” tab_id=”1452941644640-19a0de81-e87a0201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f1f251-55a3″][vc_column_text css=””]CREATIVES \nDirector: Gary Abrahams \nSet & Costume Designer: Nathan Burmeister \nLighting Designer: Spencer Herd \nComposer & Musical Director: Grace Ferguson \nSound & AV Designer: Justin Gardam \nArtistic Director: Jennifer Sarah Dean \nProducer & Production Stage Manager: Seamus Allan \nMarketing Coordinator: Ryan Hamilton \n  \nCAST \nEurydice: Aisha Aidara \nOrpheus: Tomáš Kantor \nFather: John Voce \nLord of the Underworld: Devon Braithwaite \nStone: Joshua Gordon \nStone: Fran Sweeney-Nash \nStone: Miles Paras[/vc_column_text][/vc_tta_section][vc_tta_section title=”Ticket Prices and Concessions” tab_id=”1452941768731-94b426f3-57530201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f1f251-55a3″][vc_column_text css=””]\nTicket Prices:\nPreview: $39\nFull: $55\nConcession: $49\nGroup 6+: $49\nMob tickets (discount for Aboriginal and Torres Strait Island mob): $39 \nConcessions:\nPensioners/Full-time students/MEAA members \nTicket sales are subject to a booking fee of $5.00 per ticket plus any merchant charges for payments by American Express \nTicket fees are charged reluctantly. As an unfunded CBD located venue\, our expenses continue to rise. If fortyfivedownstairs is to survive\, we are obliged to increase our revenue without inflicting costs on already struggling artists. Without support\, we risk losing artists or having to close our doors. We do hope for your understanding![/vc_column_text][/vc_tta_section][/vc_tta_tabs][vc_empty_space]book online [/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/eurydice/
LOCATION:fortyfivedownstairs theatre\, 45 Flinders Lane\, Melbourne 3000\, Victoria\, 3000\, Australia
CATEGORIES:theatre
ATTACH;FMTTYPE=image/png:https://fortyfivedownstairs.com/wp-content/uploads/2025/11/Eurydice-45DS-square.png
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs theatre 45 Flinders Lane Melbourne 3000 Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260602
DTEND;VALUE=DATE:20260614
DTSTAMP:20260825T053431Z
CREATED:20260225T180019Z
LAST-MODIFIED:20260825T053431Z
UID:10004611-1780358400-1781395199@fortyfivedownstairs.com
SUMMARY:Unicellular
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-artistname”]\nKate Hunter\n[/vc_column_text][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nUnicellular\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css=””]2 June – 13 June 2026 \nopening night: Tuesday 2 June\, 5-7pm \nhours:\nTuesday – Friday: 12pm – 7pm\nSaturdays: 12pm – 4pm \nadmission: Free[/vc_column_text][vc_column_text css=””]\n…Unicellular intersects personal stories with sounds and images that reflect the barely-visible and the easily-overlooked… \n[/vc_column_text][vc_empty_space height=”30px”][vc_btn title=”PURCHASE AN ARTWORK” color=”black” css=”” link=”url:https%3A%2F%2Fgallery-shop-3603.myshopify.com%2Fcollections%2Funicellular”][/vc_column][vc_column width=”1/2″]Load More[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Description”][vc_column_text css=””]Unicellular emerged from a research residency spanning Victoria and South Australia’s western Wimmera region and Limestone Coast\, during which subaquatic field recordings were gathered from the limestone springs at Ewens Ponds\, the brackish water at the mouth of the Glenelg River at Nelson\, and from Lake Wallace in Edenhope. \nThese audio recordings became generative material for an exhibition which positions microscopic\, non-human life – single-cell organisms\, phytoplankton\, the fragile ecosystems already destabilised by climate change – as active participants in an expanded attentional field.   \nDrawing on the artist’s theatre-making\, performance\, sound-design and painting practices\, Unicellular intersects personal stories with sounds and images that reflect the barely-visible and the easily-overlooked – building on a long-standing interest in giving voice\, in all sorts of ways\, to the small\, unheard\, and persistently alive.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artist’s Bio” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef2edb-f0663f53-0933″][vc_column_text css=””]Kate Hunter is an interdisciplinary artist working across performance\, sound\, painting\, and installation. Her work draws on field recording\, verbatim theatre practice\, and personal narrative to explore attention as an artistic and dramaturgical force – attending to the non-human and the ecosystems we share with other forms of life.  \nPerformances include Memorandum (Theatre Works\, 2014) The Waiting Room (with Born In A Taxi\, 2010-2015) and Earshot (2017-2019). More recent works invite audiences into more intimate sonic encounters\, and include MicroSonic (Hobson’s Bay ‘Dear Agnes’ contemporary public art program 2026)\, and Near Sighted  (fortyfivedownstairs 2023). In 2024 she created The Symphony Series (with Rea Dennis) with Rawcus Theatre\, and Lick/Leccata (with Katie Lee\, Luigi Vescio\, and Annette Wagner) at the European Cultural Centre\, Palazzo Mora\, at the 2024 Venice Biennale.  \nKate was associate artist with award-winning physical theatre company Born in a Taxi for 15 years\, and has trained extensively in the Suzuki Method of Actor Training\, Viewpoints and Composition. She has studied in New York with Anne Bogart and SITI Company\, the UK with Ruth Kanner and Andrew Morrish\, and with acclaimed theatre director Richard Schechner. She is currently Senior Lecturer in Art and Performance at Deakin University\, Naarm/Melbourne\, Australia.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Purchase an Artwork” tab_id=”1780367693928-347ba645-8b91″][vc_btn title=”PURCHASE AN ARTWORK FROM OUR ONLINE GALLERY SHOP” color=”black” css=”” link=”url:https%3A%2F%2Fgallery-shop-3603.myshopify.com%2Fcollections%2Funicellular”][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/unicellular/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/02/Edenhope-Kate-Hunter-2025-ink-on-muslin-300dpi_3MB.jpg-scaled.jpeg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs gallery 45 Flinders Lane Melbourne Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260602
DTEND;VALUE=DATE:20260628
DTSTAMP:20260825T052847Z
CREATED:20260225T180027Z
LAST-MODIFIED:20260825T052847Z
UID:10004616-1780358400-1782604799@fortyfivedownstairs.com
SUMMARY:Melbourne Studio School New Works
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-artistname”]\nMelbourne Studio School New Works\n[/vc_column_text][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nGroup Exhibition\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css=””]2 June – 27 June 2026\n\nhours:\nTuesday – Friday: 12pm – 7pm\nSaturdays: 12pm – 4pm \nadmission: Free[/vc_column_text][vc_empty_space height=”30px”][vc_column_text css=””][/vc_column_text][vc_btn title=”PURCHASE AN ARTWORK” color=”inverse” css=”” link=”url:https%3A%2F%2Fgallery-shop-3603.myshopify.com%2Fcollections%2Fmelbourne-studio-school-new-works”][/vc_column][vc_column width=”1/2″]Load More[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Description”][vc_column_text css=””]Founded in 1998 by Richard Birmingham\, Melbourne Studio School grew out of a need to re- calibrate painting and drawing in a Post-Modern era where conceptual arts practice and critical theory began to dominate teaching institutions throughout Australia and the world. \nLoosely based on the New York Studio School model\, an atelier system\, we prioritise the acquisition of fundamental\, analogue painting and drawing skills. You learn by doing. These skills include manual dexterity in mark making\, practice in compositional language and exploration of colour theory. \nA gradual assimilation is the key to mastering these disciplines whilst holding the observed and the imagined in balance. \nThis Group exhibition represents the work of 17 artists currently working at the school. Their work represents a cross-section of themes ranging from figuration to abstraction. \nMany of these artists pursue independent careers and exhibit regularly outside the school structure. Attendance at MSS provides an opportunity to enhance their professional practice. \nThose who attend classes\, are encouraged to discover their authentic voice\, develop a body of work of exhibition standard and establish an independent studio practice away from school hours. \nDrawing and painting flourishes when there’s a willingness to explore process and medium over any predetermined outcome. \nA spirit of enquiry creates the best chance for something transformative\, something special to take place in the work. \nRichard Birmingham 2026[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artists” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef2edb-f0663f53-0933″][vc_column_text css=””]Jill Anderson \nLynne Bechervaise \nJarnie Birmingham \nLyn Buckingham \nPam Cheetham \nJulie Chiffey \nPhilippa Croll \nCarsten Segerlund Frederiksen \nSusan Hase \nJoy Elizabeth Lea \nLesley Lodge \nJohn McCallum \nCarol A Palfrey \nRosemarie Reber \nSandra Smillie \nSue Sweeney \nYaping Jiang[/vc_column_text][/vc_tta_section][vc_tta_section title=”Purchase an Artwork” tab_id=”1780367810438-410af343-ae08″][vc_btn title=”PURCHASE AN ARTWORK FROM THE ONLINE GALLERY SHOP” color=”inverse” css=”” link=”url:https%3A%2F%2Fgallery-shop-3603.myshopify.com%2Fcollections%2Fmelbourne-studio-school-new-works”][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/melbourne-studio-school-new-works/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/02/Letters-and-Numbers-Lyn-Buckingham-acrylic-on-canvas-30-x-30-inches.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs gallery 45 Flinders Lane Melbourne Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260607
DTEND;VALUE=DATE:20260817
DTSTAMP:20260519T064044Z
CREATED:20260519T063904Z
LAST-MODIFIED:20260519T064044Z
UID:10004625-1780790400-1786924799@fortyfivedownstairs.com
SUMMARY:Developing your Practice - a hands-on workshop series for painters
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nDeveloping your Practice – a hands-on workshop series for painters\n[/vc_column_text][vc_column_text css=”” el_class=”ffds-gallery-artistname”]\nled by Charlotte Ivey + Lana Daubermann\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css=””]7 June – 18 August 2026\n\ntimes: fortnightly Sundays\, 10 am – 1pm \nadmission: $175 per session \nmaterials provided[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_empty_space height=”30px”][/vc_column][/vc_row][vc_row][vc_column][vc_btn title=”BOOK INDIVIDUAL WORKSHOPS ($175 each)” color=”orange” css=”” link=”url:https%3A%2F%2Ffortyfivedownstairs.sales.ticketsearch.com%2Fsales%2Fevents”][vc_btn title=”BOOK 6 WORKSHOP PACKAGE ($875)” color=”primary” css=”” link=”url:https%3A%2F%2Ffortyfivedownstairs.sales.ticketsearch.com%2Fsales%2Fsubcriptions”][vc_tta_tabs shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Description”][vc_column_text css=””]Led by Charlotte Ivey (abstract artist) and Lana Daubermann (landscape artist)\, these workshops are designed to inspire painters from beginners to those with more experience. This series of six fortnightly workshops can be booked individually\, or as a complete set. All materials are supplied\, so all you need to do is turn up (in clothing you don’t mind getting paint on!)\, and be ready to explore. \n\n\n\nWorkshop 1: Composition\n7 June\, 10am – 1pm\nThis workshop focuses on composition in painting\, and how you can use it to create harmony\, tension\, balance\, mood and interest in your work. We’ll talk through some basic compositional ‘rules’ then we’ll take you through a series of practical exercises that encourage you to explore compositional ideas for yourself – working within or without the ‘rules’.\n\n\nWorkshop 2: Subject matter\n21 June\, 10am – 1pm\nWhat do you want to paint? What do you want your work to communicate? This workshop helps you to unpack these questions\, exploring connection to your work as an artist. It could be a starting point for you\, a deep dive into existing themes that have appeared in your work\, or perhaps a change in direction. Expect self-reflection\, group discussions\, inspiration\, and practical exercises to help you build a personalised visual diary of your practice.\n\n\nWorkshop 3: Colour choices\n5 July\, 10am – 1pm\nThis session explores colour\, providing ideas and tools to give you more confidence with using colour in your work. We’ll discuss colour as a standalone presence\, colour combinations\, the art of manipulating colour through pairings\, and the use of colour in historical and current contexts. We’ll do some simple colour selection and mixing exercises to launch your own colour wheel collection\, creating a solid colour reference for your practice\, and some fresh inspiration.\n\n\nWorkshop 4: Mark-making\n19 July\, 10am – 1pm\nMark-making\, brushwork\, texture… these all work together to create depth\, energy and movement in a painting. This session gives you the chance to expand your mark-making vocabulary as we consider how the marks we make record our own experience as well as impact the viewers experience of our work.\n\n\nWorkshop 5: Strengthening your voice\n2 August\, 10am – 1pm\nThis workshop is more of an open discussion around our work and how we can strengthen our voice and the direction of our practice. Participants are required to bring in some of their own work to talk about. The session will be mostly discussion based\, with one painting exercise included.\n\n\nWorkshop 6: Building your practice\n16 August\, 10am – 1pm\nThis session will involve open discussions about the challenges of surviving as a practicing artist. We’ll give you some practical advice\, helpful templates and real life answers to all of your questions. We’ll have a mini play session creating a pop up exhibition where you’ll be encouraged to talk about your impromptu work in a relaxed and supportive environment. Whether you want to dip your toe into the world of galleries\, connect with other painters\, or break through personal roadblocks\, this session will build confidence and independence in whatever steps you choose to take next as an artist.\n\n\n\n[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artists’ Bios” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef2edb-f0663f53-0933″][vc_column_text css=””]Charlotte Ivey \nCharlotte Ivey is a visual artist born in Aotearoa/New Zealand where she studied Philosophy of Art at University of Canterbury. She now resides in Naarm/Melbourne\, Australia. \nLargely focussed on oil painting\, Charlotte’s work is led by the impulses of the body – exploring the illusory nature of psychological states\, and how they dictate our experience of external environments. She charts a territory somewhere between the traditionally ‘beautiful’ and ‘distasteful’. \nhttps://www.charlotteivey.com/  \n  \nLana Daubermann \nLana Daubermann is a landscape and still life painter living near Melbourne’s Merri Creek. She has painted since she was a child\, slowly sidestepping her way out of a career in advertising to becoming a full-time artist. \nLana primarily works in oils and enjoys the immersive qualities of paint and its endless possibilities in mark-making. Painting en plein air and direct from life is an important part of her practice as she explores the process of painting and drawing and the unique way it can connect us to the world. With a traditional background in tonalism\, her attention over the years has shifted more towards intuition and colour. \nShe exhibits and teaches regularly\, and loves to share her passion for painting with others. \nhttps://www.lanadaubermann.com/ \n[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row][vc_row][vc_column][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/developing-your-practice-a-hands-on-workshop-series-for-painters/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/05/45d_workshopseries_hero_square_01.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs gallery 45 Flinders Lane Melbourne Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260616
DTEND;VALUE=DATE:20260628
DTSTAMP:20260619T031953Z
CREATED:20260225T180057Z
LAST-MODIFIED:20260619T031953Z
UID:10004617-1781568000-1782604799@fortyfivedownstairs.com
SUMMARY:Windless Night
