This mixed media series looks at the way in which society lives under the power and influence of the various media outlets, whose published material has decidedly far-reaching effects on how we think, look and feel.
CLIMARTE is mounting an exhibition of 25 original artworks, each depicting a City of Melbourne trees. Trees face a dangerously warming world, among other threats. Life has a layered dialogue with trees in the city context. Trees in urban settings have circumstances not experienced by trees in non urban environments.
Sombras means shadows or spectres in Spanish. Sal encountered it as a title translation of the 1970’s song Feelings by Morris Albert. These etchings, drawings and photographic works are also attempts at translation. They express a bleak and magical landscape she once inhabited, with all its fragility and potency.
Phiri learned to sculpt and mix different coloured clays by decorating the wall plastering of the huts where she lived and grew up. Phiri channels and repurposes these skills in her artwork today, choosing to work instead on canvas and with acrylic mediums. Her artwork focuses on life through positivity. Through her work she seeks to engage the viewer with stimulating colours and a whimsical joy that draws from the beauty of everyday life.
Mutually Assured Destruction (MAD) is a doctrine of military strategy and security policy where a full scale use of nuclear weapons by two or more opposing sides would cause the annihilation of both sides. It is based on the theory of deterrence, which holds that the threat of using strong weapons against the enemy prevents the enemy's use of those same weapons. As ridiculous as such a thing sounds, it is still today the modern deterrence of such an event
This is an un-ticketed evening open to anyone from the curious to the ambitious who have an interest in sharing or experiencing living, breathing literature. The Spoken Word Circle encourages emerging and established writers of poetry, creative writing, lyricists, playwrights, novelists, biographers, diarists — all with a pen or keyboard and a fire in their belly for words are welcome.
In Cuorosensa, the artist’s bold, energetic and confident mark-making coheres into recognisable Luccio-esque themes — we see his Eiffel Tower, his Trojan Horse, his meditations on the myths and figures of classical antiquity — but closer inspection reveals a canvas of interlocking postcards with tantalising glimpses of the messages they once conveyed.