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-artistname”]\nKate Butler\n[/vc_column_text][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nWindless Night\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css=””]16 June – 27 June 2026\n\nhours:\nTuesday – Friday: 12pm – 7pm\nSaturdays: 12pm – 4pm \nadmission: Free[/vc_column_text][vc_column_text css=””]\n…A lunar landscape of forms… faceted surfaces incise shadows and hold and reflect light… \n[/vc_column_text][vc_empty_space height=”30px”][vc_btn title=”PURCHASE AN ARTWORK” color=”inverse” css=”” link=”url:https%3A%2F%2Fgallery-shop-3603.myshopify.com%2Fcollections%2Fwindless-night”][/vc_column][vc_column width=”1/2″]Load More[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Artist Statement”][vc_column_text css=””]Daydream transports the dreamer outside the immediate world to a world that bears the mark of infinity. \n– Gaston Bachelard \n“Windless Night” centers on a body of ceramic sculptures that take inspiration from the stillness\, light and movement of the night sky\, as well as archetypal landmarks that have helped many a wayward traveler orient themself in space. Most were created at a time when I was in dire need of orientation\, in the years after I re-located to Melbourne\, Wurundjeri land\, from my home country of the US. \nThough united by recurring motifs – of clouds\, “beacons\,” the stars and moon – I began few of these sculptures from images\, and most from the assemblage of abstract shapes and the confluence of fluid lines. Thus they are as much a product as an inner vision as an outer one\, as much in reference to old archetypes of way-finding as they are to modernist models of compositional unity. \nIn “Poetics of Space\,” Gaston Bachelard proposes “a concordance of world immensity with intimate depths of being\,” noting the work of poets whose contemplation of vast expanses becomes a meditation on the depths of themselves. That duality of the intimate and the immense is alive in this work\, with its echoes both of the moon’s reflected light and the impressions of my hands on the clay.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artist’s Bio” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef2edb-f0663f53-0933″][vc_column_text css=”” font_family=”Arial\, Helvetica\, sans-serif”]Kate Butler is American artist\, writer and educator based in Naarm/Melbourne\, Australia\, on Wurundjeri land. Referring to vast spaces and vertical structures\, her works in ceramics and drawing explore the mystic interdependence of nature and the human imagination. \nKate holds an her MFA and MS in Art History from the Pratt Institute (2019)\, and a BA in English and Studio Art from the College of Charleston (2014). She has also studied and apprenticed at the Leo Marchutz School of Painting and Drawing\, in Aix-en-Provence\, France. She teaches classes in art history and sculpture at RMIT and The Art Room.[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/windless-night/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/02/square.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs gallery 45 Flinders Lane Melbourne Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260617
DTEND;VALUE=DATE:20260622
DTSTAMP:20260618T060613Z
CREATED:20260218T063012Z
LAST-MODIFIED:20260618T060613Z
UID:10004605-1781654400-1782086399@fortyfivedownstairs.com
SUMMARY:Between The Lines - The James Joyce/Groucho Marx Letters
DESCRIPTION:[vc_row][vc_column][vc_column_text css=”” el_class=”ffds-theatre-company”]\nBloomsday in Melbourne presents\n[/vc_column_text][vc_column_text css=”.vc_custom_1771395902678{padding-bottom: 5px !important;}” el_class=”ffds-theatre-title”]\nBetween The Lines – The James Joyce/Groucho Marx Letters\n[/vc_column_text][vc_column_text css=”.vc_custom_1773790728301{padding-bottom: 25px !important;}” el_class=”ffds-theatre-dates”]17 – 21 June 2026[/vc_column_text]book online [vc_row_inner css=”.vc_custom_1517972522288{padding-top: 20px !important;}”][vc_column_inner width=”2/3″][/vc_column_inner][vc_column_inner width=”1/3″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row equal_height=”yes” el_class=”ffds-theatre-details”][vc_column width=”2/3″][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1517986542329{padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #f8f8f8 !important;}”][vc_column_text css=”.vc_custom_1517986153292{padding-bottom: 5px !important;}”]\nSHOW DETAILS:\n[/vc_column_text][vc_separator color=”custom” align=”align_left” el_width=”40″ el_id=”ffds-theatre-divider”][vc_column_text css=”.vc_custom_1781762790837{padding-top: 5px !important;}”]Wednesday 17 June – Sunday 21 June 2026\n\nopening night: Wednesday 17 June\nduration: 80 mins (no interval)\ntimes:\nTuesday to Saturday 7:30pm\nSunday 3:30pm\nticket price: $35 – $48\nbookings: 03 9662 9966 \nwarnings: coarse language\, misogyny\, referenced sexual violence & assault and sexual references[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs][vc_tta_section tab_id=”1451285630039-f4b33ad9-e29065c5-b63365ad-01c60201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f1225d-fe8e” title=”Description”][vc_column_text css=””]A young scholar makes the discovery of the century – letters between James Joyce and comedy legend Groucho Marx – and believes she has secured her legacy. But in the cut-throat Joyce Industry\, credit rarely goes to a woman. Between The Lines is a razor sharp\, wryly witty literary mystery that follows her descent into a patriarchal web of ego and academic theft. As her groundbreaking discovery is hijacked by the very mentor she trusted to protect it\, truth begins to blur. Packed with intellectual gymnastics and dramatic reversals\, the story asks: who gets to own history? In a world of literary giants\, you can’t trust even the evidence of your own eyes… \nPhoto by Jody Jane Stitt[/vc_column_text][/vc_tta_section][vc_tta_section title=”Cast and Creatives” tab_id=”1452941644640-19a0de81-e87a0201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f1225d-fe8e”][vc_column_text css=””]\nCAST in order of appearance \nPANDORA FRIEDAN Seon Williams \nJAMES JOYCE Tref Gare \nJILL SNOW Christina Costigan \nGROUCHO MARX Scott Middleton \nMURRAY DALTON Shannon Woollard \nMARY FRIEDAN Christina Costigan \n  \nCREATIVES \nDIRECTOR Renee Palmer \nSCRIPT Steve Carey \nSTAGE MANAGER Alison Ferrier \nSET DESIGNER Ishan Vivekanantham \nCOSTUME DESIGNER Zach Dixon \nLIGHTING Lindon Blakey \nSOUND DESIGNER AND COMPOSER Inder Singh \nPRODUCER Steve Carey \nPRODUCTION MANAGER AND ASSISTANT STAGE MANAGER Ella Thompson \nCREATIVE DIRECTOR Frances Devlin-Glass \nMARKETING MANAGER Eleanor Howlett\, Sassy Red PR \n[/vc_column_text][/vc_tta_section][vc_tta_section title=”Ticket Prices and Concessions” tab_id=”1452941768731-94b426f3-57530201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f1225d-fe8e”][vc_column_text css=””]\nTicket Prices:\nFull: $48\nConcession: $39\nGroup 4+: $35\nMob tickets (discount for Aboriginal and Torres Strait Island mob): $35 \nConcessions:\nPensioners/Full-time students/MEAA members \nTicket sales are subject to a booking fee of $5.00 per ticket plus any merchant charges for payments by American Express \nTicket fees are charged reluctantly. As an unfunded CBD located venue\, our expenses continue to rise. If fortyfivedownstairs is to survive\, we are obliged to increase our revenue without inflicting costs on already struggling artists. Without support\, we risk losing artists or having to close our doors. We do hope for your understanding![/vc_column_text][/vc_tta_section][/vc_tta_tabs][vc_empty_space]Buy Tickets [/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/between-the-lines-the-james-joyce-groucho-marx-letters/
LOCATION:fortyfivedownstairs theatre\, 45 Flinders Lane\, Melbourne 3000\, Victoria\, 3000\, Australia
CATEGORIES:theatre
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/02/Square-image-no-text-scaled.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs theatre 45 Flinders Lane Melbourne 3000 Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260624
DTEND;VALUE=DATE:20260706
DTSTAMP:20260630T015208Z
CREATED:20251127T035812Z
LAST-MODIFIED:20260630T015208Z
UID:10004573-1782259200-1783295999@fortyfivedownstairs.com
SUMMARY:MR BIG aka Tatay\, A Transwoman and That Tiring Tune!
DESCRIPTION:[vc_row][vc_column][vc_column_text css=”” el_class=”ffds-theatre-company”]\nTAYOTAYO Collective in association with fortyfivedownstairs presents\n[/vc_column_text][vc_column_text css=”.vc_custom_1762824921399{padding-bottom: 5px !important;}” el_class=”ffds-theatre-title”]\nMR BIG aka Tatay\, A Transwoman and That Tiring Tune! by Dax Carnay-Hanrahan\n[/vc_column_text][vc_column_text css=”.vc_custom_1763607434550{padding-bottom: 25px !important;}” el_class=”ffds-theatre-dates”]24 June – 5 July 2026[/vc_column_text]book online [vc_row_inner css=”.vc_custom_1517972522288{padding-top: 20px !important;}”][vc_column_inner width=”2/3″][/vc_column_inner][vc_column_inner width=”1/3″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row equal_height=”yes” el_class=”ffds-theatre-details”][vc_column width=”2/3″][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1517986542329{padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #f8f8f8 !important;}”][vc_column_text css=”.vc_custom_1517986153292{padding-bottom: 5px !important;}”]\nSHOW DETAILS:\n[/vc_column_text][vc_separator color=”custom” align=”align_left” el_width=”40″ el_id=”ffds-theatre-divider”][vc_column_text css=”.vc_custom_1782177083853{padding-top: 5px !important;}”]Wednesday 24 June – Sunday 5 July 2026\n\npreview: Wednesday 24 and Thursday 25 June\nopening night: Friday 26 June\nduration: 90 minutes\ntimes:\nTuesday to Saturdays 7:30pm\nSundays 5pm\nSaturday 27 June 4pm – Auslan interpreted with post show Q&A\nticket price: $42 – $55\nbookings: 03 9662 9966 \nwarnings: This production contains haze\, suggestions of sexual abuse\, references to death and grief\, partial nudity\, sudden loud noises\, homophobic/transphobic language\, drug use\, sexual references\, coarse language\, and a very catchy tune[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs][vc_tta_section tab_id=”1451285630039-f4b33ad9-e29065c5-b63365ad-01c60201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f16135-ab6c” title=”Description”][vc_column_text css=””]A ghost that will not stop singing. A bride with a funeral to plan. A 90s love song that refuses to die. From award-winning playwright Dax Carnay-Hanrahan\, MR BIG aka Tatay\, A Transwoman and That Tiring Tune! is a darkly comedic and musically haunted new theatre work. \nSet between 1990s Manila and contemporary Melbourne\, MR BIG follows Diana\, a trans Filipina woman juggling her upcoming wedding and the funeral of her estranged father. Her plans fall apart when her late father reappears as a singing ghost who will not stop belting Mr. Big’s 1991 hit “To Be With You.” \nFusing music\, comedy\, and haunting absurdity\, the play dives into gender\, grief\, and immigrant duty\, navigating the chaos of a fractured family legacy. This heartfelt and hilarious Filipino-Australian story forces an unavoidable\, ridiculous confrontation with the ghosts of the past. \nDeveloped through the support of Midsumma Festival 2026\, the City of Melbourne Arts Grants\, and Darebin Arts through the Darebin Arts Speakeasy Spare Room program\, in association with fortyfivedownstairs.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Cast and Creatives” tab_id=”1452941644640-19a0de81-e87a0201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f16135-ab6c”][vc_column_text css=””]CAST in order of appearance \nDIANA/JGHOST – Dax Carnay-Hanrahan\nJOEY/DGHOST – Trevor Santos\nDION – Ken Paolo\nNOLET/ALFIE – Ayril Borce\nTESS – Anna Buenaseda\nJERRY – Aiden Gale Miranda \nCREATIVES \nDIRECTOR – Beng Oh\nWRITER – Dax Carnay-Hanrahan\nPRODUCER – Sasha Leong\nSTAGE MANAGER – Teri Steer\nASSISTANT STAGE MANAGER – Claire Le Blond\nDRAMATURG – Matthew Bostock\nMUSICAL DIRECTOR & SOUND DESIGNER – Ben Keene\nLIGHTING DESIGNER – Viv Hargreaves\nSET & COSTUME DESIGNER – Christina Logan-Bell\nVISUAL STORYTELLING – Jordan Hanrahan-Carnay[/vc_column_text][/vc_tta_section][vc_tta_section title=”Ticket Prices and Concessions” tab_id=”1452941768731-94b426f3-57530201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f16135-ab6c”][vc_column_text css=””]\nTicket Prices:\nPreview: $42\nFull: $55\nConcession: $45\nGroup 6+: $45\nMob tickets (discount for Aboriginal and Torres Strait Island mob): $42 \nConcessions:\nPensioners/Full-time students/MEAA members \nTicket sales are subject to a booking fee of $5.00 per ticket plus any merchant charges for payments by American Express \nTicket fees are charged reluctantly. As an unfunded CBD located venue\, our expenses continue to rise. If fortyfivedownstairs is to survive\, we are obliged to increase our revenue without inflicting costs on already struggling artists. Without support\, we risk losing artists or having to close our doors. We do hope for your understanding![/vc_column_text][/vc_tta_section][vc_tta_section title=”Special Events” tab_id=”1772668086679-efc4886c-f6d8″][vc_column_text css=””]\nMR BIG: Dedicated Community Performances + Artist Conversation\n\nAcross the season\, MR BIG aka Tatay\, A Transwoman and That Tiring Tune! features two dedicated community performances\, each followed by a facilitated post-show conversation. These sessions create safer\, community‑centred spaces for reflection and connection. Allies are welcome. \nSaturday 27 June\, 4pm – Migrant & Asian Australian Communities \nA dedicated performance for Migrant and Asian Australian communities\, followed by a post‑show conversation facilitated by Slanted Theatre. \n4 July\, 5pm – MR BIG & TGV: Trans/Form  \n\nEleven trans and gender-diverse creatives have been working with Dax through a series of intensive workshops to actively write and perform their own original material\, exploring how to take the raw material of our lived experience and transmute it into Satire\, Camp\, and Joy.\nWe invite you to experience these new and original works for the first time\, on the stage of MR BIG. These are works in-development. All MR BIG ticket holders for July 4th get access to this event.\n\n“Emerging trans and gender-diverse artists just spent three days turning their monsters into material and their material into something you can actually watch. The pre-show is them\, doing that\, live\, for the first time in front of people who aren’t each other. Then you get Mr. Big. Honestly\, get there early\, this might be the best part of your night.” – Daxie Carnay-Hanrahan\n\n\nSaturday 4 July\, 7.30pm – Trans and Gender Diverse Community Night \nA dedicated performance centring Trans and Gender Diverse audiences\, followed by a facilitated post-show conversation with Transgender Victoria. \n\n[/vc_column_text][/vc_tta_section][/vc_tta_tabs][vc_empty_space]book online [/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/mr-big/
LOCATION:fortyfivedownstairs theatre\, 45 Flinders Lane\, Melbourne 3000\, Victoria\, 3000\, Australia
CATEGORIES:theatre
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2025/11/BIG_KeyVisualArtwork01_251122_v02_JC_02-scaled.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs theatre 45 Flinders Lane Melbourne 3000 Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260630
DTEND;VALUE=DATE:20260712
DTSTAMP:20260701T035700Z
CREATED:20260615T070003Z
LAST-MODIFIED:20260701T035700Z
UID:10004626-1782777600-1783814399@fortyfivedownstairs.com
SUMMARY:Fledge Radiance
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-artistname”]\nA group show curated by Tré Turner and E. Salmon\n[/vc_column_text][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nFledge Radiance\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css=””]30 June – 11 July 2026 \nopening night:\nTuesday 30 June\, 5-7pm \nhours:\nTuesday – Friday: 12pm – 7pm\nSaturdays: 12pm – 4pm \nadmission: Free[/vc_column_text][vc_column_text css=””]\n…We are creating a bower; collecting little things we like to show off\, comforts\, reflections\, traces of Country… \n[/vc_column_text][vc_empty_space height=”30px”][vc_btn title=”Purchase an artwork” color=”inverse” css=”” link=”url:https%3A%2F%2Fgallery-shop-3603.myshopify.com%2Fcollections%2Ffledge-radiance”][vc_btn title=”Exhbition Catalogue” css=”” link=”url:https%3A%2F%2Ffortyfivedownstairs.com%2Fwp-content%2Fuploads%2F2026%2F07%2FFledge-radiance-Booklets-1.pdf”][/vc_column][vc_column width=”1/2″]Load More[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Description”][vc_column_text css=””]In celebration of NAIDOC week\, curators E Salmon and Tre Turner have asked a selection of queer Blakfulla artists based around Narrm to showcase their work. \nWe are coming together to celebrate each other\, the gifts we give each other\, the gifts we receive from our ancestors\, Elders and mob\, and the gifts we are yet to give. \nWe are inspired by the Bower bird’s feathers\, whose iridescent blue is created by structural colouration. It is not the individual feather\, but the crystalline structure of them grouped together that shines such radiance. \nWe are creating a bower; collecting little things we like to show off\, comforts\, reflections\, traces of Country. And this can become a shelter from which we all fledge.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Participating Artists” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef2edb-f0663f53-0933″][vc_column_text css=””]Grace Auld \nNicholas Currie \nENOKi \nlalatuai \nAri Mills \nElijah Money \nMia Nugent \nE Salmon \nPierra Van Sparkes \nTré Turner[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/fledge-radiance/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/05/Under-the-Mpwelerre-Tree-2023-acrylic-on-found-board.-Photo-credit-Kim-Feng-photography.--scaled-e1779865660870.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs gallery 45 Flinders Lane Melbourne Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260709
DTEND;VALUE=DATE:20260713
DTSTAMP:20260728T031615Z
CREATED:20251126T025238Z
LAST-MODIFIED:20260728T031615Z
UID:10004576-1783555200-1783900799@fortyfivedownstairs.com
SUMMARY:And What Will People Say?
DESCRIPTION:[vc_row][vc_column][vc_column_text css=”” el_class=”ffds-theatre-company”]\nBCD Theatre presents\n[/vc_column_text][vc_column_text css=”.vc_custom_1783834867329{padding-bottom: 5px !important;}” el_class=”ffds-theatre-title”]\nAnd What Will People Say? by Amani Mahmoud\n[/vc_column_text][vc_column_text css=”.vc_custom_1763694336841{padding-bottom: 25px !important;}” el_class=”ffds-theatre-dates”]9 – 12 July 2026[/vc_column_text]book online [vc_row_inner css=”.vc_custom_1517972522288{padding-top: 20px !important;}”][vc_column_inner width=”2/3″][/vc_column_inner][vc_column_inner width=”1/3″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row equal_height=”yes” el_class=”ffds-theatre-details”][vc_column width=”2/3″][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1517986542329{padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #f8f8f8 !important;}”][vc_column_text css=”.vc_custom_1517986153292{padding-bottom: 5px !important;}”]\nSHOW DETAILS:\n[/vc_column_text][vc_separator color=”custom” align=”align_left” el_width=”40″ el_id=”ffds-theatre-divider”][vc_column_text css=”.vc_custom_1783592693106{padding-top: 5px !important;}”]Thursday 9 – Sunday 12 July 2026\n\nopening night: Thursday 9 July\nduration: 70 minutes\ntimes:\nThursday – Friday 7:30pm\nSaturday 6pm\nSunday 2pm & 5pm \nplease arrive promptly\, this show has a strict lockout \nticket price: $45 – $55\nbookings: 03 9662 9966 \nwarnings: This production contains theme of domestic violence[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs][vc_tta_section tab_id=”1451285630039-f4b33ad9-e29065c5-b63365ad-01c60201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f1a409-96b2″ title=”Description”][vc_column_text css=””]\nA powerful fusion of Indian dance\, music\, and poetry\, this immersive theatre work confronts domestic violence with raw honesty\, cultural depth\, and the courage to discuss uncomfortable truths. Winner of two Sydney Fringe 2025 awards — Best in Category (Spoken Word) and Best Emerging Producer — this acclaimed production has moved audiences across communities and sparked vital conversations. \nWhat happens when silence is survival — but speaking out is freedom? \nAnd What Will People Say? is an electrifying 60-minute immersive theatre experience that blends Indian dance\, original music\, and spoken word to explore the unspoken realities of domestic violence within families and communities. Told through the eyes of a mother and her children\, this powerful piece invites audiences into a deeply personal journey of love\, fear\, shame\, and resilience. \nRooted in real experiences and shaped by the voices too often left out of the conversation\, the production challenges cultural stigma and generational silence. It exposes the hidden stories that echo behind closed doors—those shaped not only by violence itself\, but by the social pressures that keep people quiet. It is a story of pain but also of courage\, hope\, and radical truth-telling. \nThis is more than theatre. This is a conversation our communities need to have. And it starts here.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Cast and Creatives” tab_id=”1452941644640-19a0de81-e87a0201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f1a409-96b2″][vc_column_text css=””]Producer and Director: Kersherka Sivakumaran \nWriter: Amani Mahmoud \nDancer: Gayatri Krishnamurthy \nVeena Player: Hari Sivanesan  \nNarrator: Khema de Silva \nPercussionist: Pirashanna Thevarajah \nViolinist: Narthana Kanagasabai \nHero image: Phil Erbacher[/vc_column_text][/vc_tta_section][vc_tta_section title=”Ticket Prices and Concessions” tab_id=”1452941768731-94b426f3-57530201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f1a409-96b2″][vc_column_text css=””]\nTicket Prices:\nFull: $55\nConcession: $45\nGroup 6+: $45\nEARLYBIRD: $49 \nConcessions:\nPensioners/Full-time students/MEAA members \nTicket sales are subject to a booking fee of $5.00 per ticket plus any merchant charges for payments by American Express \nTicket fees are charged reluctantly. As an unfunded CBD located venue\, our expenses continue to rise. If fortyfivedownstairs is to survive\, we are obliged to increase our revenue without inflicting costs on already struggling artists. Without support\, we risk losing artists or having to close our doors. We do hope for your understanding![/vc_column_text][/vc_tta_section][/vc_tta_tabs][vc_empty_space]book online [/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/and-what-will-people-say/
LOCATION:fortyfivedownstairs theatre\, 45 Flinders Lane\, Melbourne 3000\, Victoria\, 3000\, Australia
CATEGORIES:theatre
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2025/11/And-What-Will-People-Say-scaled.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs theatre 45 Flinders Lane Melbourne 3000 Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260714
DTEND;VALUE=DATE:20260725
DTSTAMP:20260728T034417Z
CREATED:20260612T220014Z
LAST-MODIFIED:20260728T034417Z
UID:10004627-1783987200-1784937599@fortyfivedownstairs.com
SUMMARY:Emerging Artist Award 2026
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-artistname”]\nfortyfivedownstairs presents\n[/vc_column_text][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nEmerging Artist Award 2026\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css=””]14 July – 24 July 2026\n\nopening night: \nTuesday 14 July\, 5 – 7pm \nhours:\nTuesday – Friday: 12pm – 7pm\nSaturdays: 12pm – 4pm \nadmission: Free[/vc_column_text][vc_column_text css=””]\n… bold new work from some of Australia’s most exciting early-career artists… \n[/vc_column_text][vc_empty_space height=”30px”][vc_btn title=”VIEW 2026 FINALISTS’ ARTWORKS” color=”black” css=”” link=”url:https%3A%2F%2Fgallery-shop-3603.myshopify.com%2Fcollections%2Femerging-artist-award-2026″][/vc_column][vc_column width=”1/2″]2025 EAA 1st Prize Winner: Steph Everett\, 'backseat of a commodore'\, glass beads\, thread\, copper rod\, 43 x 75 cm.'Emerging Artist Award 2026'\, opening night\, installation image. Photographed by George Jefford. 2026 EAA 1st Prize Winner: Ivan Lengyel\, 'P(destiny | origin)'\, Multi-screen interactive digital installation with three 7-inch screens\, LiDAR audience tracking\, generative audio\, microcomputer and custom aluminium support\, 35 × 150 × 30 cm. Photographed by George Jefford. 2026 EAA 2nd Prize Winner: Ella Pininta\, 'Everything Led Me Here'\, oil on canvas\, \n61 x 45.5 x 4 cm. Photographed by George Jefford. 2026 EAA People's Choice Award Winner: Emily Tian (@etianart)\, ‘Love\, a family gathering that lives only in my mind’\, Cyanotype on silk panels\, red thread\, bamboo support\, 125 × 89 cm. Photographed by George Jefford. 'Emerging Artist Award 2026' installation image. Photographed by George Jefford. 'Emerging Artist Award 2026' installation image. Photographed by George Jefford. 'Emerging Artist Award 2026' installation image. Photographed by George Jefford. 'Emerging Artist Award 2026' installation image. Photographed by George Jefford. 'Emerging Artist Award 2026' installation image. Photographed by George Jefford. 'Emerging Artist Award 2026' installation image. Photographed by George Jefford. 'Emerging Artist Award 2026' installation image. Photographed by George Jefford. 'Emerging Artist Award 2026' installation image. Photographed by George Jefford. EAA 2026 Winners: Ivan Lengyel\, 1st Prize\, and Ella Pininta\, 2nd Prize. Photographed by George Jefford. [/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Description”][vc_column_text css=””]fortyfivedownstairs is proud to present our 11th annual Emerging Artist Award. \nThe Emerging Artist Award at fortyfivedownstairs is a proven catalyst for recognition and professional development\, while giving audiences the opportunity to discover bold new work from some of Australia’s most exciting early-career artists. \nThis year\, the work of 31 finalists from across Australia is on display from 14–24 July 2026 across both our gallery spaces at 45 Flinders Lane. \nThe prize recipients of the $3000 prize pool were announced at opening night on Tuesday 14 July. Special thanks to guest judge Fran Clark\, Director and Co-founder of ARC ONE Gallery. \nThe First Prize of $2\,000 was awarded to Ivan Lengyel for P(destiny | origin). \nThe Second Prize of $1\,000 was awarded to Ella Pininta for Everything Led Me Here. \nIn addition to their cash prizes\, both winners will be given the opportunity to present solo exhibitions at fortyfivedownstairs in 2027. \nSpecial mentions: Wood Song by Aliandra Nasrun for\, Loves a cig by Codee Mac for\, and Just As Long As We’re Together by Hamish Basset. \nCongratulations to Emily Tian\, who was awarded the People’s Choice Award for Love\, a family gathering that lives only in my mind. Emily was presented with a prize pack generously donated by Liquitex and Jasart at the closing night. \nThe Emerging Artist Award 2026 is supported by Equity Trustees Charitable Foundation – The Cuming Bequest\, Future Leaders\, MSC Signs\, Liquitex and Jasart.  \n              [/vc_column_text][/vc_tta_section][vc_tta_section title=”Finalists” tab_id=”1782703086368-73766ddc-7479″][vc_column_text css=””]Aleksander Morris \nAliandra Nasrun \nAnna Lloyd-Parker \nBevan Lan \nCecilia Jacobs \nCodee Mac \nElla Pininta \nEmily Tian \nEmily Yeonsoo Jung \nEmma Kiley \nFrankie Pan \nGrace Mitchell \nHamish Bassett \nInyoung Lee \nIsabel Margarita Morales Poblete \nIvan Lengyel \nJesse Birthisel \nJoseph Tullmann \nKasia Dudkiewicz \nKatya Ryzhikh \nKyah Barry \nMaddie Hepner \nMeghan Black \nMei Wah Williams \nMichael Shin \nOlive Bly \nOlivia Brice \nPatrick Chen \nSayuni Wickramsinghe \nSusannah Collins \nTara Howe[/vc_column_text][/vc_tta_section][vc_tta_section title=”Conditions of Entry” tab_id=”1781576704497-fbdb72e1-0174″][vc_column_text css=””]\n\nEntry is open to artists residing in Australia who are in the early stages of their career\, defined as having held no more than three solo exhibitions\, not being represented by a gallery\, and not having won or been shortlisted for any major art prizes or awards\, or possessing equivalent professional experience.\nPrevious finalists in the Emerging Artist Award are not eligible to enter.\nArtists may submit a maximum of two entries\, with one artwork per entry. Artworks must be complete at the time of submission.\nThe entry fee is $30 per artwork. Entry fees are non-refundable.\nEntrants must complete the online application form and submit: an artist statement/supporting statement\, a current artist CV\, up to three images of the artwork. Total uploaded image files must not exceed 9MB.\nAny use of artificial intelligence (AI) in the production of submitted artwork must be clearly disclosed at the time of entry\, including the extent and nature of its use.\nSelection of finalist artworks will take into consideration the gallery’s capacity to accommodate installation requirements. There are no artwork size limits. \nAll media are eligible for submission. Artists exhibiting time-based\, digital\, installation\, or non-standard works must provide all equipment\, materials\, hardware\, and clear installation instructions required for display. fortyfivedownstairs will supply standard installation hardware only\, including nails and screws.\nAll costs associated with the delivery\, freight\, shipping\, insurance\, installation\, and collection of artworks are the responsibility of the artist. All artworks must arrive in sound and exhibition-ready condition.\nAll shortlisted artworks must be available for sale. A commission of 20% will be retained by fortyfivedownstairs on all sales.\nBy submitting an entry\, entrants acknowledge their availability to meet the following dates:\n\n\nSubmission deadline: Friday 12 June 2026\, 5:00pm\nNotification of finalists: Friday 26 June 2026\nArtwork delivery: Saturday 11 July 2026\, 12:00pm–4:00pm\nExhibition dates: 14–24 July 2026\nCollection of unsold works: Saturday 25 July 2026\, 12:00pm–4:00pm\n\n\nThe judge’s decision is final and no correspondence will be entered into.\nThe final determination of eligibility and suitability for exhibition rests with fortyfivedownstairs. fortyfivedownstairs reserves the right to withdraw or refuse works deemed unsuitable for display\, installation\, safety\, or logistical reasons.\nWhile all reasonable care will be taken in handling artworks\, fortyfivedownstairs accepts no responsibility for loss or damage.\nBy entering the award\, entrants grant fortyfivedownstairs permission to reproduce images of submitted and shortlisted artworks for promotional\, publicity\, educational\, and archival purposes\, with artist attribution.\n\n[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row][vc_row][vc_column][vc_btn title=”Check out past Emerging Artist Awards” css=”” link=”url:https%3A%2F%2Ffortyfivedownstairs.com%2Femerging-artist-award%2F”][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/emerging-artist-award-2026/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/05/backseat_full_StephEverett-1-e1778209477321.jpeg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs gallery 45 Flinders Lane Melbourne Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260717
DTEND;VALUE=DATE:20260803
DTSTAMP:20260911T034011Z
CREATED:20260421T054312Z
LAST-MODIFIED:20260911T034011Z
UID:10004622-1784246400-1785715199@fortyfivedownstairs.com
SUMMARY:Grey Gardens
DESCRIPTION:[vc_row][vc_column][vc_column_text css=”” el_class=”ffds-theatre-company”]\nClovelly Fox and fortyfivedownstairs present\n[/vc_column_text][vc_column_text css=”.vc_custom_1776219077866{padding-bottom: 5px !important;}” el_class=”ffds-theatre-title”]\nGrey Gardens\n[/vc_column_text][vc_column_text css=”” el_class=”ffds-theatre-company”]\nMusic by Scott Frankel\, lyrics by Michael Korie and book by Doug Wright\n[/vc_column_text][vc_column_text css=”.vc_custom_1776217482780{padding-bottom: 25px !important;}” el_class=”ffds-theatre-dates”]17 July – 2 August 2026[/vc_column_text]book online [vc_row_inner css=”.vc_custom_1517972522288{padding-top: 20px !important;}”][vc_column_inner width=”2/3″][/vc_column_inner][vc_column_inner width=”1/3″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row equal_height=”yes” el_class=”ffds-theatre-details”][vc_column width=”2/3″][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1517986542329{padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #f8f8f8 !important;}”][vc_column_text css=”.vc_custom_1517986153292{padding-bottom: 5px !important;}”]\nSHOW DETAILS:\n[/vc_column_text][vc_separator color=”custom” align=”align_left” el_width=”40″ el_id=”ffds-theatre-divider”][vc_column_text css=”.vc_custom_1784605574745{padding-top: 5px !important;}”]Friday 17 July – Sunday 2 August 2026\n\npreview: Friday 17 and Saturday 18 July\nopening night: Sunday 19 July\nduration: 150 minutes including interval\ntimes: \nTuesday to Saturday 7:30pm\nSunday 2pm\nticket price: $49 – $79\nbookings: 03 9662 9966 \nwarnings: depictions of racism\, haze\, dynamic sound and lighting[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs][vc_tta_section tab_id=”1451285630039-f4b33ad9-e29065c5-b63365ad-01c60201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f1c672-edcb” title=”Description”][vc_column_text css=””]This July\, the theatre at fortyfivedownstairs will be overgrown by Grey Gardens as Australian music theatre stars Helen Dallimore (Wicked and Legally Blonde) and Deidre Rubenstein (My Fair Lady and Shakespeare in Love) transform into the legendary mother daughter duo\, Big and Little Edith (Edie) Bouvier Beale. \nWith music by Scott Frankel\, lyrics by Michael Korie\, and book by Doug Wright\, the Tony winning musical Grey Gardens takes its inspiration from the iconic 1975 documentary that introduced the world to two extraordinary and endearing eccentrics whose bond was as complicated as it was profound. That they were the aunt and cousin of Jackie Kennedy only heightened the public’s fascination with their story\, which has endured for generations. \nThis new production\, the first in Melbourne since the musical’s premiere in 2011\, will be directed by Tyran Parke (Elegies: A Song Cycle and Ordinary Days) and presented by Clovelly Fox and fortyfivedownstairs. \nThis production is proudly supported by: \n[/vc_column_text][/vc_tta_section][vc_tta_section title=”Cast and Creatives” tab_id=”1452941644640-19a0de81-e87a0201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f1c672-edcb”][vc_column_text css=””]CAST \nHelen Dallimore – Edith Bouvier Beale / Little Edie\nDeidre Rubenstein – Big Edie\nDavid Hobson – J.V. “Major” Bouvier / Norman Vincent Peale\nNick Simspon-Deeks – George Gould Strong\nLuke Ward – Joseph Patrick Kennedy Jr. / Jerry\nMeg Williams – Little Edie\nEvan Evans – Brooks Sr. and Jr.\nAdeline Hunter – Jacqueline Kennedy\nEleanor Flynn/Jessica Georgeson – Lee Bouvier \nCREATIVES \nDirector: Tyran Parke\nMusical Director: Lyndall Dawson\nChoreographer: Freya List\nSet Designer: Claudia Mirabello\nCostume Designer: Louisa Fitzgerald\nLighting Designer: Sidney Younger\nSound Designer: Nick Reich\nProducers: Tyran Parke for Clovelly Fox and Cameron Lukey for fortyfivedownstairs[/vc_column_text][/vc_tta_section][vc_tta_section title=”Ticket Prices and Concessions” tab_id=”1452941768731-94b426f3-57530201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f1c672-edcb”][vc_column_text css=””]\nTicket Prices:\nPreview: $49\nFull: $79\nConcession: $59\nGroup 6+: $59\nMob tickets (discount for Aboriginal and Torres Strait Island mob): $55\nUnder 30s: $55 \nConcessions:\nPensioners/Full-time students/MEAA members \nTicket sales are subject to a booking fee of $5.00 per ticket plus any merchant charges for payments by American Express \nTicket fees are charged reluctantly. As an unfunded CBD located venue\, our expenses continue to rise. If fortyfivedownstairs is to survive\, we are obliged to increase our revenue without inflicting costs on already struggling artists. Without support\, we risk losing artists or having to close our doors. We do hope for your understanding![/vc_column_text][/vc_tta_section][/vc_tta_tabs][vc_empty_space]book online [/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/grey-gardens/
LOCATION:fortyfivedownstairs theatre\, 45 Flinders Lane\, Melbourne 3000\, Victoria\, 3000\, Australia
CATEGORIES:inhouse productions,theatre
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/04/Portrait-final_straightened_square.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs theatre 45 Flinders Lane Melbourne 3000 Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260728
DTEND;VALUE=DATE:20260809
DTSTAMP:20260825T050810Z
CREATED:20260615T070028Z
LAST-MODIFIED:20260825T050810Z
UID:10004628-1785196800-1786233599@fortyfivedownstairs.com
SUMMARY:Now: Embodied Expression
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-artistname”]\nNow: Embodied Expression\n[/vc_column_text][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nBarbara Murphy\, Erica Wagner\, Jill Anderson\, Libby Letcher\, Lyn Pool\, Mary Sullivan\, Philippa Croll & Rosemarie Reber\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css=””]28 July – 8 August 2026\n\nopening night:\nTuesday 28 July\, 5 – 7pm \nartist talks:\nSaturday 1 August & Saturday 8 August\, 2 – 3pm \nhours:\nTuesday – Friday: 12pm – 7pm\nSaturdays: 12pm – 4pm \nadmission: Free[/vc_column_text][vc_column_text css=””]\n…their art holds the textures of experience while remaining vividly present… \n[/vc_column_text][vc_empty_space height=”30px”][vc_btn title=”VIEW OR PURCHASE AN ARTWORK” color=”inverse” css=”” link=”url:https%3A%2F%2Fgallery-shop-3603.myshopify.com%2Fcollections%2Fnow-embodied-expression”][/vc_column][vc_column width=”1/2″][vc_empty_space height=”12px”]Load More[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Description”][vc_column_text css=””]In Now: Embodied Expressions\, eight women artists offer works shaped by years of life\, practice and attention. Their art holds the textures of experience while remaining vividly present. Each work invites us into a moment where seeing and making meet. \nBarbara Murphy is exploring the aesthetic act of observation. She is a multidisciplinary artist whose work is processed over time\, revealing poetic layers of the deeply felt experience of objects in space. \nErica Wagner’s paintings and mixed media artworks\, inspired by visitations from a neighbour’s white rabbit\, reveal her lifelong passion for storytelling and curiosity about personal narratives. \nJill Anderson’s work reflects the colour\, and vitality of the places she experiences. Her latest art works emerge from time spent in a tiny\, vibrant town high in the Peruvian Andes. \nLibby Letcher continues her quest of sense making and art making as a way of thinking. Nature’s way of self organisation\, and themes of process and emergence\, guide her distinctive approach. \nUsing the human hand as a icon of generosity\, creativity and reciprocity Lyn Pool explores the notion that ‘All Flourishing is Mutual’. \nInformed by her work as historian and human rights advocate. Mary Sullivan employs layering\, erasure and fragmentation to trace threads of power woven into human stories. \nThrough the lens of archaeology\, Phillippa Croll works in abstract to reconstruct places\, people and objects in the same way artefacts are recovered and put back together to find their true narrative. \nRosemarie Reber explores figures and landscapes shaped by experience\, memory\, and imagination. She uses paint to create expressive layered imagery that invites viewers to reflect on their inner worlds.[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/now-embodied-expression/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/05/Playing-with-attitude-Phillippa-Croll-acrylic-on-canvas-76-x-61-cm-1-scaled-e1780042977315.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs gallery 45 Flinders Lane Melbourne Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260806
DTEND;VALUE=DATE:20260817
DTSTAMP:20260811T005058Z
CREATED:20251126T025321Z
LAST-MODIFIED:20260811T005058Z
UID:10004577-1785974400-1786924799@fortyfivedownstairs.com
SUMMARY:Marginalia
DESCRIPTION:[vc_row][vc_column][vc_column_text css=”” el_class=”ffds-theatre-company”]\nPummel Squad in association with fortyfivedownstairs presents\n[/vc_column_text][vc_column_text css=”.vc_custom_1764041639864{padding-bottom: 5px !important;}” el_class=”ffds-theatre-title”]\nMarginalia\n[/vc_column_text][vc_column_text css=”.vc_custom_1764041647992{padding-bottom: 25px !important;}” el_class=”ffds-theatre-dates”]6 – 16 August 2026[/vc_column_text]book online [vc_row_inner css=”.vc_custom_1517972522288{padding-top: 20px !important;}”][vc_column_inner width=”2/3″][/vc_column_inner][vc_column_inner width=”1/3″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row equal_height=”yes” el_class=”ffds-theatre-details”][vc_column width=”2/3″][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1517986542329{padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #f8f8f8 !important;}”][vc_column_text css=”.vc_custom_1517986153292{padding-bottom: 5px !important;}”]\nSHOW DETAILS:\n[/vc_column_text][vc_separator color=”custom” align=”align_left” el_width=”40″ el_id=”ffds-theatre-divider”][vc_column_text css=”.vc_custom_1786409477541{padding-top: 5px !important;}”]Thursday 6 August – Sunday 16 August\n\npreview: Thursday 6 August\nopening night: Friday 7 August\nduration: 90 minutes\ntimes:\nTuesday to Saturday 7:30pm\nSunday 5pm \nThe show has a strict lockout\, please arrive at least 15 minutes beforehand. \nQ&A post show 11th August \nticket price: $35 – $50\nbookings: 03 9662 9966 \nwarnings: Contains adult content\, coarse language\, nudity\, prop firearms\, strobe lights and use of haze. \nNo photography or filming allowed in the theatre at all. \nSocial script available here[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs][vc_tta_section tab_id=”1451285630039-f4b33ad9-e29065c5-b63365ad-01c60201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f11573-1146″ title=”Description”][vc_column_text css=””]“I had no idea the ride I was in for.” Natasha Dyson\, Stage Door Reviews \nAcclaimed theatre company Pummel Squad are back with a new play adapted from Nikolai Gogol’s satirical short story ‘The Nose’\, exploring vanity\, shamelessness\, and the limits of satire in a world that’s beyond parody. \nOn the same day that a barber gets beaten up for a crime he didn’t commit\, Major Pepsi wakes to find his nose has vanished from his face and taken on a life of its own.  \nWhat ensues is a madcap quest to claw Pepsi’s nose back\, featuring a dazzling array of iconic characters\, the humiliating bureaucratic spider’s web of asking for help\, a monstrous police force\, and a parliament of clowns. As for the barber? Who cares about him. \nDirected by Katy Maudlin with a stellar cast including AYA\, Alexandra Aldrich and Molly Holohan\, Marginalia is a shameless punch-on about privilege\, saving face\, and cutting off your nose to spite it. \n“Pummel Squad have gained a reputation for their wild\, physical\, silly\, cartoonish\, hilarious\, idiosyncratic\, poor theatre over the last few years… I finally understand all the superlatives that have been thrown their way.” Keith Gow\, Theatre First \nMarginalia is supported by Maribyrnong City Council’s Artist Residency Program\, The Robert Salzer Foundation\, and the VCA50 Creative Development Grant. We received funding from Creative Australia through the Australian Cultural Fund. \nThanks also to Janine Tai\, Alex Fimeri\, Sholto St Cloud\, University of Melbourne Arts & Culture\, and the City of Darebin. \n[/vc_column_text][/vc_tta_section][vc_tta_section title=”Cast and Creatives” tab_id=”1452941644640-19a0de81-e87a0201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f11573-1146″][vc_column_text css=””]Writers: Ludomyr Kemp-Mykyta & Cooper Donald McDonald \nCast: Alexandra Aldrich\, AYA\, Molly Holohan\, Ludomyr Kemp-Mykyta\, Cooper Donald McDonald and Harry McGee \nDirector: Katy Maudlin \nProducer & Dramaturg: Mark Pritchard \nSet & Costume Designer: Savanna Wegman \nLighting Designer: Amelia Lever-Davidson \nComposer & Sound Designer: Justin Gardam \nProduction Manager & Stage Manager: Seamus Allan \nCostume Supervisor and Maker: Sophie Ness \nAssistant Stage Manager: Anneka van der Velde \nSet & Costume Design Assistant: Minami Yamasaki \nLighting Design Assistant: Dylan Talbot \nIntimacy Consultant: Kiana Daniele \nFight Choreographer: Colin Sneesby \nArtwork: Cooper Donald McDonald[/vc_column_text][/vc_tta_section][vc_tta_section title=”Ticket Prices and Concessions” tab_id=”1452941768731-94b426f3-57530201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f11573-1146″][vc_column_text css=””]\nTicket Prices:\nPreview: $35\nFull: $50\nConcession: $40\nGroup 6+: $40\nMob tickets (discount for Aboriginal and Torres Strait Island mob): $30 \nConcessions:\nPensioners/Full-time students/MEAA members \nTicket sales are subject to a booking fee of $5.00 per ticket plus any merchant charges for payments by American Express \nTicket fees are charged reluctantly. As an unfunded CBD located venue\, our expenses continue to rise. If fortyfivedownstairs is to survive\, we are obliged to increase our revenue without inflicting costs on already struggling artists. Without support\, we risk losing artists or having to close our doors. We do hope for your understanding![/vc_column_text][/vc_tta_section][/vc_tta_tabs][vc_empty_space]book online [/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/marginalia/
LOCATION:fortyfivedownstairs theatre\, 45 Flinders Lane\, Melbourne 3000\, Victoria\, 3000\, Australia
CATEGORIES:theatre
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2025/11/square-image.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs theatre 45 Flinders Lane Melbourne 3000 Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260811
DTEND;VALUE=DATE:20260823
DTSTAMP:20260811T070447Z
CREATED:20260615T070030Z
LAST-MODIFIED:20260811T070447Z
UID:10004629-1786406400-1787443199@fortyfivedownstairs.com
SUMMARY:Sometimes you want to lift peoples up. And shake them. And kiss them.
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-artistname”]\nSal Cooper & Trudy Clutterbok\n[/vc_column_text][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nSometimes you want to lift peoples up. And shake them. And kiss them.\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css=””]11 August – 22 August 2026 \nopening night: \nTuesday 11 August\, 5-7pm \nartist talk:\nSaturday 22 August\, 2pm \nhours:\nTuesday – Friday: 12pm – 7pm\nSaturdays: 12pm – 4pm \nadmission: Free[/vc_column_text][vc_column_text css=””]\n…explor[ing] intimate topographies of love\, memory and history… \n[/vc_column_text][vc_empty_space height=”30px”][vc_btn title=”Purchase an artwork” color=”inverse” css=”” link=”url:https%3A%2F%2Fgallery-shop-3603.myshopify.com%2Fcollections%2Fsometimes-you-want-to-lift-peoples-up-and-shake-them-and-kiss-them”][/vc_column][vc_column width=”1/2″][vc_empty_space height=”30px”]Load More[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Description”][vc_column_text css=””]curated by megan evans \nSometimes you want to lift peoples up. And shake them. And kiss them celebrates two artists who have been friends and colleagues for several decades and presents a continuing dialogue between their respective studio practices. \nBoth artists independently explore intimate topographies of love\, memory and history. These explorations raise questions of how certain objects\, notions and connections might exist outside of human understanding and how the gaps between intention and execution and between execution and reception leave marks and traces over time. \nThe title of the show speaks of an aspiration to share artwork that moves others.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artists’ Bios” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef2edb-f0663f53-0933″][vc_column_text css=””]Trudy Clutterbok\nTrudy Clutterbok makes space for people who have complicated feelings about themselves and life. She does this by making works on paper as part of her studio practice and in the setting of her psychoanalytic practice. Since 1984 she has made and shown drawings\, paintings and super 8 films. Since 2020 she has also focused on printmaking. She recently won the Michael Beazer Works on Paper prize. \n  \nSal Cooper \nSal Cooper is a multidisciplinary visual artist whose practice spans independent filmmaking\, hand-drawn and stop-motion animation\, installation and performance events. Her work centres on the animation of objects and drawings to explore the latent vitality of the world around us and consider how things might exist beyond human perception or understanding. Her collaborative work has given rise to a body of commissioned material that includes major theatrical/performance works\, concert pieces and music videos as well as short films. While the integration of music within the context of moving image is a central part of her practice\, Sal’s artistic output also includes expanded drawing works and sculptural pieces which she exhibits in regular solo and group shows. She has been selected as a finalist in a number of significant art prizes.[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/sometimes-you-want-to-lift-peoples-up-and-shake-them-and-kiss-them/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/05/detail-from-monotype-Listen-by-Trudy-Clutterbok.-Photo-Sal-Cooper.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs gallery 45 Flinders Lane Melbourne Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260811
DTEND;VALUE=DATE:20260823
DTSTAMP:20260811T065329Z
CREATED:20260616T013032Z
LAST-MODIFIED:20260811T065329Z
UID:10004630-1786406400-1787443199@fortyfivedownstairs.com
SUMMARY:Mark Making as Narrative
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-artistname”]\nVictoria McCaffrey\n[/vc_column_text][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nMark Making as Narrative\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css=””]11 August – 22 August 2026 \nopening night: \nTuesday 11 August\, 5-7pm\n\nhours:\nTuesday – Friday: 12pm – 7pm\nSaturdays: 12pm – 4pm \nadmission: Free[/vc_column_text][vc_column_text css=””]\n…marks as memory\, marks as meaning\, marks as narrative… \n[/vc_column_text][vc_empty_space height=”30px”][vc_btn title=”Purchase an artwork” color=”inverse” css=”” link=”url:https%3A%2F%2Fgallery-shop-3603.myshopify.com%2Fcollections%2Fmark-making-as-narrative”][/vc_column][vc_column width=”1/2″]Load More[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Artist Statement”][vc_column_text css=””]Every mark tells a story. \nMark making becomes a form of narrative expression. Each line\, gesture\, or trace carries emotion\, memory\, and intention. These marks invite you to interpret\, to connect\, to complete the story in your own way. I have a narrative for every piece in this exhibition; every viewer will bring their own narrative. Every experience has a different story to tell; every story makes a different mark. \nArt has never needed to reproduce the world exactly. From the handprints on cave walls to the paintings in Lascaux\, mark making has always been a record of human presence – a narrative stretching across thousands of years. These early marks remind us that storytelling begins long before language. \nThis exhibition continues that lineage: marks as memory\, marks as meaning\, marks as narrative.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artist’s Bio” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef2edb-f0663f53-0933″][vc_column_text css=””]I studied printmaking at CIT 1981 – 1983\, then Art on Paper Conservation at Camberwell School of Art and Crafts\, London. 1984 – 1986. Not happy with that I went on to a Post Graduate Diploma of Art History and Film Studies\, University of Melbourne\, 2003 and a Post Graduate Diploma of Teaching\, MGSE. 2012. \nI suppose that my art really tries to counter my life. \nMy reality is chaotic\, rushing trying to organize a million things. Looking after my autistic children and the chaos that brings. The endless questioning of myself by myself and I feel everyone else. Always being judged and found wanting. Mess. \nMy work to me exudes a calm that life is lacking; I am not trying to make a strong political statement. I could on so many topics; disability\, patriarchy\, ableism\, ageism\, the environment\, the inequality in our education system\, the life expectancy gap between indigenous Australians and white Australians\, homophobia\, transphobia\, people who hates cats\, people who judge others based on petty rivalries. Even this is an incomplete list. \nI want to create works that in the first instance\, I enjoy making. To be immersed in the process. Flow. To stop and look and think\, yep\, that makes me satisfied; that I have tried\, not every piece is a success\, but they are all part of the process. \nCalmness. Soothing – not a valley of misery. I want to share the stars. A sense of belonging.[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/mark-making-as-narrative/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/05/‘Hassenfluh-Victoria-McCaffrey-2025-watercolour-and-gel-pen-in-a-sketch-book_square.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs gallery 45 Flinders Lane Melbourne Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260820
DTEND;VALUE=DATE:20260914
DTSTAMP:20260821T045517Z
CREATED:20251126T025446Z
LAST-MODIFIED:20260821T045517Z
UID:10004570-1787184000-1789343999@fortyfivedownstairs.com
SUMMARY:Cleopatra & Antony
DESCRIPTION:[vc_row][vc_column][vc_column_text css=”” el_class=”ffds-theatre-company”]\nMelbourne Shakespeare Company presents\n[/vc_column_text][vc_column_text css=”.vc_custom_1764136190682{padding-bottom: 5px !important;}” el_class=”ffds-theatre-title”]\nCleopatra & Antony by William Shakespeare\n[/vc_column_text][vc_column_text css=”.vc_custom_1761713166254{padding-bottom: 25px !important;}” el_class=”ffds-theatre-dates”]20 August – 13 September 2026[/vc_column_text]book online [vc_row_inner css=”.vc_custom_1517972522288{padding-top: 20px !important;}”][vc_column_inner width=”2/3″][/vc_column_inner][vc_column_inner width=”1/3″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row equal_height=”yes” el_class=”ffds-theatre-details”][vc_column width=”2/3″][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1517986542329{padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #f8f8f8 !important;}”][vc_column_text css=”.vc_custom_1517986153292{padding-bottom: 5px !important;}”]\nSHOW DETAILS:\n[/vc_column_text][vc_separator color=”custom” align=”align_left” el_width=”40″ el_id=”ffds-theatre-divider”][vc_column_text css=”.vc_custom_1787110606374{padding-top: 5px !important;}”]Thursday 20 August – Sunday 13 September 2026\n\npreview: Thursday 20 and Friday 21 August\nopening night: Saturday 22 August\nduration: 90 minutes no interval\ntimes:\nTuesday to Saturday 7:30pm\nSunday 5pm \nThe show begins promptly at advertised show time. Please arrive at least 15 minutes beforehand. \nIndustry Night – 1st September \nForum Night – 8th September \nticket price: $39 – $55\nbookings: 03 9662 9966 \nwarnings: TBC[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs][vc_tta_section tab_id=”1451285630039-f4b33ad9-e29065c5-b63365ad-01c60201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f15e8c-c7b5″ title=”Description”][vc_column_text css=””]Passion. Politics. Power. In August 2026\, Melbourne Shakespeare Company returns to fortyfivedownstairs with a bold new production of Shakespeare’s epic Cleopatra & Antony\, directed by Sonya Suares. \nFollowing a string of sold-out seasons\, Melbourne Shakespeare Company once again brings together a stellar cast and creative team to deliver a gripping\, modern take on this timeless tragedy. Against the backdrop of empire and ambition\, Cleopatra and Antony’s fateful romance unfolds with devastating intensity. This production blends sharp contemporary direction with Shakespeare’s rich language\, offering audiences a visceral and compelling night of theatre. \nDon’t miss this opportunity to experience one of the Bard’s greatest works brought to life by some of Australia’s most exciting artists. \nPhoto by Nick Robertson[/vc_column_text][/vc_tta_section][vc_tta_section title=”Cast and Creatives” tab_id=”1452941644640-19a0de81-e87a0201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f15e8c-c7b5″][vc_column_text css=””]\nCAST\n\nCleopatra – Akina Edmonds\nAntony – Louis Lucente\nCharmian – Tsungirai Wachenuka\nOctavius – Damon Baudin\nPhilo/Caesarion/Eros – Amir Antoine\nIras/Octavia – Julia Hanna\nAlexas/Menas – Mikey Sakinofsky\nEnobarbus – Laura Iris Hill\nVentidius/Soldier – Damian Okulic\nPompey/Thryreus – Deep Sroa\nSoothsayer/Menecrates – Angelo Torres\nLepidus/Proculeius – Mark Yeates\nAgrippa – Jennifer Vuletic\n\n\n\n\n\n\nCREATIVES\nDirector – Sonya Suares\nAssistant Director – Kirby Lunn\nMovement & Fight Director – Thomas Royce-Hampton\nStage Manager – Molly Johnston\nSet Designer – Eloise Kent\nCostume Coordinator – Samantha Hastings\nLighting Designer – Rob Sowinski\nSound Designer – David Stewart\nProducer & Production Manager – Seamus Allan\nArtistic Director – Jennifer Sarah Dean\nAssociate Lighting Designer – Cale Dennis\n\nAssistant Stage Manager – Kade Lightfoot\nAssistant Stage Manager – Kristy Russell\nAssistant Set Designer – Zena Wang\nAssistant Set Designer – Alex Hargraves\nArtistic Secondment – Chips Jin\n\n  \n\n  \n[/vc_column_text][/vc_tta_section][vc_tta_section title=”Ticket Prices and Concessions” tab_id=”1452941768731-94b426f3-57530201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f15e8c-c7b5″][vc_column_text css=””]\nTicket Prices:\nPreview: $39\nFull: $55\nConcession: $49\nGroup 6+: $49\nMob tickets (discount for Aboriginal and Torres Strait Island mob): $39 \nConcessions:\nPensioners/Full-time students/MEAA members \nTicket sales are subject to a booking fee of $5.00 per ticket plus any merchant charges for payments by American Express \nTicket fees are charged reluctantly. As an unfunded CBD located venue\, our expenses continue to rise. If fortyfivedownstairs is to survive\, we are obliged to increase our revenue without inflicting costs on already struggling artists. Without support\, we risk losing artists or having to close our doors. We do hope for your understanding![/vc_column_text][/vc_tta_section][/vc_tta_tabs][vc_empty_space]book online [/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/cleopatra-antony/
LOCATION:fortyfivedownstairs theatre\, 45 Flinders Lane\, Melbourne 3000\, Victoria\, 3000\, Australia
CATEGORIES:theatre
ATTACH;FMTTYPE=image/png:https://fortyfivedownstairs.com/wp-content/uploads/2025/11/Cleopatra-Antony-45DS-square.png
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs theatre 45 Flinders Lane Melbourne 3000 Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260825
DTEND;VALUE=DATE:20260906
DTSTAMP:20260825T045042Z
CREATED:20260615T070016Z
LAST-MODIFIED:20260825T045042Z
UID:10004632-1787616000-1788652799@fortyfivedownstairs.com
SUMMARY:Courage\, Colour\, Finding Me
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-artistname”]\nBarbara Rozenes\n[/vc_column_text][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nCourage\, Colour\, Finding Me\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css=””]25 August – 5 September 2026\n\nhours:\nTuesday – Friday: 12pm – 7pm\nSaturdays: 12pm – 4pm \nadmission: Free[/vc_column_text][vc_column_text css=””]\n…I am fascinated by expression\, by what sits beneath the surface… \n[/vc_column_text][vc_empty_space height=”30px”][vc_btn title=”PURCHASE AN ARTWORK” color=”inverse” css=”” link=”url:https%3A%2F%2Fgallery-shop-3603.myshopify.com%2Fcollections%2Fcolour-courage-finding-me”][/vc_column][vc_column width=”1/2″]Load More[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Artist Statement”][vc_column_text css=””]For many decades my life revolved around people – listening\, helping\, advocating and caring. I spent more than thirty years volunteering within the court system and became deeply involved with a range of organisations supporting vulnerable and disadvantaged communities\, serving as an ambassador and contributing wherever I felt I could make a difference. These experiences brought immense meaning and purpose to my life. \nIn more recent years\, life shifted dramatically when my partner suffered a severe brain aneurysm. The last decade brought a very different role – that of caregiver\, advocate and companion. It was a journey filled with challenge\, devotion and resilience. Like many carers\, I found that while looking after others so much of myself was quietly put aside. \nAbove all\, my first and greatest love has always been family. Michael and I have been fortunate to build a life surrounded by love – with our two married children and their partners\, and six lively\, beautiful grandchildren who bring endless energy\, joy and colour to my world. Family has always been my anchor and remains at the centre of who I am. \nEventually I realised that somewhere beneath the responsibilities and routines\, there was another part of me patiently waiting – my inner self asking for space\, quiet and renewal. \nArt became that place. \nI attended the Victorian College of the Arts for approximately three years\, studying painting in evening classes. I loved everything about it – the energy of the students\, the stimulation of learning\, and most of all the joy of painting itself. I was honoured to be accepted as a full-time student; however\, when COVID arrived\, that path unexpectedly paused. \nWhen life gradually returned to a more normal rhythm\, I continued my artistic journey through the Victorian Artists Society\, where I have been fortunate to learn from an inspiring teacher and further develop my practice. I also completed three courses with L’Escalier\, a French art school\, through Zoom studies\, which opened new perspectives and challenged me to keep growing and experimenting. \nPainting gives me a freedom that is difficult to explain. When I paint\, I enter another world entirely. I no longer feel confined by age\, responsibility or expectation. Instead I feel like a young woman again – in my imagination I am wearing high heels\, red of course\, and a flowing red dress. There is movement\, confidence and joy. In those moments I am completely happy. \nI primarily work in oils and have developed a deep love of portraiture because faces hold endless stories. I am fascinated by expression\, by what sits beneath the surface\, and by the humanity we carry in our eyes. More recently I have also discovered a growing love for still life – finding beauty and quiet significance in ordinary objects. \nI also enjoy working in watercolour\, particularly while travelling\, where its spontaneity and ease allow me to capture moments and impressions with freedom and simplicity.[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/courage-colour-finding-me/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/06/Pear-in-Silk-Barbara-Rozenes-oil-on-canvas-406mmx-421-mm_square-scaled.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs gallery 45 Flinders Lane Melbourne Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260825
DTEND;VALUE=DATE:20260906
DTSTAMP:20260825T070024Z
CREATED:20260615T070034Z
LAST-MODIFIED:20260825T070024Z
UID:10004631-1787616000-1788652799@fortyfivedownstairs.com
SUMMARY:TWIN
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=”” el_class=”ffds-gallery-artistname”]\nAnne Dash & Emma Dash\n[/vc_column_text][vc_column_text css=”” el_class=”ffds-gallery-exhibitionname”]\nTWIN\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css=””]25 August – 5 September 2026 \nopening night: Tuesday 25 August 2026\, 5-7pm\nwith guest speaker Professor Patrick McGorry AO \nartist talk: Saturday 5 September 2026\, 1pm \nhours:\nTuesday – Friday: 12pm – 7pm\nSaturdays: 12pm – 4pm \nadmission: Free[/vc_column_text][vc_column_text css=””]\n… Familiar images of sameness are revisited and subtly shifted; difference emerges within resemblance… \n[/vc_column_text][vc_empty_space height=”30px”][vc_btn title=”PURCHASE AN ARTWORK” color=”inverse” css=”” link=”url:https%3A%2F%2Fgallery-shop-3603.myshopify.com%2Fcollections%2Ftwin”][/vc_column][vc_column width=”1/2″][vc_empty_space height=”30px”]Load More[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs shape=”round” color=”white” active_section=”1″ no_fill_content_area=”true”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Description”][vc_column_text css=””]Twin is a collaborative exhibition by twin sisters Anne Dash and Emma Dash. Working across painting\, embroidery and sequinned textile\, the project unfolds as a sustained inquiry rather than a series of discrete statements. Through repetition\, gesture and duration\, twinhood is approached not as duplication but as relation – shaped through closeness and exchange. \nAcross the exhibition\, attention accumulates slowly. Familiar images of sameness are revisited and subtly shifted; difference emerges within resemblance. Gesture\, memory and perspective become sites where individuality and reciprocity are held in sustained tension. Hand-sewn sequins recur as both material and metaphor – registering time and labour while resisting the speed and frictionless clarity of digital imagery. Reflection remains unstable\, images shifting with light\, movement and proximity. \nThe exhibition resists immediacy and spectacle. Meaning develops through closeness and return\, producing a quiet disorientation in which looking becomes exchange. Rather than proposing resolution\, the works hold complexity\, thought and contradiction open.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Artists’ Bios” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef2edb-f0663f53-0933″][vc_column_text css=””]Anne Dash \nAnne has loved working with textile since a young age. When completing her Fine Art Degree at Monash University\, Anne further explored and developed her signature\, emergent and highly intricate practice. Inspired by eighteenth century anatomical plates. Anne combined sequins\, patchwork\, and paint into richly layered compositions. These works led Anne to winning the Mama Duke Painting Prize at the Fine Arts Graduate Exhibition. \nAnne’s current practice focuses on twins\, investigating identity\, duality and the complex relationship between self and reflection. Through sewing sequins and textiles\, Anne uses material as metaphor for mirroring\, response\, and connection. Utilising the slow and meticulous process of tambour beading\, Anne’s work creates a space for contemplation\, new ways of seeing and understanding the movement and change in relationship with self and others. \n  \nEmma Dash  \nEmma Dash is a Melbourne-based artist working across painting and textiles. Her recent practice reflects on the experience of twinhood\, emergence from and the complexities of shared identity. Working collaboratively with her twin sister\, Anne Dash\, she explores intimacy\, mirroring\, identity\, and differentiation through layered material processes and figurative imagery. Her work is informed by an ongoing interest in relational psychology\, perception\, and the way identity emerges through proximity\, the traces left by prolonged relation and continual exchange.[/vc_column_text][/vc_tta_section][vc_tta_section title=”Events” tab_id=”1784798129293-2bef1bc8-51e7″][vc_column_text css=””]Opening Night\nTuesday 25 August 2026\, 5pm – 7pm\nwith guest speaker Professor Patrick McGorry \n  \nArtist Talk\nSaturday 5 September 2026\, 1pm[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/twin/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/05/DNA-2023-acrylic-paint-sequins-and-fabric-156-x-147-cm.-crop.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs gallery 45 Flinders Lane Melbourne Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260908
DTEND;VALUE=DATE:20260920
DTSTAMP:20260909T030309Z
CREATED:20260615T070018Z
LAST-MODIFIED:20260909T030309Z
UID:10004633-1788825600-1789862399@fortyfivedownstairs.com
SUMMARY:sex death country
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text el_class=”ffds-gallery-artistname”]\nPonch Hawkes & Ian Bracegirdle\n[/vc_column_text][vc_column_text el_class=”ffds-gallery-exhibitionname”]\nsex death country\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css_animation=”none”]8 September – 19 September 2026 \nopening night: \nTuesday 8 September\, 5-7pm \nartist in conversation with Dr. Michael Vale:\nSunday 13 September\, 1pm \nhours:\nTuesday – Friday: 12pm – 7pm\nSaturdays: 12pm – 4pm \nadmission: Free[/vc_column_text][vc_empty_space height=”30px”][vc_btn title=”VIEW & PURCHASE ARTWORK” custom_background=”#555555″ custom_text=”#fff” link=”url:https%3A%2F%2Fgallery-shop-3603.myshopify.com%2Fcollections%2Fsex-death-country” custom_hover_background=”#464646″ custom_hover_text=”#f7f7f7″ custom_border=”#555555″ custom_hover_border=”#464646″][/vc_column][vc_column width=”1/2″]Load More[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs shape=”round” color=”white” no_fill_content_area=”true”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Ian Bracegirdle”][vc_column_text]Artist Statement \nThe question of belonging permeates much of my studio output. Being a child migrant clearly affects my connection to the land. It is a strange place\, with its own rhythms\, regularly and brutally interrupted by human incursions. I often piece together drawings from excursions and immersion. The studio paintings are rarely representations of a single specific location but are collected narratives. The portrait works have been driven by the notion of ageing and invisibility\, often cited by older members of the community.  Whereas the recent sculptural forms explore a different kind of personal landscape\, in the issues of conflict over geography\, the resulting diaspora and displacement. \n  \nArtist Bio \nIan Bracegirdle studied a Diploma of Fine Art at Caulfield institute of Technology and a Graduate Diploma in sculpture at the Victorian College of the Arts. Ian has been responsible for many projects in Australia and internationally\, including an appointment as designer for the River Parade at Melbourne Commonwealth Games. Working as a designer over many years he has been responsible Exhibitions at the National Museum\, The National War memorial\, Museum Victoria and the South Australian Museum. As well has his significant contribution in the design field\, he regularly exhibits his studio work\, the most recent work has been shown at 45 downstairs and the Montalto Sculpture Prize.\nIan is also a singer song/writer releasing his album in 2025 “the weather is broken” with his band Blueboat theory[/vc_column_text][/vc_tta_section][vc_tta_section title=”Ponch Hawkes” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef2edb-f0663f53-0933″][vc_column_text]Artist Statement \nARCOLATRY. AND SPACE \nBears and humans have been dancing in my dreaming\, awake and asleep for some time now. About two years ago I read an article about bears and hibernation and how the scientists engaged in space exploration\,  saw promise in unlocking the mystery of this animal that could sleep for six months\, not eat or defecate and still maintain its bone density and muscle mass. \nHumans can’t match it. We just don’t have it\, we can’t be bears. \n  \nArtist Bio \nPONCH HAWKES has a long established photographic practice. Her work explores the themes of the body\, the environment\, community and relationships through a feminist perspective often using her imagery to engage in contemporary critical debates. In 2026 her work was exhibited at The Australian National Gallery and the National Gallery of Victoria. This is her first painting exhibition.[/vc_column_text][/vc_tta_section][vc_tta_section title=”View or purchase an artwork” tab_id=”1788485260024-9de9a322-d2d9″][vc_raw_html]%3Cdiv%20id%3D%27collection-component-1788486636003%27%3E%3C%2Fdiv%3E%0D%0A%3Cscript%20type%3D%22text%2Fjavascript%22%3E%0D%0A%2F%2A%3C%21%5BCDATA%5B%2A%2F%0D%0A%28function%20%28%29%20%7B%0D%0A%20%20var%20scriptURL%20%3D%20%27https%3A%2F%2Fsdks.shopifycdn.com%2Fbuy-button%2Flatest%2Fbuy-button-storefront.min.js%27%3B%0D%0A%20%20if%20%28window.ShopifyBuy%29%20%7B%0D%0A%20%20%20%20if%20%28window.ShopifyBuy.UI%29%20%7B%0D%0A%20%20%20%20%20%20ShopifyBuyInit%28%29%3B%0D%0A%20%20%20%20%7D%20else%20%7B%0D%0A%20%20%20%20%20%20loadScript%28%29%3B%0D%0A%20%20%20%20%7D%0D%0A%20%20%7D%20else%20%7B%0D%0A%20%20%20%20loadScript%28%29%3B%0D%0A%20%20%7D%0D%0A%20%20function%20loadScript%28%29%20%7B%0D%0A%20%20%20%20var%20script%20%3D%20document.createElement%28%27script%27%29%3B%0D%0A%20%20%20%20script.async%20%3D%20true%3B%0D%0A%20%20%20%20script.src%20%3D%20scriptURL%3B%0D%0A%20%20%20%20%28document.getElementsByTagName%28%27head%27%29%5B0%5D%20%7C%7C%20document.getElementsByTagName%28%27body%27%29%5B0%5D%29.appendChild%28script%29%3B%0D%0A%20%20%20%20script.onload%20%3D%20ShopifyBuyInit%3B%0D%0A%20%20%7D%0D%0A%20%20function%20ShopifyBuyInit%28%29%20%7B%0D%0A%20%20%20%20var%20client%20%3D%20ShopifyBuy.buildClient%28%7B%0D%0A%20%20%20%20%20%20domain%3A%20%27z1fmia-gf.myshopify.com%27%2C%0D%0A%20%20%20%20%20%20storefrontAccessToken%3A%20%2723648ce42613b9884d86bbc1a08146bb%27%2C%0D%0A%20%20%20%20%7D%29%3B%0D%0A%20%20%20%20ShopifyBuy.UI.onReady%28client%29.then%28function%20%28ui%29%20%7B%0D%0A%20%20%20%20%20%20ui.createComponent%28%27collection%27%2C%20%7B%0D%0A%20%20%20%20%20%20%20%20id%3A%20%27336430203052%27%2C%0D%0A%20%20%20%20%20%20%20%20node%3A%20document.getElementById%28%27collection-component-1788486636003%27%29%2C%0D%0A%20%20%20%20%20%20%20%20moneyFormat%3A%20%27%2524%257B%257Bamount%257D%257D%27%2C%0D%0A%20%20%20%20%20%20%20%20options%3A%20%7B%0D%0A%20%20%22product%22%3A%20%7B%0D%0A%20%20%20%20%22styles%22%3A%20%7B%0D%0A%20%20%20%20%20%20%22product%22%3A%20%7B%0D%0A%20%20%20%20%20%20%20%20%22%40media%20%28min-width%3A%20601px%29%22%3A%20%7B%0D%0A%20%20%20%20%20%20%20%20%20%20%22max-width%22%3A%20%22calc%2825%25%20-%2020px%29%22%2C%0D%0A%20%20%20%20%20%20%20%20%20%20%22margin-left%22%3A%20%2220px%22%2C%0D%0A%20%20%20%20%20%20%20%20%20%20%22margin-bottom%22%3A%20%2250px%22%2C%0D%0A%20%20%20%20%20%20%20%20%20%20%22width%22%3A%20%22calc%2825%25%20-%2020px%29%22%0D%0A%20%20%20%20%20%20%20%20%7D%2C%0D%0A%20%20%20%20%20%20%20%20%22img%22%3A%20%7B%0D%0A%20%20%20%20%20%20%20%20%20%20%22height%22%3A%20%22calc%28100%25%20-%2015px%29%22%2C%0D%0A%20%20%20%20%20%20%20%20%20%20%22position%22%3A%20%22absolute%22%2C%0D%0A%20%20%20%20%20%20%20%20%20%20%22left%22%3A%20%220%22%2C%0D%0A%20%20%20%20%20%20%20%20%20%20%22right%22%3A%20%220%22%2C%0D%0A%20%20%20%20%20%20%20%20%20%20%22top%22%3A%20%220%22%0D%0A%20%20%20%20%20%20%20%20%7D%2C%0D%0A%20%20%20%20%20%20%20%20%22imgWrapper%22%3A%20%7B%0D%0A%20%20%20%20%20%20%20%20%20%20%22padding-top%22%3A%20%22calc%2875%25%20%2B%2015px%29%22%2C%0D%0A%20%20%20%20%20%20%20%20%20%20%22position%22%3A%20%22relative%22%2C%0D%0A%20%20%20%20%20%20%20%20%20%20%22height%22%3A%20%220%22%0D%0A%20%20%20%20%20%20%20%20%7D%0D%0A%20%20%20%20%20%20%7D%2C%0D%0A%20%20%20%20%20%20%22button%22%3A%20%7B%0D%0A%20%20%20%20%20%20%20%20%22%3Ahover%22%3A%20%7B%0D%0A%20%20%20%20%20%20%20%20%20%20%22background-color%22%3A%20%22%23000000%22%0D%0A%20%20%20%20%20%20%20%20%7D%2C%0D%0A%20%20%20%20%20%20%20%20%22background-color%22%3A%20%22%23000000%22%2C%0D%0A%20%20%20%20%20%20%20%20%22%3Afocus%22%3A%20%7B%0D%0A%20%20%20%20%20%20%20%20%20%20%22background-color%22%3A%20%22%23000000%22%0D%0A%20%20%20%20%20%20%20%20%7D%0D%0A%20%20%20%20%20%20%7D%0D%0A%20%20%20%20%7D%2C%0D%0A%20%20%20%20%22buttonDestination%22%3A%20%22modal%22%2C%0D%0A%20%20%20%20%22contents%22%3A%20%7B%0D%0A%20%20%20%20%20%20%22options%22%3A%20false%0D%0A%20%20%20%20%7D%2C%0D%0A%20%20%20%20%22text%22%3A%20%7B%0D%0A%20%20%20%20%20%20%22button%22%3A%20%22View%20artwork%20details%22%0D%0A%20%20%20%20%7D%0D%0A%20%20%7D%2C%0D%0A%20%20%22productSet%22%3A%20%7B%0D%0A%20%20%20%20%22styles%22%3A%20%7B%0D%0A%20%20%20%20%20%20%22products%22%3A%20%7B%0D%0A%20%20%20%20%20%20%20%20%22%40media%20%28min-width%3A%20601px%29%22%3A%20%7B%0D%0A%20%20%20%20%20%20%20%20%20%20%22margin-left%22%3A%20%22-20px%22%0D%0A%20%20%20%20%20%20%20%20%7D%0D%0A%20%20%20%20%20%20%7D%0D%0A%20%20%20%20%7D%0D%0A%20%20%7D%2C%0D%0A%20%20%22modalProduct%22%3A%20%7B%0D%0A%20%20%20%20%22contents%22%3A%20%7B%0D%0A%20%20%20%20%20%20%22img%22%3A%20false%2C%0D%0A%20%20%20%20%20%20%22imgWithCarousel%22%3A%20true%2C%0D%0A%20%20%20%20%20%20%22button%22%3A%20false%2C%0D%0A%20%20%20%20%20%20%22buttonWithQuantity%22%3A%20true%0D%0A%20%20%20%20%7D%2C%0D%0A%20%20%20%20%22styles%22%3A%20%7B%0D%0A%20%20%20%20%20%20%22product%22%3A%20%7B%0D%0A%20%20%20%20%20%20%20%20%22%40media%20%28min-width%3A%20601px%29%22%3A%20%7B%0D%0A%20%20%20%20%20%20%20%20%20%20%22max-width%22%3A%20%22100%25%22%2C%0D%0A%20%20%20%20%20%20%20%20%20%20%22margin-left%22%3A%20%220px%22%2C%0D%0A%20%20%20%20%20%20%20%20%20%20%22margin-bottom%22%3A%20%220px%22%0D%0A%20%20%20%20%20%20%20%20%7D%0D%0A%20%20%20%20%20%20%7D%2C%0D%0A%20%20%20%20%20%20%22button%22%3A%20%7B%0D%0A%20%20%20%20%20%20%20%20%22%3Ahover%22%3A%20%7B%0D%0A%20%20%20%20%20%20%20%20%20%20%22background-color%22%3A%20%22%23000000%22%0D%0A%20%20%20%20%20%20%20%20%7D%2C%0D%0A%20%20%20%20%20%20%20%20%22background-color%22%3A%20%22%23000000%22%2C%0D%0A%20%20%20%20%20%20%20%20%22%3Afocus%22%3A%20%7B%0D%0A%20%20%20%20%20%20%20%20%20%20%22background-color%22%3A%20%22%23000000%22%0D%0A%20%20%20%20%20%20%20%20%7D%0D%0A%20%20%20%20%20%20%7D%0D%0A%20%20%20%20%7D%2C%0D%0A%20%20%20%20%22text%22%3A%20%7B%0D%0A%20%20%20%20%20%20%22button%22%3A%20%22Add%20to%20cart%22%0D%0A%20%20%20%20%7D%0D%0A%20%20%7D%2C%0D%0A%20%20%22option%22%3A%20%7B%7D%2C%0D%0A%20%20%22cart%22%3A%20%7B%0D%0A%20%20%20%20%22styles%22%3A%20%7B%0D%0A%20%20%20%20%20%20%22button%22%3A%20%7B%0D%0A%20%20%20%20%20%20%20%20%22%3Ahover%22%3A%20%7B%0D%0A%20%20%20%20%20%20%20%20%20%20%22background-color%22%3A%20%22%23000000%22%0D%0A%20%20%20%20%20%20%20%20%7D%2C%0D%0A%20%20%20%20%20%20%20%20%22background-color%22%3A%20%22%23000000%22%2C%0D%0A%20%20%20%20%20%20%20%20%22%3Afocus%22%3A%20%7B%0D%0A%20%20%20%20%20%20%20%20%20%20%22background-color%22%3A%20%22%23000000%22%0D%0A%20%20%20%20%20%20%20%20%7D%0D%0A%20%20%20%20%20%20%7D%0D%0A%20%20%20%20%7D%2C%0D%0A%20%20%20%20%22text%22%3A%20%7B%0D%0A%20%20%20%20%20%20%22total%22%3A%20%22Subtotal%22%2C%0D%0A%20%20%20%20%20%20%22button%22%3A%20%22Checkout%22%0D%0A%20%20%20%20%7D%0D%0A%20%20%7D%2C%0D%0A%20%20%22toggle%22%3A%20%7B%0D%0A%20%20%20%20%22styles%22%3A%20%7B%0D%0A%20%20%20%20%20%20%22toggle%22%3A%20%7B%0D%0A%20%20%20%20%20%20%20%20%22background-color%22%3A%20%22%23000000%22%2C%0D%0A%20%20%20%20%20%20%20%20%22%3Ahover%22%3A%20%7B%0D%0A%20%20%20%20%20%20%20%20%20%20%22background-color%22%3A%20%22%23000000%22%0D%0A%20%20%20%20%20%20%20%20%7D%2C%0D%0A%20%20%20%20%20%20%20%20%22%3Afocus%22%3A%20%7B%0D%0A%20%20%20%20%20%20%20%20%20%20%22background-color%22%3A%20%22%23000000%22%0D%0A%20%20%20%20%20%20%20%20%7D%0D%0A%20%20%20%20%20%20%7D%0D%0A%20%20%20%20%7D%0D%0A%20%20%7D%0D%0A%7D%2C%0D%0A%20%20%20%20%20%20%7D%29%3B%0D%0A%20%20%20%20%7D%29%3B%0D%0A%20%20%7D%0D%0A%7D%29%28%29%3B%0D%0A%2F%2A%5D%5D%3E%2A%2F%0D%0A%3C%2Fscript%3E[/vc_raw_html][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/sex-death-country/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/06/sex-death-country-Ian-Bracegirdle-and-Ponch-Hawkes-2026-oil-on-board-39.3-x-39.3-cm-scaled.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs gallery 45 Flinders Lane Melbourne Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260915
DTEND;VALUE=DATE:20261110
DTSTAMP:20260930T050737Z
CREATED:20260915T050050Z
LAST-MODIFIED:20260930T050737Z
UID:10004647-1789430400-1794268799@fortyfivedownstairs.com
SUMMARY:SMALL! 2026 Submission Form
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css_animation=”none” el_class=”ffds-gallery-artistname”]\nSMALL! 2026\n[/vc_column_text][vc_column_text css_animation=”none” el_class=”ffds-gallery-exhibitionname”]\npresented by fortyfivedownstairs\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text css_animation=”none”]SCROLL DOWN FOR SUBMISSION FORM \nEntries close\nMonday 9 November 2026\, 5pm \nArtwork delivery deadline\nFriday 20 November 2026\, 5pm \nExhibition runs\n3 – 17 December 2026[/vc_column_text][vc_column_text css_animation=”none”]\nAll artists! All media! All SMALL! \n[/vc_column_text][/vc_column][vc_column width=”1/2″][/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs style=”modern” shape=”round” active_color=”#EBEAEA” spacing=”1px” gap=”0px” css_animation=”none” css=”.vc_custom_1789026094245{background-color: #FFFFFF !important;}”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Description”][vc_column_text css_animation=”none”]SUBMISSIONS ARE NOW OPEN FOR FORTYFIVEDOWNSTAIRS’ SIXTH ANNUAL OPEN-CALL SMALL WORKS EXHIBITION: SMALL! 2026 \nThis exhibition is open to all artists\, whether you are a child artist\, a first-time creator\, or an established professional. Every submitted artwork will be displayed in our gallery on Flinders Lane in Melbourne’s CBD\, making SMALL! a truly inclusive showcase for artists of all experience levels. \nWe welcome a diverse range of styles and media\, including painting\, drawing\, photography\, prints\, textiles\, and small sculptural works. \nAll submitted artworks must meet two simple criteria: they should not exceed 20 x 20 cm (including any framing) and must be suitable for wall hanging. \nPlease note: artwork generated using AI will not be accepted. \nEvery artwork will be priced at $160\, regardless of the artist’s level or the medium used. \nThe artworks in the exhibition will be displayed anonymously\, ensuring equal opportunity for all artists and encouraging visitors to select their favourites based solely on their appeal. Only when an artwork is sold will the artist’s name be revealed to the buyer. \nPrizes will be awarded on the final night of the exhibition in the following categories: Under 18 Prize\, Painting Prize\, Drawing Prize\, Printmaking Prize\, Sculpture Prize\, Photography Prize\, Textile Prize\, Mixed Media Prize\, and People’s Choice Award. \nDiscounted entry fees are available for First Nations artists. Please contact us at gallery@fortyfivedownstairs.com for more information. \nEntries close Monday 9 November 2026\, 5pm. We have a limit of 1000 entries\, so please enter as early as possible to avoid missing out. \nPlease read T&Cs carefully as entry fees are not refundable. [/vc_column_text][/vc_tta_section][vc_tta_section title=”T&Cs” tab_id=”1518320329651-b769a1a3-29e6905c-b0b3368e-b9ef2edb-f0663f53-0933″][vc_column_text css_animation=”none”]SMALL! 2026 Exhibition – Terms & Conditions \nDOWNLOAD T&Cs PDF \nKey Dates \nBy submitting an entry\, artists agree to the following exhibition schedule: \n\nEntries close: Monday 9 November 2026\, 5:00pm\nArtwork delivery deadline: Friday 20 November 2026\, 5:00pm\n\nArtworks may be delivered at any time after submitting your entry. Early delivery is encouraged.\nIf posting your artwork\, please allow at least one week for delivery and send it to: fortyfivedownstairs gallery\nLower Ground\n45 Flinders Lane\nMelbourne VIC 3000\nAustralia\n\n\nPreview Night: Wednesday 2 December 2026\, 5:00 – 7:00pm – BOOK HERE\nOpening Night: Thursday 3 December 2026\, 5:00 – 7:00pm\nClosing Event & Prize Announcement: Thursday 17 December 2026\, 5:00 – 7:00pm\nExhibition dates: Thursday 3 December – Thursday 17 December 2026\nUnsold Artwork collection: Friday 18 December\, 12:00 – 6:30pm and Saturday 19 December\, 12:00 – 3:30pm\n\nEligibility \n\nSMALL! is open to all artists living in Australia.\nThere are no age restrictions.\n\nArtwork Requirements \n\nArtists may submit a maximum of two artworks (one artwork per submission).\nArtworks must not exceed 20 × 20 × 20 cm (8 × 8 × 8 inches)\, including any frame or display apparatus.\nArtworks may be smaller than these dimensions.\nAll artworks will be displayed anonymously.\nArtworks must be ready to hang and able to be securely displayed on a wall (e.g. hanging wire\, D-rings or canvas stretcher). Unframed works on paper will be pinned.\nArtworks requiring power must use tested and tagged electrical cords. Artists are responsible for providing batteries or other power sources. The gallery cannot replace batteries during the exhibition.\nArtworks must NOT be created with the use of AI\, in any part or form.\nAll artworks must arrive in good condition and be suitable for exhibition.\nfortyfivedownstairs reserves the right to decline or remove any artwork deemed unsuitable for display.\nFinal curatorial decisions rest with the gallery. Where two artworks are submitted\, they may be displayed separately.\n\nSubmission \n\nEntries must be submitted online by Monday 9 November 2026\, 5:00pm.\nThe entry fee is $25 per artwork and is non-refundable. If two artworks are submitted\, they must be entered via separate forms.\nArtists are responsible for ensuring their artwork is delivered by Friday 20 November 2026\, 5:00pm.\nLate artworks will not be exhibited and entry fees will not be refunded.\n\nLabelling & Packaging \nLabelling \nEach artwork must be securely labelled on the back with: \n\nArtist name\nArtwork title\nHanging orientation\n\nUnlabelled or unidentifiable artworks may not be exhibited at the discretion of the gallery. Entry fees will not be refunded. \nPackaging \n\nPackaging will not be stored by fortyfivedownstairs. Artists should take their packaging with them after delivering their artwork and reuse it when collecting the work.\n\nArtwork Sales \n\nAll artworks entered into SMALL! must be available for sale.\nArtworks are sold at a fixed price of $160.\nArtists receive $125 per artwork sold.\nfortyfivedownstairs retains a commission of $35.\nPrices are GST-inclusive where applicable.\n\nCollection & Returns \n\nUnsold artworks must be collected during the advertised collection times unless return postage has been arranged.\nIf you are unable to collect your work\, you may nominate someone to collect it on your behalf. Please notify the gallery by email before the exhibition closes.\nReturn postage is available within Australia only.\nReturn postage purchased with your entry costs $25. This fee is non-refundable unless the artwork is sold.\nReturn postage arranged after submitting your entry costs $40. This fee is non-refundable unless the artwork is sold.\nReturned artworks will be dispatched within 30 days of the exhibition closing. Please allow this time for packing and postage.\n\nLate Collection \nArtworks not collected\, and for which no alternative collection or return arrangements have been made\, will be held for four weeks after the collection dates. After this time\, they may be disposed of by the gallery. \nLiability \n\nfortyfivedownstairs will take reasonable care of artworks while they are in its possession.\nAll artworks are exhibited and stored at the artist’s own risk.\nfortyfivedownstairs accepts no responsibility for loss of or damage to artworks.\n\nCopyright & Image Reproduction \n\nBy entering SMALL! 2026\, artists grant fortyfivedownstairs permission to reproduce images of submitted artworks\, free of charge\, for promotional\, educational and publicity purposes across print and digital media.\nCopyright of the artwork remains with the artist.\nImages of selected and prize-winning artworks may be published on the fortyfivedownstairs website\, social media channels and other promotional material.\n\nRefunds \n\nEntry fees are non-refundable.\n\n[/vc_column_text][/vc_tta_section][vc_tta_section title=”FAQs” tab_id=”1788744378398-2d10929b-2d6a”][vc_column_text css_animation=”none”]SMALL! 2026 FAQs \nDOWNLOAD FAQs \nPlease also see our SMALL! 2026 T&Cs.  \nEligibility \nAm I eligible to participate in SMALL!? \nSMALL! is open to artists of all ages and experience levels\, including children\, emerging artists and established artists. \nArtists must be living in Australia. \nAll submitted artworks will be exhibited (unless they do not meet the requirements outlined below). \nArtwork Requirements \nWhat size can my artwork be? \nAll artworks must measure under 20 x 20 x 20cm on all sides\, including any framing. \nArtworks can be 2D (such as painting\, drawing\, photography or printmaking) or 3D (such as wall sculpture or ceramics)\, but must be suitable for hanging on a wall. \nHow do I measure my artwork? \nAll artworks are measured as: Height x Width x Depth. Framed works are measured from the external edge of the frame. The total external dimensions of framed artworks must be under 20 x 20 x 20cm. \nDoes my artwork need to be framed? \nNo. However\, all artworks must arrive ready to hang. \nWhat does “ready to hang” mean? \nYour artwork must arrive ready for installation. Examples of artworks that are considered “ready to hang” include: \n\nFramed works with suitable hanging fixtures\, such as wire\, D-rings or sawtooth fixtures.\nUnframed canvases (which will be hung from their stretcher bars).\nUnframed works on paper (which may be pinned). Please affix adhesive tabs if you do not want your work to be pinned.\n\nfortyfivedownstairs will not accept artworks that are not suitable for installation. This includes: \n\nWorks with unsuitable hanging methods\, such as string\, double-sided tape or no hanging mechanism.\nPaintings that are not fully dry at artwork drop off.\nFrames that are damaged\, unstable or unsuitable for exhibition.\nArtworks that may damage other artworks.\n\nWhere can I find frames under 20cm? \nGood places to look include: \n\nFraming stores\, which often stock ready-made frames\, canvases and boards.\nHomewares and home décor stores.\nOp shops and second-hand stores.\n\nIf you are based in Melbourne\, we recommend checking out Frames Readymade. Their Reclaimed + Range of Artist Packs\, which includes sizes from 4” x 4” to 5” x 7”\, are excellent as pre-framed boards for paintings\, while their ‘Seconds Stock’ in 4” x 6” and 5” x 7” are ideal for framing photos and drawings. \nCheck the external dimensions carefully before purchasing. The size listed on a frame usually refers to the size of artwork it holds\, not the overall size of the frame. A frame advertised as 20 x 20cm may therefore measure more than 20 x 20cm once the frame and backing are included. \nBecause all framed artworks must measure under 20 x 20 x 20cm externally\, we recommend choosing a frame with an advertised artwork size smaller than 20 x 20cm and checking its actual external measurements. \nPlease note: Some ready-made frames advertised as having a 20 x 20 cm external frame size actually exceed the SMALL size limit. Here are some common KMART frames where the exterior measurements exceed 20 cm (even though they are labelled as 20 cm): \n\n‘Nice Photo Frame – 6 in. x 6 in. (15 x 15 cm)’ (exterior measures 22.5 cm)\n‘Nice Photo Frame – 4 in. x 6 in. (10 x 15 cm)’ (exterior measures 22.5 cm)\n‘Manhattan Frame – 4 in. x 6 in.’ (exterior measures 22.5 cm)\n‘6 Piece Gallery Frame Set’ (exterior measures 21.5 cm)\n\nCan I enter a diptych\, triptych or multiple works as one artwork? \nYes\, provided all components together measure under 20 x 20 x 20cm when installed. \nThe work will be displayed as a single artwork\, with one title and sale price. The parts cannot be sold separately. \nCan I enter a 3D artwork? \nYes\, as long as the artwork measures less than 20 cm in all dimensions and can be hung on the wall\, it is acceptable. For example\, you could submit a ceramic plate and include hanging plate wires\, such as these ones available from Bunnings. \nDo you accept artworks requiring power? \nPowered artworks may be accepted if they can be connected to a standard power outlet and have been tagged and tested by a qualified electrician. \nArtists must provide batteries or other power sources for battery-operated works. The gallery cannot replace batteries during the exhibition. \nCan I use AI to create my artwork? \nNo. Artworks generated through AI\, even partially\, will not be accepted. \nSubmission \nHow do I enter? \nTo enter SMALL!\, scroll further down on this page\, complete the online Entry Form and pay the entry fee. \nWe will need your name\, address\, bank account details (to pay you for sold artworks)\, your ABN (if you have one)\, your artwork details (title\, medium\, size\, colour)\, and an image of your artwork (even if it isn’t finished). \nWhat is the entry fee? \nThe entry fee is $25. \nHow many artworks can I enter? \nEach artist may submit a maximum of two artworks. Each artwork must be entered separately\, with a separate Entry Form and $25 entry fee for each artwork. \nWhat is the deadline? \nThe deadline is Monday 9 November 2026\, 5pm. Late entries will not be accepted. \nDoes my artwork need to be completed by the entry deadline? \nNo. The entry deadline is for submitting the Entry Form only. Artworks must be completed and exhibition-ready by the Artwork Drop Off dates. \nWhy do I need to submit an image of my artwork? \nAll eligible artworks will be exhibited. Images are used to identify and administer artworks throughout SMALL!. By submitting an artwork image\, artists grant fortyfivedownstairs permission to use images of their artwork for SMALL! marketing and promotional purposes\, including online\, social media\, media releases and promotional materials. \nHow do I know my entry is confirmed? \nYou will receive a confirmation email within 24 hours of submitting your entry. If you do not receive a confirmation email\, please check your spam or junk folder. If you still have not received confirmation after 24 hours\, contact: gallery@fortyfivedownstairs.com \nMy submission form is not working. What should I do? \nTry: \n\nRefreshing your browser.\nEnsuring images are under 2MB. You can take a screenshot of your image to reduce file size.\nUsing a different browser.\n\nIf the issue continues\, contact: gallery@fortyfivedownstairs.com or 03 9662 9966 \nI received a notification that SMALL! has reached maximum capacity when I tried to submit my entry. Can I still enter?  \nSMALL! can accept a maximum of 1\,000 entries. Once this limit has been reached\, the online Entry Form will close and no further entries can be accepted. \nCan I edit my submission after submitting? \nPlease ensure all information is correct before submitting. If you need to amend information\, contact: gallery@fortyfivedownstairs.com. No amendments can be made after Friday 20 November 2026\, 5pm. \nHow is my information used? \nInformation supplied through the Entry Form is used only by fortyfivedownstairs staff for SMALL!. Artist information will not be shared with third parties or used for other purposes. Artist addresses may be used for return postage arrangements\, and bank details may only be used in the event of an artwork sale. \nWhy do you have a limit of 1000 entries for SMALL! 2026? \nUnfortunately\, we cannot store or display more than 1000 artworks in our gallery. As SMALL! has grown every year since it began in 2018\, we have had to limit the number of entries to 1000 artworks. Please enter as early as possible to avoid missing out. If we receive more than 1000 entries before the final submission date of 9 November\, we will have to close submissions early. \nArtwork Care and Responsibility \nHow will my artwork be cared for during SMALL!? \nfortyfivedownstairs will take reasonable care of artworks while they are in its possession; however\, artists acknowledge that artworks are exhibited and stored at their own risk. \nfortyfivedownstairs accepts no responsibility for loss of\, or damage to\, artworks. \nfortyfivedownstairs’ reasonable care obligation does not extend to: \n\nNormal wear and tear.\nInherent faults\, weaknesses or deterioration in the artwork or materials.\nDamage caused by inadequate packaging or transportation.\nDamage caused by unsuitable hanging methods\, installation requirements or artwork preparation.\n\nArtists are responsible for ensuring artworks are appropriately packaged\, transported and prepared for exhibition. \nArtwork Drop Off \nWhen do I need to deliver my artwork? \nArtwork must be received by: Friday 20 November 2026. Works can be delivered during gallery opening hours anytime before this date. \nLate artworks cannot be accepted and entry fees will not be refunded. \nCan someone else drop off my artwork? \nYes. A friend or nominated proxy may deliver your artwork on your behalf. \nCan I send my artwork by post? \nYes. We accept artworks sent by post or courier. \nPlease send artworks to: \nfortyfivedownstairs gallery\nLower Ground\n45 Flinders Lane\nMelbourne VIC 3000\nAustralia \nPlease package your artwork securely using materials suitable for return postage. \nDo I need to label my artwork? \nYes. Each artwork must be securely labelled on the back with: \n\nArtist name.\nArtwork title.\nHanging orientation.\n\nUnlabelled or unidentifiable artworks may not be exhibited. \nDo I need to bring packaging? \nNo packaging will be stored for artworks dropped off in person. Artists should take their packaging with them after delivery and reuse it for artwork collection. fortyfivedownstairs will only store packaging for artworks sent by post or courier to the gallery. \nCollection and Return \nWhen can I collect my unsold artwork? \nArtwork collection dates: Friday 18 December\, 12:00 – 6:30pm and Saturday 19 December\, 12:00 – 3:30pm. \nWhat do I need to do when collecting my artwork? \nWhen collecting your artwork\, you must: \n\nCheck in with gallery staff so your artwork can be located and recorded.\nProvide identification before your artwork can be released.\n\nNo artwork will be released without verification of ownership or proof of identity. \nCan someone else collect my artwork? \nYes. You may nominate a proxy to collect your artwork. Please email the name of your nominated proxy to: gallery@fortyfivedownstairs.com. Their identification will be checked before the artwork is released. \nI cannot collect my artwork on the collection days and I don’t have anyone to collect for me. What are my options? \nYou have the option to have your artwork returned by post during the submission process for a fee of $25. \nIf you are unable to collect your artwork and did not arrange for return postage when you submitted it\, please contact the gallery before the end of the exhibition (17 December). Please note that if you arrange for return postage after submitting\, the fee will be $40. \nReturn postage fees are non-refundable unless the artwork is sold. \nArtworks that are not collected\, and where no alternative arrangements have been made\, will be held for four weeks after collection dates. After this time\, artworks may be disposed of by the gallery. \nWhen will the posted artworks be returned? \nReturned artworks will be dispatched within 30 days of the exhibition closing. Please allow additional time for packing and postage. \n  \nExhibition Events \nWhat is the preview night? \nThe preview night is an exclusive ticketed event for collectors to view and purchase works before the exhibition opens. You can book your ticket here. \nWhen is the opening night? \nThe SMALL! opening night will be held on Thursday 3 December 2026\, 5-7pm. All artists and members of the public are invited to attend. No RSVP is required. Due to the popularity of the event\, we encourage visitors to allow space for others by keeping their visit brief. \nWhen is the closing night? \nThe SMALL! closing night will be held on Thursday 17 December\, 5-7pm. Prize winners will be announced at the closing event. All artists and members of the public are invited to attend. No RSVP is required. \nWhen is the exhibition open? \nThe exhibition will be open Thursday 3 December to Thursday 17 December. \nGallery hours: Tuesday–Friday: 12–7pm\, Saturday: 12–4pm \nArtwork Sales \nDo artworks need to be for sale? \nYes. All artworks entered into SMALL! must be available for purchase. All works will be priced at $160. \nHow much do I receive if my artwork sells?  \nThe artist will receive $125 and fortyfivedownstairs will receive $35 commission. \nCan I reserve an artwork for someone else to buy? \nNo. \nHow can someone purchase artworks in SMALL!? \nInterested collectors can purchase artworks in person at the gallery or on our online gallery shop. Artworks will only be available online after 4 December 2026. \nAnonymity \nWhy are artworks displayed anonymously? \nSMALL! presents artworks anonymously to encourage visitors to choose works based on their personal connection and response to the artwork\, rather than the artist’s identity. \nArtist identities are revealed only after a work has sold. \nWill buyers know who created their artwork? \nYes. The artist’s name will be shared with the buyer after purchase. \nCan I share my artwork on social media? \nYou are welcome to promote your participation in SMALL! on social media. However\, please do not post images of your artwork identifying it as a SMALL! entry\, as artworks remain anonymous throughout the exhibition. \nPrizes \nWhat prizes are available? \nPrize categories include: Under 18 Prize\, Painting Prize\, Drawing Prize\, Printmaking Prize\, Sculpture Prize\, Photography Prize\, Textile Prize\, Mixed Media Prize\, People’s Choice Award. \nPrize values will be confirmed closer to the exhibition\, but will likely include vouchers from Melbourne-based art supply stores valued between $50–$150. \nWho judges the prizes? \nPrizes are judged by a selection panel of artists\, curators and arts workers. \nWhen will prize winners be announced? \nPrize winners will be announced at the closing night Thursday 17 December 2026\, 5-7pm. \n  \nIf you have a question that is not answered here\, please contact: \ngallery@fortyfivedownstairs.com[/vc_column_text][/vc_tta_section][vc_tta_section title=”Past Exhibitions” tab_id=”1788744596985-1e052f59-5951″][vc_btn title=”Past SMALL! exhibitions” custom_background=”#F6B3BC” custom_text=”#B63D3C” css_animation=”none” link=”url:https%3A%2F%2Ffortyfivedownstairs.com%2Fsmall%2F”][/vc_tta_section][vc_tta_section title=”Preview Night” tab_id=”1789025854657-189fe7d2-6dd6″][vc_column_text css_animation=”none”]Wednesday 2 December 2026\, 5-7pm \nJoin us for the preview night of SMALL! 2026 and be among the first to explore and choose from our annual community-sourced small works exhibition before it opens to the public on 3 December. \nIn SMALL!\, every artwork is 20 × 20 cm or smaller\, priced at $160\, and displayed anonymously. \nOpen to artists of all ages and experience levels\, the exhibition brings the work of established professionals\, emerging talents and young artists together\, side by side. Expect an eclectic mix of styles and media\, including painting\, drawing\, sketches\, prints\, textiles and small sculptural works. \nWith the artist’s identity kept secret\, SMALL! creates a level playing field\, inviting you to choose a work based purely on personal connection and aesthetic appeal. The artist is revealed only after the work is sold – making every purchase a little surprise and a celebration of artistic equality. \nPlus\, one lucky ticket holder will win the door prize: an artwork of their choice! \nDrinks and nibbles included – service concludes at 6.45pm. \n.[/vc_column_text][vc_btn title=”BOOK HERE” custom_background=”#F59FAA” custom_text=”#900606″ link=”url:https%3A%2F%2FFORTYFIVEDOWNSTAIRS.sales.ticketsearch.com%2Fsales%2Fsalesevent%2F169218″][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row][vc_row gap=”0px” css_animation=”none” local_scroll_id=”form”][vc_column]\n\n                \n                        \n                            SMALL! 2026 Submission Form\n							"*" indicates required fields \n                        \n        \n        	Step 1 of 2\n        	 \n            \n                50%\n            \n                        \n					Name*\n                            \n                            \n                                                    \n                                                    First\n                                                \n                            \n                            \n                                                    \n                                                    Last\n                                                \n                            \n                        Address*    \n                    \n                         \n                                        \n                                        Street Address\n                                    \n                                        \n                                        Address Line 2\n                                    \n                                    \n                                    City\n                                 \n                                        \n                                        State / Province / Region\n                                      \n                                    \n                                    ZIP / Postal Code\n                                \n                                        AfghanistanÅland IslandsAlbaniaAlgeriaAmerican SamoaAndorraAngolaAnguillaAntarcticaAntigua and BarbudaArgentinaArmeniaArubaAustraliaAustriaAzerbaijanBahamasBahrainBangladeshBarbadosBelarusBelgiumBelizeBeninBermudaBhutanBoliviaBonaire\, Sint Eustatius and SabaBosnia and HerzegovinaBotswanaBouvet IslandBrazilBritish Indian Ocean TerritoryBrunei DarussalamBulgariaBurkina FasoBurundiCambodiaCameroonCanadaCape VerdeCayman IslandsCentral African RepublicChadChileChinaChristmas IslandCocos IslandsColombiaComorosCongoCongo\, Democratic Republic of theCook IslandsCosta RicaCôte d'IvoireCroatiaCubaCuraçaoCyprusCzechiaDenmarkDjiboutiDominicaDominican RepublicEcuadorEgyptEl SalvadorEquatorial GuineaEritreaEstoniaEswatiniEthiopiaFalkland IslandsFaroe IslandsFijiFinlandFranceFrench GuianaFrench PolynesiaFrench Southern TerritoriesGabonGambiaGeorgiaGermanyGhanaGibraltarGreeceGreenlandGrenadaGuadeloupeGuamGuatemalaGuernseyGuineaGuinea-BissauGuyanaHaitiHeard Island and McDonald IslandsHoly SeeHondurasHong KongHungaryIcelandIndiaIndonesiaIranIraqIrelandIsle of ManIsraelItalyJamaicaJapanJerseyJordanKazakhstanKenyaKiribatiKorea\, Democratic People's Republic ofKorea\, Republic ofKuwaitKyrgyzstanLao People's Democratic RepublicLatviaLebanonLesothoLiberiaLibyaLiechtensteinLithuaniaLuxembourgMacaoMadagascarMalawiMalaysiaMaldivesMaliMaltaMarshall IslandsMartiniqueMauritaniaMauritiusMayotteMexicoMicronesiaMoldovaMonacoMongoliaMontenegroMontserratMoroccoMozambiqueMyanmarNamibiaNauruNepalNetherlandsNew CaledoniaNew ZealandNicaraguaNigerNigeriaNiueNorfolk IslandNorth MacedoniaNorthern Mariana IslandsNorwayOmanPakistanPalauPalestine\, State ofPanamaPapua New GuineaParaguayPeruPhilippinesPitcairnPolandPortugalPuerto RicoQatarRéunionRomaniaRussian FederationRwandaSaint BarthélemySaint Helena\, Ascension and Tristan da CunhaSaint Kitts and NevisSaint LuciaSaint MartinSaint Pierre and MiquelonSaint Vincent and the GrenadinesSamoaSan MarinoSao Tome and PrincipeSaudi ArabiaSenegalSerbiaSeychellesSierra LeoneSingaporeSint MaartenSlovakiaSloveniaSolomon IslandsSomaliaSouth AfricaSouth Georgia and the South Sandwich IslandsSouth SudanSpainSri LankaSudanSurinameSvalbard and Jan MayenSwedenSwitzerlandSyria Arab RepublicTaiwanTajikistanTanzania\, the United Republic ofThailandTimor-LesteTogoTokelauTongaTrinidad and TobagoTunisiaTürkiyeTurkmenistanTurks and Caicos IslandsTuvaluUgandaUkraineUnited Arab EmiratesUnited KingdomUnited StatesUruguayUS Minor Outlying IslandsUzbekistanVanuatuVenezuelaViet NamVirgin Islands\, BritishVirgin Islands\, U.S.Wallis and FutunaWestern SaharaYemenZambiaZimbabwe\n                                        Country\n                                    \n                    \n                Phone*Email*\n                                \n                                    \n                                    Enter Email\n                                \n                                \n                                    \n                                    Confirm Email\n                                \n                                \n                            Bank Account: Name account is held in*For payment of sold worksBank Account: BSB*Bank Account: Number*ABNOnly required if you have one. Please indicate whether you are under the age of 18To be eligible for the 'Under 18 Prize'\n			\n					\n					No\n			\n			\n					\n					Yes\n			Artwork DetailsTitle*Medium*Size*Height x width cm (e.g. 20 x 20 cm\, 12 x 16 cm)Artwork Colour*Select the main colour of your artwork\n			\n					\n					Red\n			\n			\n					\n					Brown\n			\n			\n					\n					Orange\n			\n			\n					\n					Yellow\n			\n			\n					\n					Green\n			\n			\n					\n					Blue\n			\n			\n					\n					Purple\n			\n			\n					\n					Pink\n			\n			\n					\n					Neutral\n			\n			\n					\n					White\n			\n			\n					\n					Black\n			\n			\n					\n					Grey\n			Image*Please provide an image of your work (even if it is not completed). Accepted file types: jpg\, jpeg\, png\, Max. file size: 10 MB. \n                    \n                    \n                         Next \n                    \n                \n                \n                    \n                        ConditionsSMALL! 2026 Terms and Conditions* I have read and agree to the requirements and conditions as outlined belowSMALL! 2026 Exhibition – Terms & Conditions\nKey Dates\nBy submitting an entry\, artists agree to the following exhibition schedule:\n•	Entries close: Monday 9 November 2026\, 5:00pm\n•	Artwork delivery deadline: Friday 20 November 2026\, 5:00pm\no	Artworks may be delivered at any time after submitting your entry. Early delivery is encouraged.\no	If posting your artwork\, please allow at least one week for delivery and send it to: fortyfivedownstairs gallery\nLower Ground\n45 Flinders Lane\nMelbourne VIC 3000\nAustralia\n•	Preview Night (ticketed event): Wednesday 2 December 2026\, 5:00 - 7:00pm\n•	Opening Night: Thursday 3 December 2026\, 5:00 - 7:00pm\n•	Closing Event & Prize Announcement: Thursday 17 December 2026\, 5:00 - 7:00pm\n•	Exhibition dates: Thursday 3 December - Thursday 17 December 2026\n•	Artwork collection: Friday 18 December\, 12:00 - 6:30pm and Saturday 19 December\, 12:00 - 3:30pm\n________________________________________\nEligibility\n•	SMALL! is open to all artists living in Australia.\n•	There are no age restrictions.\n________________________________________\nArtwork Requirements\n•	Artists may submit a maximum of two artworks (one artwork per submission).\n•	Artworks must not exceed 20 × 20 × 20 cm (8 × 8 × 8 inches)\, including any frame or display apparatus.\n•	Artworks may be smaller than these dimensions.\n•	All artworks will be displayed anonymously.\n•	Artworks must be ready to hang and able to be securely displayed on a wall (e.g. hanging wire\, D-rings or canvas stretcher). Unframed works on paper will be pinned.\n•	Artworks requiring power must use tested and tagged electrical cords. Artists are responsible for providing batteries or other power sources. The gallery cannot replace batteries during the exhibition.\n•	All artworks must arrive in good condition and be suitable for exhibition.\n•	fortyfivedownstairs reserves the right to decline or remove any artwork deemed unsuitable for display.\n•	Final curatorial decisions rest with the gallery. Where two artworks are submitted\, they may be displayed separately.\n________________________________________\nSubmission\n•	Entries must be submitted online by Monday 9 November 2026\, 5:00pm.\n•	The entry fee is $25 per artwork and is non-refundable.\n•	Artists are responsible for ensuring their artwork is delivered by Friday 20 November 2026\, 5:00pm.\n•	Late artworks will not be exhibited and entry fees will not be refunded.\n________________________________________\nLabelling & Packaging\n•	Each artwork must be securely labelled on the back with: artist name\, artwork title and hanging orientation.\no	Unlabelled or unidentifiable artworks may not be exhibited at the discretion of the gallery. Entry fees will not be refunded.\n•	Packaging will not be stored by fortyfivedownstairs. Artists should take their packaging with them after delivering their artwork and reuse it when collecting the work.\n________________________________________\nArtwork Sales\n•	All artworks entered into SMALL! must be available for sale.\n•	Artworks are sold at a fixed price of $160.\n•	Artists receive $125 per artwork sold.\n•	fortyfivedownstairs retains a commission of $35.\n•	Prices are GST-inclusive where applicable.\n________________________________________\nCollection & Returns\n•	Unsold artworks must be collected during the advertised collection times unless return postage has been arranged.\n•	If you are unable to collect your work\, you may nominate someone to collect it on your behalf. Please notify the gallery by email before the exhibition closes.\n•	Return postage is available within Australia only.\n•	Return postage purchased with your entry costs $25. This fee is non-refundable unless the artwork is sold.\n•	Return postage arranged after submitting your entry costs $40. This fee is non-refundable unless the artwork is sold.\n•	Returned artworks will be dispatched within 30 days of the exhibition closing. Please allow this time for packing and postage.\n________________________________________\nLate Collection\nArtworks not collected\, and for which no alternative collection or return arrangements have been made\, will be held for four weeks after the collection dates. After this time\, they may be disposed of by the gallery.\n________________________________________\nLiability\n•	fortyfivedownstairs will take reasonable care of artworks while they are in its possession.\n•	All artworks are exhibited and stored at the artist's own risk.\n•	fortyfivedownstairs accepts no responsibility for loss of or damage to artworks.\n________________________________________\nCopyright & Image Reproduction\n•	By entering SMALL! 2026\, artists grant fortyfivedownstairs permission to reproduce images of submitted artworks\, free of charge\, for promotional\, educational and publicity purposes across print and digital media.\n•	Copyright of the artwork remains with the artist.\n•	Images of selected and prize-winning artworks may be published on the fortyfivedownstairs website\, social media channels and other promotional material.\n________________________________________\nRefunds\n•	Entry fees are non-refundable.Artwork Return*Our preference is for artworks to be collected in person.\n\nIf you require return postage\, it can be purchased with your entry for $25. If arranged after submitting your entry\, the fee is $40. Return postage fees are non-refundable unless the artwork is sold.\n\nReturned artworks will be dispatched within 30 days of the exhibition closing. \n\n			\n					\n					FREE: Collect in person (or via nominated proxy)\n			\n			\n					\n					$25: Return postage\n			Uncollected Artwork Agreement*\n								\n								I agree that if my unsold artwork is not collected between Friday 18 December 2026 (12 - 6:30pm) and Saturday 19 December 2026 (12:00 - 3:30pm)\, and no prior collection arrangement has been made\, it may be disposed of.\n							Upon submitting this form you will be redirected to a thank you page. If you are not redirected then your form entry hasn't gone through -please check for errors and try again.Coupon Total\n							\n						Credit Card*Card Details\n					\n					Cardholder Name\n				\n			Interested in future opportunities\, exhibitions and workshops at fortyfivedownstairs?*Select the fortyfivedownstairs mailing list(s) you’d like to subscribe to:\n								\n								Fortnightly newsletter\n							\n								\n								Art workshops\n							\n								\n								Opening nights & artwork sales\n							\n								\n								None\n							PLEASE CHECK IF YOU RECEIVE A CONFIRMATION EMAIL WITHIN 24 HOURS OF SUBMITTING. IF YOU HAVE NOT\, YOUR SUMBISSION WAS NOT SUCCESSFUL.\n\nCommon causes of unsuccessful submissions are that image files are too large. Images must be less than 2MB. If problem persists\, contact the gallery at gallery@fortyfivedownstairs.com.\n        Previous Submit SMALL! entry \n            \n            \n            \n            \n            \n            \n            \n            \n            \n            \n            \n            \n            \n        \n             \n                        Δ\n \n                        [/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/small-2026-submission-form/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/png:https://fortyfivedownstairs.com/wp-content/uploads/2026/09/SMALL1-2500x2500-1.png
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs gallery 45 Flinders Lane Melbourne Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260916
DTEND;VALUE=DATE:20260925
DTSTAMP:20260921T023615Z
CREATED:20251126T025540Z
LAST-MODIFIED:20260921T023615Z
UID:10004571-1789516800-1790294399@fortyfivedownstairs.com
SUMMARY:Ballkids (or\, scenes from a friendship)
DESCRIPTION:[vc_row][vc_column][vc_column_text el_class=”ffds-theatre-company”]\nVIMH in association with fortyfivedownstairs presents\n[/vc_column_text][vc_column_text css=”.vc_custom_1762213570875{padding-bottom: 5px !important;}” el_class=”ffds-theatre-title”]\nBallkids (or\, scenes from a friendship) by Liv Satchell\n[/vc_column_text][vc_column_text css_animation=”none” css=”.vc_custom_1789617812908{padding-bottom: 25px !important;}” el_class=”ffds-theatre-dates”]16 – 24 September 2026[/vc_column_text]book online [vc_row_inner css=”.vc_custom_1517972522288{padding-top: 20px !important;}”][vc_column_inner width=”2/3″][/vc_column_inner][vc_column_inner width=”1/3″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row equal_height=”yes” el_class=”ffds-theatre-details”][vc_column width=”2/3″][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1517986542329{padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #f8f8f8 !important;}”][vc_column_text css=”.vc_custom_1517986153292{padding-bottom: 5px !important;}”]\nSHOW DETAILS:\n[/vc_column_text][vc_separator align=”align_left” el_width=”40″ color=”custom” el_id=”ffds-theatre-divider”][vc_column_text css_animation=”none” css=”.vc_custom_1789949535476{padding-top: 5px !important;}”]ALL REMAINING PERFORMANCES OF BALLKIDS HAVE BEEN CANCELLED \nWednesday 16 – Thursday 24 September 2026\n\npreview: Wednesday 16 September\nopening night: Thursday 17 September\nduration: 75 minutes. Show has a strict lockout\, please arrive early as we are unable to admit latecomers.\ntimes:\nTuesday to Saturday 7:30pm\nSunday 5pm\nticket price: $35 – $45\nbookings: 03 9662 9966 \nwarnings: haze[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs][vc_tta_section tab_id=”1451285630039-f4b33ad9-e29065c5-b63365ad-01c60201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f18d28-bfdc” title=”Description”][vc_column_text]Holly and Sam share a dream – to join the most elite squad in competitive summer sport: ballkids at the Australian Open. It’s their first day of training and they don’t know yet that they’re not going to get picked\, or that they’re going to meet their best friend for the first time ever. \nBallkids (or\, scenes from a friendship) takes this chance encounter and chucks it in a blender\, jump-cutting through the next two decades of Holly and Sam’s shared life together. Funny and moving\, excruciatingly human\, it’s an ode to lonely kids and what happens when they find each other. \nGreen Room Award winner for Outstanding Writing and co-winner of the Rodney Seaborn Playwrights Award\, leading indie theatre company VIMH (The Grief Trilogy) are bringing back their Melbourne Fringe smash hit in a season not to be missed. \n ★★★★★ “…uplifting\, mature theatre\, guaranteed to leave you smiling” Cameron Woodhead\, The Age \nBallkids is supported by the City of Melbourne Arts Grants \n[/vc_column_text][/vc_tta_section][vc_tta_section title=”Cast and Creatives” tab_id=”1452941644640-19a0de81-e87a0201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f18d28-bfdc”][vc_column_text css_animation=”none”]Cast: Izabella Yena\, Mich McCowage \nWriter: Liv Satchell \nDirector: Julian Dibley-Hall \nStage Manager: Liz Bird \nLighting Designer: John Collopy \nSound Designer: Tom Backhaus \nSet and Costume Designer: Filipe Filihia \nMovement Director: Xanthe Beesley \nProducer: VIMH \nHero image: Jack Dixon-Gunn[/vc_column_text][/vc_tta_section][vc_tta_section title=”Ticket Prices and Concessions” tab_id=”1452941768731-94b426f3-57530201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f18d28-bfdc”][vc_column_text]\nTicket Prices:\nPreview: $35\nFull: $45\nConcession: $40\nGroup 6+: $40\nMob tickets (discount for Aboriginal and Torres Strait Island mob): $30 \nConcessions:\nPensioners/Full-time students/MEAA members \nTicket sales are subject to a booking fee of $5.00 per ticket plus any merchant charges for payments by American Express \nTicket fees are charged reluctantly. As an unfunded CBD located venue\, our expenses continue to rise. If fortyfivedownstairs is to survive\, we are obliged to increase our revenue without inflicting costs on already struggling artists. Without support\, we risk losing artists or having to close our doors. We do hope for your understanding![/vc_column_text][/vc_tta_section][/vc_tta_tabs][vc_empty_space]book online [/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/ballkids/
LOCATION:fortyfivedownstairs theatre\, 45 Flinders Lane\, Melbourne 3000\, Victoria\, 3000\, Australia
CATEGORIES:theatre
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2025/11/Ballkids-Promotional-Stills__1080x1080_Jack-Dixon-Gunn.jpg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs theatre 45 Flinders Lane Melbourne 3000 Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260922
DTEND;VALUE=DATE:20261004
DTSTAMP:20260922T011039Z
CREATED:20260826T173058Z
LAST-MODIFIED:20260922T011039Z
UID:10004638-1790035200-1791071999@fortyfivedownstairs.com
SUMMARY:Cosmic Forms
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text el_class=”ffds-gallery-artistname”]\nKate Murdoch\n[/vc_column_text][vc_column_text el_class=”ffds-gallery-exhibitionname”]\nCosmic Forms\n[/vc_column_text][vc_empty_space height=”12px”][vc_column_text]22 September – 3 October 2026 \nopening: \nTuesday 22 September\, 5-7pm\n\nhours:\nTuesday – Friday: 12pm – 7pm\nSaturdays: 12pm – 4pm \nadmission: Free[/vc_column_text][vc_column_text]\n…our interconnectedness with all living things – from plants\, to animals\, to each other…. \n[/vc_column_text][vc_empty_space height=”30px”][vc_btn title=”VIEW AND PURCHASE ARTWORK” custom_background=”#20B7A8″ custom_text=”#FFFFFF” link=”url:https%3A%2F%2Fgallery-shop-3603.myshopify.com%2Fcollections%2Fcosmic-forms”][/vc_column][vc_column width=”1/2″]Load More[/vc_column][/vc_row][vc_row][vc_column][vc_tta_tabs shape=”round” color=”white” no_fill_content_area=”true”][vc_tta_section tab_id=”1518320329614-868977ba-1f9e905c-b0b3368e-b9ef2edb-f0663f53-0933″ title=”Description”][vc_column_text]Kate’s practice has long been a means of connecting to herself through the symmetry and beauty of natural forms. In distilling plants and landscapes to their essence\, she finds order in a disordered world. \nIn a broader sense\, the study of biocosmology reveals why natural forms centre and ground us. \nBiocosmology shows life’s ability to create and maintain order is not a contradiction of the universe’s chaos\, but a delicate interplay between opposing forces. This dance is crucial for comprehending the nature of life and our place in the cosmos. \nBotanic structures’ mathematical underpinnings reflect universal principles governing the cosmos. These forms show the universe is not just an arbitrary collection of matter\, but an organised and interdependent system. \nThe works in Cosmic Forms can be seen simply as meditations on order within disorder. Yet they also examine our interconnectedness with all living things – from plants\, to animals\, to each other.[/vc_column_text][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row]
URL:https://fortyfivedownstairs.com/event/cosmicforms/
LOCATION:fortyfivedownstairs gallery\, 45 Flinders Lane\, Melbourne\, Victoria\, 3000\, Australia
CATEGORIES:gallery
ATTACH;FMTTYPE=image/jpeg:https://fortyfivedownstairs.com/wp-content/uploads/2026/08/Inflection-Point_2025_oil-on-canvas_97-x-97-scaled.jpeg
ORGANIZER;CN="fortyfivedownstairs":MAILTO:info@fortyfivedownstairs.com
GEO:-37.8147392;144.9730607
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=fortyfivedownstairs gallery 45 Flinders Lane Melbourne Victoria 3000 Australia;X-APPLE-RADIUS=500;X-TITLE=45 Flinders Lane:geo:144.9730607,-37.8147392
END:VEVENT
END:VCALENDAR